Face Art

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Faithful Duo" by French artist Natalya Mougenot is a large contemporary figurative painting of two dogs, celebrating loyalty, friendship, and the enduring bond of companionship. M...

Linda Stein, Profile Flying 446.155 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.155 is from Linda Stein's Profiles series--drawings, collages and paintin...

Outstanding 19th century Italian finely carved Carrara "Statuario" marble sculpture of Antinoo , after the Antique The Capitoline 'Antinous'. Antinous, a young Bithinius favorite...

Beyond the Streets x Shepard Fairey, Make Art Not War Skate Deck, 2023. Wood Skate Deck with dimensions of 32 x 8.25 x .25 in from an edition of 100 unnumbered unsigned

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of Young Man, John Alcorn, Eliot House, Cambridge MA. Pencil on pap...

Emil Kazaz Painting Description — “Victory” Scene. The painting size is 40"x32", oil on canvas. This powerful Emil Kazaz painting depicts a dramatic scene of victory and struggle, w...

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

This poster was made around 1940s by Henry Lemonnier 🇫🇷 (1890-1954) a French poster artist. He worked for various printers as well as in advertising. The original Cordial - Médoc ...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Total Edition of 15 signed and numbered Also available in: 90 x 120 cm / 35.4 x 47.2 in 120 x 160 cm / 47.2 x 63 in Portrait of Supermodel Alek Wek. Thierry...

graphite, conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed 'Beard 1999' lower left corner Atelier stamp in lower right corner Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...

Title: Mid Century French Pencil Study of a Seated Female Nude Artist: Josine Vignon (French 1922-2022) Medium: Pencil and Paper Size: 10.75 (height) x 8.25 (width) Stamped: No ...

"Derby Spectator" by Topical Press Agency A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. Unframed Paper S...

Brad Davis’s Business District is a luminous oil painting on wood panel, framed and ready to hang, measuring 36 x 36 inches (framed to 38 x 38 inches). Executed in 2025, this work ca...

Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...

Portrait of a Noble Lady European School, 18th century oil on canvas, framed framed: 37.5 inches canvas: 30 x 24.5 inches provenance: private collection, France condition: very good ...

Mokuchu URUSHIBARA Horse Turning Around, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 37 x 27 cm (c. 14,5 x 10,6 in) INFORMATION : Engraving publ...

Hand signed and numbered by the artist. Lithograph in colors on wove paper. Mourlot 838. Sheet size 30.25 x 20 inches. Image size 22.5 x 14.75 inches. Frame size approx 36.5 x 26.5 inches. Edition 34/50. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 13 (height) x 10 (width) Stamped Verso Condition: Good Pr...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Force II, Year: 1875, Medium: Heliogravure, Size: 6 x 3.25 in. (15.24 x 8.26 cm), Printer: Amand Durand, De...

Title: Mid Century French Portrait Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 25 (height) x 19 (width) Stamped: Verso Condition: Go...

Pablo PICASSO (1881-1973) Diurnes, The Deepest Silence, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in)...

Dancer  is a beautiful oil on panel realized by  Vrbová-Štefková in the mid-20th Century.  Signed and framed, 60 x 50 cm.  Good condition. 

Demarcus McGaughey (b.1975) a Texas native and New York-based mixed media artist, passionately captures the beauty, strength, and vibrancy of people of color. Inspired by Barkley Hen...

Portrait sketch original drawing by Jean-Paul LE VERRIER (1922-1996) studio stamped pencil drawing on paper, unframed Double sided 10.5x 8.25 inches provenance: private collection o...

This is a rare statement piece that commands that eye. It is of museum quality will be the centerpiece of any space. Masterfully crafted details of the human form are finely rendered in a pre-art deco style. Hans Harry Liebmann...

The painting titled “Attitude” captures the very ‘essence’ of his subjects who they are and what they represent outside of their roles experiences obligations and accomplishments. Ma...

A fine portrait depicting the bust of an elderly widow. The woman wears all black as a symbol of mourning with an ornate brooch at her neck. The artist captures the woman in a rich p...

The Artists Model Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Inscribed verso Size : 22 x 18 inches Provenance: private collection, France Co...

Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin. Mortimer Menpes was an artist and engraver, author, printmake...

16 color hand pulled screen print on paper. Hand signed on front by Hebru Brantley. Framed size approx 25.25 x 31.25 inches. PP edition of 3 outside the main edition of 35. Pl...

The sculpture is signed below, inside Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994....

Clown is an original artwork realized by Jean Jansem. Original lithograph on ivory-colored cardboard. Hand-signed on the lower left. This artwork is an beautiful exemplares of 50 s...

From the Nudes portfolio, single sheet titled "Thinking Nude, State I" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 8.5 x 11 inches ( 22 x...

