Building Art

Signed lower left American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson...

This artwork titled "Innsbruck" is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed dated and dedicated in pencil. The plate mark (image) siz...

MASSIMO LISTRI Sammezanno I, Tuscany, 2005 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Original watercolor and gouache artwork of the New York Public Library mounted to board by Charles Cobelle. Signed lower right. Condition is very good. Circa 1960. The artwork is h...

A steamboat at Hudson River Pier.

Massimo Listri Palácio do Itamaraty, Oscar Niemeyer, Brasilia, Brazil, 2012 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150...

Etching by Ettore Fagiuoli depicting Piazza delle Erbe in Verona. Ettore Fagiuoli, who was born in 1884 and died in Verona in 1961, was an Italian architect, engraver, and stage desi...

The Troubadour is a limited edition of 50 prints with 5 Artist Proofs, on Entrada Rag, natural 290 g with deckled edge.

Portfolio 2008

Original oil painting on canvas. Hand signed lower front by the artist. Canvas size 56 x 32 inches. Custom framed as pictured. Artwork is in excellent condition. Certificate of ...

Signed and dated on lower right, numbered on verso, unframed. Other sizes available,other sizes available Printed on Hahnemühle Fine Art paper

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Signed Lower Right

Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing options available...

Title: British Impressionist Watercolor of a Historic Stone Bridge and Cottages By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 1...

Philippe Charles Jacquet is not simply a painter of landscapes; he is a creator. Jacquet has mastered the ability to combine what is real and what is imagined. As a result, his comp...

Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...

This evocative 20th-century graphite sketch, executed by an artist in the circle or school of Edward Hopper, captures the quiet architecture and open stillness of a rural farmstead w...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Not stretched. Artwork is in excellent condition. Cer...

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

The Riverside Pathway Italian School, early 1800's period oil painting on paper laid on board, unframed size: 12.75 x 17.5 inches condition: overall very good for age, a few very sma...

London: Seeley & Co., 1884. Etching with drypoint on cream wove paper, 6 1/4 x 9 1/4 inches (158 x 235 mm); 8 1/4 x 12 1/4 inches (210 x 311 mm), full margins with deckle edges....

James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisation ...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 60 x 44 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 44 x 62 cm This engraving was originally published by the Society of Antiquaries of London, an...

James Basire & John Carter St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to ...

James Basire & Robert Blemmel Schnebbelie The Holy Sepulchre at Northwold in the county of Norfolk Engraving 45 x 60 cm This engraving was originally published by the Society of ...

New York Waterfront and Skyline (also recorded as N.Y. Waterfront & Skyline and View of the New York Waterfront) Etching, 1930-1935 Unsigned Provenance: Estate of the Artist ...

Saint Sulpice is a painting by contemporary French artist Guillaume Chansarel from the series Paris by night. In this painting, the artist captures the tranquil charm of this square,...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Vintage photo. Venice, San Marco Cathedral, "Atrium, 1° Arcata a destra. Sepolcro del Doge Vitale Michiel" (architectural fragments of the first Basilica, IX Century) by Studio Osval...

An exquisite blue-toned, Mid-Century watercolor, titled "Rome", ca. 1960 by Chicago Modern artist George Yelich. The watercolor depicts the Foro Traiano; Trajan Column, and Churches...

edition of 5, signed on reverse. This photograph was taken in 2000 of the the Thunderbolt rollercoaster in Coney Island prior to its demolition. The Thunderbolt was a wooden roller...

"Bleak House 4-5-20" is an architectural watercolor painting featuring hues of blue, tan, pink and green. Kathryn Keller is inspired by the works of Georg...

'The Avenues', painted in 2025 by celebrated American realist Willard Dixon, reflects his mastery in capturing the enduring beauty of the West, a subject he has explored for over 35 ...

Artist: Benjamin Cole (English, c. 1697-1783) Title: "The South West Prospect of St. Mary's Church in the Strand" Portfolio: The History and Survey of London from its Foundation to t...

Attributed to Carl Mattson (1886–1941) Sweden Evening City Street, 1926 signed and dated lower left watercolor on canvas unframed 62 × 51 cm (24.4 × 20.1 in) framed 71 × 60 cm (28....

Edition of 25 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mo...

ARTIST STATEMENT Represented by George Billis Gallery in New York City. Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington Univer...

David Burdeny Yusupof Theatre (Curtain), St. Petersburg, Russia, 2015 73.5 x 59 inches Edition of 5 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options. Dating back to 1935, The Moscow and St. Petersburg Metro was one of the USSR’s most extravagant architectural projects. Under Stalin’s direction, the Architects were directed to introduce the concept of “svet” or light and “sveltloe budushchee” or “A Bright Future”. With their polished marble walls, high vaulted ceilings, and ornate chandeliers, the Metro stations have been likened to an “artificial underground sun”.This underground paradise was to remind its riders that Stalin and his party had delivered something substantial to the people in return for their sacrifices. Burdeny has themed the series around this notion, showcasing his photographs of 20 of the metro stations and various Russian museums, palaces, and theatre interiors. The artist is also working with esteemed writer and translator Rosamund Bartlett, highly regarded in academic circles for completing the latest and perhaps best translation of Anna Karenina...

This beautiful watercolor drawing of unmatched quality can be assigned entirely likely to the great artist and thinker John Ruskin. Ruskin's developing interest in architecture, and...

Akeley, Minnesota, 2007 2007/printed later Signed in black ink, verso Archival pigment print 6 x 6 inches (15.24 x 15.24 cm), sheet 4.75 x 5.5 inches (12.1 x 14 cm), image This w...

Interior Of The Musée Des Monuments Français View Of The 17th Century Hall Anonymous between 1795 - 1816 Gouache on paper mounted on cardboard 74 x 88 cm According to the old label...

This mid-1970s photograph, taken by society photographer Slim Aarons, features guests around the pool at Elephant Walk, Duncan McMartin's villa in Bermuda. This is an estate-stamped...

Justin Wheatley was born and raised in Clinton, Utah. He holds a Bachelor of Fine Arts from Utah State University with an emphasis in drawing and painting, and a Masters of Arts fro...

Aerial Miami Beach An aerial view of the hotels along the coast at Miami Beach, Florida, April 1972. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 1...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 CA' D' ORO, VENICE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 11-1/2 x 19-3/4 ...

Cathedral-  Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged.

1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Exceptional watercolor painting of a sunlit scene of the inviting Tuscany coast, circa 1930. Unsigned. Original one-of-a-kind artwork on paper displayed on a white mat with a gold b...

Landscape Watercolor Original Painting Artist: Lin Qingyi Title: Winter Impressions Medium: Watercolor on Paper Year: 2024 Style: Impressionism, Dimensions: 7.5" x 3.5" x 0.1" inch...

This is an original 19th century duotone lithograph entitled "Temple of Dandour, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in Lo...

An iconic black-and-white image from the 1980s in France, a rooftop vista from an 11th "arrondissement" (district) apartment window Paris Rooftops, 1988 by Roberta Fineberg is an 11"...

Rotterdam: 1952. Copperplate engraving on white wove paper, 8 1 /2 x 6 inches (216 x 152 mm); sheet 12 1/8 x 9 3/4 inches (308 x 248 mm), full margins. Edition of 50. In good condit...

Abbott, Berenice GUS HILL'S MINSTRELS Vintage Gelatin Silver print, 1936. Stamped verso "Federal Art Project/"Changing New York"/Photographs by Berenice Abbott" and also stamped and ...