Landscape Art

Work on wood Golden wooden frame 47 x 59.5 x 4.5 cm The work depicts a captivating pastoral landscape, where the balance between earth, sky and water inspires undeniable peace. In t...

Featuring a vast country field dotted by cottages, this vintage French watercolor depicts the farming town of Bruyères, France by M. Kesseler, 1945. Bruyères, located in northeastern...

Edition 1 of 15 Charlotte Brunstein is a French photographer born in 1978 who lives & works in Paris, France. Her work unfolds within a sensitive space where the image seeks to ...

Title: British Impressionist Watercolor of Mountainous Landscape with Lake and Cottage by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Judd Mercer’s 2025 painting "Erosion" is a luminous oil on panel landscape that captures the raw majesty of a high alpine lake nestled beneath rugged mountain peaks. This original, h...

A delicate gouache landscape showing a view of a Renaissance villa overlooking calm blue waters of Lake Como, Italy. Signed lower right, 'F. Catano', (Italian, 19th century); inscri...

Title: British Impressionist Watercolor of Sunlit Trees by a Tranquil Lake By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15....

This 22 x 31.5 inches black and white chalk painting on canvas represents a Greek landscape. Olive and cypress trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties, he visited Kythera, the Greek island of his father's birth. Since then, the island has become the primary reference of his creativity. Using black and white to represent this landscape gives the mighty hundred-year-old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

End of the Road (Sidewinder) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20cm...

This artwork masterfully captures a tranquil alpine scene, where the serene lake mirrors the surrounding majesty of towering mountains. The meticulous use of watercolor creates a lum...

This artwork vividly captures a serene winter landscape, where the pristine snow blankets the earth, crafting an undisturbed tapestry of whites and blues. The meticulous detailing of...

Artist/ School: F. E. Jamieson British 1895-1950 Title: The Highland Cottage Medium: Oil on canvas, unframed Size: canvas : 20 x 30 inches Provenance: from a collection in Engl...

In this painting, I poured my love for nature’s awakening, capturing the delicate bloom of the apple tree against the bold majesty of snowy peaks. The vibrant greens and soft blossom...

Artist Comments
A Highland cow stands in a grassy field with a dramatic sunset in the background. The animal dominates the foreground, its long hair and large horns clearly vis...

Listing includes free shipping for unframed prints and 14-day return policy. Ian Ruhter Cascade Lake 30 x 40 inch archival pigment print Edition of 30 *Please note that most order...

Mesmerizing large format photograph of ethereal water surface and horizon , a body of works capturing the tactile surfaces and monochromatic nature of oc...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2006 Title: Trostyanets Size: 24.5" x...

Hay Rolls in a Coastal Field French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas),...

Ardlui, Loch Lomond signed by F. E. Jamieson (British 1895-1950) titled verso oil on canvas, unframed canvas: 16 x 24 inches provenance: private collection, UK condition: The paintin...

Title: British Impressionist Watercolor of Autumn Trees by a Riverside by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inch...

Title: British Impressionist Watercolor of Autumn Landscape with Castle Silhouette by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11....

large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott is available in three edition sizes: 48 x 64 inches (122 x 162cm) signed edition of 7 30 x 40 inches (76 x 102cm) signed edition of 25 58 x 77.25 inches (148 x 148cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on certificate label _____________________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

Hudson (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1575. Not mounted. Stefanie Schne...