Step into the roaring twenties with this evocative Art Deco portrait dated 1925. The young sitter is the quintessential garçonne of the era, sporting the iconic, sharp bob haircut th...

Paper Size: 35 x 24 inches ( 88.9 x 60.96 cm ) Image Size: 35 x 24 inches ( 88.9 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Handlin...

Bob Dylan, I Want You, Mondo Scripto, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5 x 29.5 in) AP 18 of...

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

Artist: Vadim Zang Title: Into the Distance Medium: Oil on Linen Year: 2010 Style: Impressionism Dimensions: 20" x 16" x 0.8" inch (51 x 41 x 2cm) Presentation: Unframed, Gallery Wra...

Keith Haring's "Untitled (Self-Portrait)" is a notable piece that reflects his distinctive style and artistic vision. In 1993, te Neues Publishing Company in New York released a vint...

Latvia-born William Sanderson became a contributor to the New Yorker and New Masses magazines during the 1930s. He was drafted into the Army during World Wa...

George Platt Lynes Photograph #11 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #11 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Artist Comments
"Rosemary and her cat dad need one another to feel completely relaxed," says artist Jessica JH Roller. "Both are so gentle, so kind and if her cat dad sits do...

Jimi Hendrix, London 1967 by Gered Mankowitz A portrait of Jimi looking serious while holding a cigarette in an embroidered jacket. "Shot during my first session with Jimi at my Stu...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...

Fantastical sepia etching titled "Metamorphosis" by Herbert L. Fink (American,1921 - 2006). Signed and dated 1982. Unframed. In mat. Image size: 13"H x 2...

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Fishes is an original mixed colored etching realized by Nino Cordio in 1965. Hand signed and dated on the lower right margin. Artist's proof. Hand-written dedication on the lower margin. Nino Cordio (Santa Ninfa, 10 July 1937 - Rome, 24 April 2000...

Circle of François Boucher (1703–1770) Study of a Putto with Attributes of Painting Chalk on paper Not signed An elegant Rococo drawing depicting a winged putto with a painter’s pal...

Ginger Williams Cook says of her work... My previous solo exhibition, entitled Abundance of Apollo: The Celestial Gods, Goddesses, and Heroes of Greek Mythology, served as a point o...

Topless Woman by Jacqueline Boisselot, French late 20th century 25.5 x 20 inches oil on artist paper, unframed condition: very good and ready to enjoy provenance: from a private coll...

A life drawing by a well known book illustrator and long-term resident of the Chelsea Hotel in the 1930s. Caswell, Edward Gin giving Doris a hair cut Black crayon on lightweight, br...

Mid 20th Century Oil Portrait of a Fashionable Young Woman by Barrow c.1970 Bright, bold and colorful painting - Classic vintage oil portrait Or...

'Poems in paint' Flip Gaasendam tells with his paintings where he likes, there, in those places, he paints. His recognizable loose touch, carefully chosen colors, spherical landscapes, interiors and portraits have been part of the permanent collection of Galerie Bonnard for years. We read somewhere that Flip Gaasendam has a 'Flip Gaasendam veil' on his subjects. That is, we believe, a good description of the works of this highly esteemed artist. "Poetry in paintings" is also a statement that fits with the work and can be read in the numerous descriptions that can be found about the artist. The artist himself says that he wants to put life to a halt in his work. He says the following about his way of working:  'Because I am an aquarellist from home, I learned how to paint transparently in tone and tone. I also use that in my oil paints. My work is classified as post-impressionistic. When I paint, however, I forget everything about art history. I like a lot of things, from Alma Tadema to Andrew Wyeth, but I am a painter of today. It therefore goes too far to say that I consciously go back to the past. I work unorthodox. I do not apply the paint with a fixed method. I brush with wipes, use the palette knife, work with my hands, etc. That my palette is heavily controlled by the color green, is because I often make a painting blond with cobalt and ocher. My themes are often nostalgic and romantic. as a child, I thought the morning mist was beautiful, and with the light effect in the Groninger station restoration it is just as well. ' The modest artist can rightly be called one of the forerunners of the new...

After Raphael (Italian, 1483-1520), "Orleans Madonna", Oil on Canvas, 19th century, unsigned, inscribed "John H. Sheehan / Utica" verso, giltwood frame. 38.75" H x 29.5" W; frame: 5...

This limited edition lithograph, signed by Fernand Mourlot beneath the right-hand corner of the image, is part of a suite of eight “Le Domaine Enchanté” images, printed in an edition...

Danseuse a Java is a hand colored lithographs realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples du...

Sarah Warda's "In a Dream " is an original, handmade oil painting that depicts a white clad female model reclining on a bed of grass with her hands folded o...