Building Art

Title: Historic Miniature Watercolor of Wickham Court Bristol 1645 Meeting Site by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Doug Reina is a two-time Pollock-Krasner grant recipient whose studio is in Setauket, New York. Reina is a full-time artist who creates paintings both on location and in his studio o...

Walking down a forgotten country lane, littered with stones and broken limbs, carpeted with the new growth of spring, I am exhilarated by warm days and the end of a long winter. I’m ...

The story of two worlds, two entities; separated by distance and their journey of reconnection. - The Spaces in Between series While aboard an Irish ferry bound for Cork, a window reveals swirling waves beneath the horizon. The rocking of the ferry fills and empties the frame with a hypnotic dance of the sea. Cawston expertly times the shot, capturing a window predominantly filled with the sea, only a slender glow peeking through. The two chairs, positioned in almost mirror symmetry, face opposite directions, also add to the story. They journey together on the ferry traversing predetermined locations across a geographical boundary.  A metaphor perhaps, about connection of two worlds separated by distance. Challenging as a situation and journey may be, there is a beacon of hope on the horizon...

This artwork "Pleasanton Hotel, Pleasanton, California" 1987, is a watercolor on paper by American artist William E. Hamilton, b.1940. It is signed and dated at the lower right corne...

This artwork "Kolin Building, Pleasanton, California" 1987, is a watercolor on paper by American artist William E. Hamilton, b.1940. It is signed and dated at the lower right corner ...

Notre Dame, Paris by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 15 x 18 inches condition: the painting is in very sound and presentable ...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number and initialed Tim...

Artist Name: Jean Vollet Year: 1999 Medium Type: Mourlot Lithograph Size-Width Size-Height: 38'' x 28.75'' Signed Edition Size: Signed in pencil and marked 199/299 Title: Venetia...

Bitter Campari Sign, Italian architecture street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in Nov...

Title: Miniature Watercolor of Chapel of the Three Kings Fosters Almshouses by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

The painting is being offered with a work and authenticity certificate

Tranquility by Ida Lansky is an abstract black and white photograph, composing of a bench against a backlit window. 9.5 x 7.5 in. Gelatin Silver Print Artist stamp on print verso I...

Blue Print by Ida Lansky is an abstract black and white photograph, composing of white lines and geometric shapes against a black background. Approx. 9/5 x 7/5 in. Gelatin Silver Pr...

Paris: Atelier Rue Alain Chartier by Henri Miloch (1898-1979) unsigned but inscribed by Miloch verso watercolour and graphite painting on artist's paper, unframed sheet: 11 x 14 inc...

Vintage Wimpy, interior photograph by Richard Heeps. The timeless combination of blue seating and red tables create a nostalgic cinematic aesthetic. This artwork is a limited editio...

Title: Historic Miniature Watercolor Triptych of Various Streets in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.2...

Title: Clifton Suspension Bridge and Bristol Cathedral Historic Miniature Watercolor by Jack Grunwell, 20th century British artist Medium: W...

"Times Gone By" (2012) By Susie Hyer is an original handmade graphite drawing on paper that depicts a trailer and an old dilapidated house behind a short wire fence. This piece measu...

Village Stone Square by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 9.5 x 7.5 inches condition: This painting is in excellent c...

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...

Charles Wittmann (French, 1876 – 1953) Venetian backwater Oil on canvas Signed ‘CH. WITTMANN’ (lower left) 22 x 28.3/4in. (55.8 x 73 cm.) Son of Erne...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

A native of Kansas City, Josh George completed his BFA at the Kansas City Art Institute (1997), followed by an influential session at The Illustration Academy. His exhibitions and pu...

Charming watercolor of a Parisien Arc by F.B.L.? (LR) Art Sz: 14"H x 18 1/4"W x 1" D Frame Sz: 21"H x 26"W

Charming French Townhouses Simone Forge 1930's French Impressionist acrylic on board unframed board: 13 x 9.5 inches Provenance: private collection Condition: great condition For ...

Signed and localized on the verso : "Vedute di parte dalla Piazza dif.a alla Loggetta e cam panil parte della Zecca ed in lontan Proc.e vechie e parte della chiesa punto preso vic...

Lithograph with foil stamping and embossing on paper. Hand signed and numbered by the artist. From the edition of 200. Artwork is in excellent condition. Certificate of authenticit...

Work on canvas sold with original frame Total size with frame 66x100 cm Vérène Mettler is a Swiss artist known for her intricate and evocative works, often exploring themes of natu...

Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Hong Kong Apartments I is a dynamic C-Type Matte Print by Contemporary photographer ...

Moody landscape in neutral sepia tones of a deserted western ghost town by Joseph Bodner (American, 1925-1982). Signed "Bodner" in block letters in the l...

Wijnand Driessen (Dutch artist) Broadway And 71 street Manhattan - New York 50 x 40 cm (framed, included in price 59 x 49 cm) Oil paint on canvas Artist Wijnand Driessen lives and w...

Title: Set of Four Miniature Watercolors of Corn Street and Churches in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements ...

Il piccolo ma ben definito disegno raffigura una veduta dettagliata del Santuario della Madonna di San Luca, sul colle della guardia a Sud Ovest della città di Bologna. Può essere a...

Artist: Hans Figura (Austrian, 1898-1978) Title: Marche aux Fleurs Year: Circa 1950 Medium: Color etching with aquatint Edition: Unknown Plate mark (Image) size: 8.5 x 6.5...

Village Courtyard by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches condition: very good and read...

Linocut showing the downtown Los Angeles skyline. Yangna was the largest village of indigenous peoples located near downtown Los Angeles when the Spanish arrived. This print pays hom...

Thomas Hosmer Shepherd, After by James Tingle, British (1793 - 1864) - The New Athenaeum, Waterloo Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Siz...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Marla Korr Biography American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy E...

Original painting by Richard Combes

White Picket Fence (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

Title: Historic Miniature Watercolor of Bristol Cathedral from College Green by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

Title: Historic Miniature Watercolor of Corn Street and The Nails in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3....

Not signed. Edition of the "Gazette des Beaux-Arts" .The American artist James Abbott McNeill Whistler can be considered a forerunner of the Post-Impressionist movement. Very good co...

A unique original silver gelatin black and white photograph by Press Agency, Paris, 1925. International Decorative Arts Exhibition in Paris, 1925, a view from the River Seine. Featur...

Michael WOLF (1954 – 2019, Germany) Transparent City #25, 2007 C–print Sheet 121.9 x 162.5 cm (48 x 64 in.) Edition of 9, plus 2 AP; Ed. no. 4/9 Prin...

Man walking along the canals of Venice Edition of 15

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Title: Venice Impression VI Medium: Oil on canvas Size: 24 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Title: Set of Four Historic Miniature Watercolor of Bristol Coaching Inns and Landmarks by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

We’re big fans of Jeff Koon’s famously optimistic, kitschy and celebratory approach to contemporary pop art. We’ve offered a number of Koon’s humorous and playful works before, and...

'El Tavern (Vacancy IV)', oil on canvas, unframed and 40 x 60 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" cultur...

An early 20th century view of Times Square. The Society of Iconophiles, 1904. Lithograph in black ink on tissue-thin, laid Japon paper with an anchor and numeral 48 watermark, 8 3/...

European Street Scene - Original Ink Line Drawing by Roxie Munro (American b. 1945.) Detailed architectural drawing of a European street scene, potentially Paris, by prominent illus...

A Soviet-era fridge and an American Singer sewing machine as found in Jorge’s kitchen. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, t...

First edition lithographs in stock Full plate: 118 Presented in a acid free mount