Léon Frédéric (1856-1940) The Dunes and the Sea, signed at the lower right Oil on canvas transfered on woodpanel 30 x 40 cm Framed : 42 x 53 cm in good condition, Léon Frédéric always presented his oil landscapes on canvas transferred onto mahogany panels like this one. This seascape and dunes by Léon Frédéric is part of a series of landscapes inspired by the shores of Heyst, near the Belgian coastal resort of Knokke. Although he found much inspiration in the rolling landscapes of the Ardennes, particularly in the area of Nafraiture, at the other end of the country, the North Sea offered him a completely different motif and an opportunity to explore another source of inspiration. His style may seem lighter in some ways, but the same energy is evident in the way he depicts the vegetation in the foreground, for example, with the dunes reminiscent of the hills and valleys he loved. Similarly, his approach to composition is characteristic of his art, with a very high horizon line that seems to raise the viewer's gaze. Finally, this work exudes a great serenity that invites contemplation. Léon Frédéric was born on 26 August 1856 in Brussels and died on 25 January 1940 in Schaerbeek. The son of a prosperous jeweller, Léon Frédéric was apprenticed to the painter-decorator Charle-Albert in 1871, and attended evening classes at the Brussels Academy. In 1874, he worked in the private studio of Jean-François Portaels. The following year, he joined forces with a group of young painters to rent a studio where they could study live models. From 1876 to 1878, he prepared for the Prix de Rome, which he failed, but his father offered him a year's travel to Italy. From 1878 to 1879, he made his debut with the artistic group l'Essor, which brought together proponents of realism. In 1883, he was hailed as a promising painter with his painting Les Marchands de craie, a triptych combining modernism with the genius of the primitive masters, and in the 1890s he became one of the most popular painters in Belgium, cited alongside Constantin Meunier and Eugène Laermans. On 24 April 1929, King Albert I awarded Léon Frédéric - at the same time as James Ensor - the title of Baron. In 1882, he discovered the work of the French naturalist painter Jules Bastien Lepage...

Forest White (The Last Picture Show) - 2005 125x128cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Signature lab...

"Borrowdale" * see notes below British School, early 20th century oil on board, unframed board: 7 x 10 inches provenance: private collection condition: minor rubbing to outer edges a...

Title: British Impressionist Watercolor of The Wrekin and River Landscape by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.25 i...

Title: Vibrant Acrylic Painting of Yosemite National Park of View of Half Dome Summit By Minty Ramsey Signed: Verso Size: 18 x 24 inches (height x width) Medium: Acrylic on Canvas Co...

Miami Beach by DJ Leon. Archival C-print photograph of Miami Beach, Florida's idyllic beach and aquamarine ocean, mounted on sintra, and facemounted in plexiglas....

Title: British Impressionist Watercolor of Mountain Valley Landscape By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimensions: 11.25...

Title: British Impressionist Watercolor of Rolling Hills and Open Sky Landscape by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 1...

The Rocky Coastline signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 21.5 x 26 inches condition: very good provenance: from a large private ...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Title: British Impressionist Watercolor of Tranquil Lakeside Landscape by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.25 inch...

Artist Comments
Mountains rise through the clouds, revealing the rugged beauty of a subalpine landscape. It captures a moment of quiet grandeur, where the earth and sky seem to...

Mountain Valley with Blooming Trees Josine Vignon (French 1922-2022) ...

Watercolor on Arches paper 640g Sold with a silver frame without glass Total size with the passe-partout and the frame 65x78 cm René Zwahlen was a Swiss watercolor artist and pai...

Oil on canvas sold with frame Total size with frame 51x64 cm Ernst SUTER is an artist born in 1904 and died in 1987. His works have been sold at public auction 25 times, mainly in ...

Bicycles and passers by view the Golden Gate Bridge at the water's edge in San Francisco in this contemporary horizontal landscape from celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMOMA), and the Metropolitan Museum of Art in New York, as well as the Oakland Museum of California. The work comes is 32 x 50 inches and is framed is a hard wood floater frame. Outer dimensions with frame is 33 x 551 inches. Signed and dated by the artist. Painted in 2020. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher, Los Angeles, CA Mr. John Irvin, London, England Ms. Joan Didion, New York , NY Ms. Sabrina Guinness, London, Eng. Mr. and Mrs. Austin Hills, San Francisco, CA Mr. and Mrs. Peter Duchin Ms. Linda Ronstadt Ms. Faye Dunaway Mr . Peter Morton Mrs H.J. Heinze, New York, NY Mr. Rupert Lowenstein Mr. and Mrs. Robert Emery, San Francisco, CA Mr. Earl Mc Grath, New York, NY Mr. Nat Weiss, New York, NY Mr. Luca Barilla Mr. Bruce Schnietzer, New York, NY Dr. and Mrs. Robert Carroll, New York, NY Mrs. Nicholas Boyd, San Francisco, CA Mr. and Mrs. Robert Green, San Francisco, CA Mr. Chappy Morris, New York, NY Ms. Carla Kirkeby, Los Angeles, CA Mr. and Mrs. Elliot Caplow, Los Angeles, CA Mr. and Mrs. Robert Meyerowitz, New York, N.Y. Mr. and Mrs. Steven Gilsendaine Mrs. Caroline Cushing Graham, Los Angeles, CA Mr. Michael Nesmith, Los Angeles, CA Mr. Griffen Dunne, New York, N.Y. Mr. and Mrs. Paul A. Erskine, Pasadena, CA Mr. N.J. Friedman, Hillsborough, CA Mr. Harold Hollingsworth...

