Building Art

Title: Mid Century French Original Pastel Painting - Coastal View from the Hills Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height) x...

Vedutist painter of the 18th century View of Venice with the Grand Canal, the Punta della Dogana with the Basilica of Santa Maria della Salute on the left, the Palazzo Della Zecca wi...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 1/2 x 4 5/8 inches (167 x 11...

Ormond Gigli Girls in the Window, 1960 (printed later) Color coupler print 44 x 44 inches edition of 45 Signed, numbered and dated by the artist Ormond Gigli: The Visionary Behind t...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

It represents the "Petit Saconnex" square in Geneva, including the "café du commerce" and the "café du soleil". The work is signed and framed by René Zwahlen, painter and watercolour...

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

A striking moonlit view of the London embankment with the Houses of Parliament and Big Ben Lit up. The artist has initialed at the lower left. On canvas.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Sunrise Tunnel (2022), oil painting on canvas, earth tones and pastels, outdoor greenhouse, farm landscape, silos and green hills in background, skyscape, sunrise colors "Sunrise Tunnel" by Delilah Ray...

"Backyards" Early 20th Century Watercolor Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identic...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1955, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Harnham Mill by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14.25 x 19 inches dated 'Oct 95', titled 'Harnham Mill' *FREE SHIPPING ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

"Corner Shop" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This sun drenched oil on panel packs a lot of the scenic beauty of a uniquely Amalfi Coast p...

Richard Haas The Rookery Courtyard, Chicago, 1974 Etching on etching rag paper Signed, titled and numbered 11/50 in graphite pencil on the front Frame included Etching on etching ra...

Richard Haas Central Synagogue - Lexington Avenue Looking North, 1991 Etching and aquatint on wove paper Signed, dated and numbered 8/35 in graphite pencil on the front; bears the or...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

Richard Haas Downtown Los Angeles MOCA (Museum of Contemporary Art), 1991 Etching and aquatint on paper with printers blind stamp SIgned, dated '91 and numbered 14/35 in graphite pen...

Engraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885 He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022 The theme of the engraving is one of the most famous castle in Switzerland "le chateau...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view — from the world’s most beautiful known and secret places. The grand, limited-edition photographic prints fuse landscape with figuration while exploring global cultural themes. The mesmerizing images, with their precision detail, also afford us an opportunity to examine a moment fixed in time in “paradise.” This print is one of an edition of 20 total prints. La Mamounia...

Sukan’s photographic work explores the conventions of the modern white cube as both an architectural context and as a content subject in and of itself. By addressing the notions of s...

Nick Vedros Montana Man Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided...

A very nice and charming painting with a view of King Gustav III´s Haga pavilion by Carl Abraham Rothstén, (1826 - 1877). Oil on canvas, signed with monogram CAR. Probably painted in...

Richard Estes Roma (from Urban Landscapes III), 1981 Signed and numbered "33/250" in pencil, lower margin Color screenprint on white wove paper 14 x 20 inches Edition 33/250 Richar...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Finely detailed hand tinted color landscape photograph of Stanford Memorial Church produced by Bear Photo Service (American, 1930s). Photographer is unknown. Numbered 904 bottom right. Displayed in a rustic gilt-toned wood frame with antique glass. Image size: 7"H x 11"W. Stanford Memorial Church is located on the Main Quad at the center of the Stanford University...

49 Via Dezza at Sunset, Gio Ponti architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in Novembe...

"In the Guest Room" painted in 2022 by Carl Grauer Contemporary Still Life Painting of a view into the Guest Bedroom Acrylic on Canvas in Custom Frame 16 x 12 inches, 19.5 x 15.5 x 2 inches framed in custom grey painted wooden frame Signed en verso In a new series titled Qu(i)e(t)er Interiors, Carl Grauer turns inward and brings us into an intimate space; his home. From a place of repose and safety, this environment provides warmth, comfort, and a stage to observe relationships among objects, beings, and the passage of light. His perspective tracks varied emotions, different points of view, and how the light is experienced by candlelight or sunlight reflected on walls and hardwood. “I found peace in observing the changes in light, and observing with slowness and mindfulness that comes during times of meditation.” Simple household objects are the subject of the rather complex compositions with layered perspectives. Grauer merges adept technical abilities with a penchant for authentic expression. This painting recalls the Dutch masters with its composition and soft application of paint. Sunlight streams in through the bedroom window, raking across a bed made up with white cotton sheets, and pooling onto the brown hard wood floor. This work is intimate, tranquil and is exquisite in its technical rendering. Artist Bio: Carl Grauer is a painter based in Poughkeepsie, NY in the beautiful Hudson Valley. He primarily works in oil, painting mostly portraits and figure-based contemporary realistic paintings. Born in rural Kansas, Grauer left to complete his degrees in human biology and his MFA in medical illustration...

Italtel Center in 1980s is an original black and white photograph realized by an Anonymous photographer. With the typed notes on the paper attached to the image- Italian description-...

Landscape is an etching realized by Pierre-François Laurent in 1755. Good condition. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized ...

French School, late 20th century signed oil painting on canvas, unframed canvas: 14 x 10.5 inches provenance: private collection, France condition: very good and sound condition

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. This series of works a...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

Maerten Van Der Loo (1880-1920) Belgian, oil on canvas. View of an Old Bridge in Bruges. Signed to the lower right. Signed and inscribed verso.

Jean La Forgue (French 1901-1975) watercolour on card, unframed painting: 23 x 20 inches provenance: the artists estate, France condition: very good an...

Une Rue à Sienne is an original artwork realized by Louis-Auguste Leconte de Roujou in 1863. Original etching. The sheet is glued on cardboard. Titled on the lower margin. The name...

"View From The Top" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This relatively small oil on panel packs a lot of the modern energy of a dynamic Calif...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

A place where lives have been well-lived is conveyed in this watercolor painting of a Victorian home by Diane Baldwin (American, 20th century). Signed "...

This atmospheric cityscape captures the bustling life along a Parisian riverbank, with a stone bridge arching gracefully over the Seine. The artist's loose brushwork and muted palett...

Josine Vignon (French 1922-2022) ...

This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...

A Walk Through Town California Gold Country An old town in the California Gold Country, depicting green and blue buildings with brown rooftops and gree...

Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...

Saint-Tropez Boucherie A boucherie or butcher’s shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. 40 x 60" inches / 101 x 152 cm paper size Estate...

Manhattan Bridge 100 x 100 cm, framed 103 x 103 cm (frame is included in price) Oil paint on canvas Gineke Zikken likes to paint outside ' in the subject she shows in her works' . B...

Madison Square Garden (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Madison Square Garden marquee night, west 49th street, Manhattan, New York, USA, circa 1953 Additional Information: Unframed Paper Size: 40x60'' Printed Later Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

Gabriele Bella (Venice 1730 – Venice 1799) attributed View of Venice with the Guglie bridge (or the Cannaregio bridge, as it was formerly called) circa 1750/60 oil on canvas, ...

Duane Bryers, American (1911 - 2012) - Horseshoe Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 21 in. x 28 in. (53.34 cm x 71.12 cm...

Original Mid 20th Century Northern California Landscape Painting by Jon Blanchette (1908-1987). This vintage plein air style painting depicts a serene rural scene with a white farmho...

Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed...

The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.  Etching on paper. Good condition. The title:  Celebratasi colla Machina della precedente sera la beneficenz...

Cityscape, Original oil Painting, Ready to Hang Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Ca...

'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...