Title: British Impressionist Watercolor of Borrowdale Valley in the Lake District By Anthony Avery (British 1946-2023) Signed: Yes Original watercolor on artists paper, unframed Dime...

Artist Comments
Artist Jill Poyerd captures a peaceful landscape with snow-covered mountains emerging from a haze. Painting with soft and neutral tones, Jill conveys the feeling of calm tranquility with her delicate brushwork. "I kept the elements to a minimum in order to accentuate the openness of the valley and increase the strength of the mountain range...

"Ballooning in the Mountains" is a 12x24 oil painting on canvas by artist Rob Meyers featuring a water view of Lake George at the break of dawn. A luminous landscape capturing a wide...

Mountain Landscape dated 1994 signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 20 x 25.5 inches condition: very good provenance: from a larg...

Kilchurn Castle, Loch Awe signed by F. E. Jamieson (British 1895-1950) oil on canvas, framed framed: 19.5 x 27 inches canvas: 16 x 24 inches inscribed verso provenance: private colle...

Mediterranean Landscape with Olive Trees and Teulada Village, Spanish Post-Impressionist Oil on Canvas, 1980 Artist: José Cózar (Spanish, born 1944) Title:...

'Bluebell Dream', 2017 Edition 2/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-306 Kirste...

Dennis Sheehan Late Afternoon Glow, circa 2025 Signed lower right Oil on canvas laid to foam 12 1/2 x 23 inches Dennis Sheehan was born in Boston in 1950. His work is based upon th...

Artist/ School: Arthur Blamires (b.1930, British). Title: ScaFell Pike from Calf Close Bay, Derwent Water Medium: oil painting on board, framed, inscribed verso and dated 1986 Siz...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. This paint pastoral landscape depicts a rural scene of serene beauty. A majestic tree...

Title: British Impressionist Watercolor of Misty Reflection with Spire Silhouette by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x...

The artwork will be sent unframed Linocut print „Towards the sun” 2023 Reduction linocut print technique Limited edition, print unique number 2/13 Paper Fabriano Rosaspina Bianco 220...

Medium: Watercolour on paper, unframed Size: 10 inches (height) x 14 inches (width) Signed: No Condition: Sound condition, with some minor signs of foxing visible Provenance: Private collection Description: This watercolor painting by Ian G. Walker beautifully captures the serene landscape of Svartisen Glacier, located in Norway. Svartisen is the second-largest glacier on the Norwegian mainland, renowned for its stunning blue ice and surrounding scenic beauty. The painting depicts a tranquil view of the glacier amidst the rugged mountainous terrain, with subtle shades of blue and green that evoke a calm and peaceful atmosphere. The artist's delicate brushwork and careful attention to detail highlight the natural beauty of this iconic Norwegian landscape, making it a wonderful addition for collectors interested in Nordic landscapes...

M.Barton, English late 20th century Summer Morning, Langdale (English Lake District) signed oil painting on board, framed inscribed verso framed: 20 x 27 inches board: 16 x 22 inche...

Seth Winegar's (US based) "Green and Gold" is an original, handmade oil painting that depicts a landscape of a peaceful, winding blue river bordered by green trees with golden light....

Title: Mid Century French Pastel Drawing of Coastal Hillside with Sea and Town View Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height...

Title: Mid Century French Pastel Drawing of Town and sea View with Sunlit Trees Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (height) x ...

Lone Pine Peak, Eastern Sierra Nevada, CA, limited edition photograph, signed While photographing, the world gets quiet around me... things seem simple again – and I obtain a respe...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

French watercolor of a serene valley path by artist Raymond Segond, circa 1960. Original artwork on paper displayed on a white mat with a gold border....