People Art

Artist Comments
Two astronauts sit across from each other, the table between them barely separating their bodies as they lean in close. It was a first date, and they had a wond...

PS251 Beauty and the Beast Scene: a closeup portrait with dachshund dog. The background is created with series of drippings. Technique: oil, acrylic, and ink on old book pages on ...

''Currents" is about the thoughts that come when we are alone. The fish symbolize these thoughts as they move between reality and imagination, silence and dreams. The painting reflec...

These blue flowers are among the first to appear in the forest each spring. Their extraordinary blue color brings the earth back to life after the long winter. "For me, they have a...

Golden Light across the River E.J. Wilson ( English, 20th Century) signed oil on board, framed framed: 20 x 28 inches board : 18 x 26 inches Provenance: private collection Condition:...

An Early 20th Century elegant portrait oil painting by Gordon Stevenson depicting a pensive young woman seated in a serene, indoor setting wearing a l...

Size: 100×80 cm (overall size with stretching 110×90 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled Series: Trust This painting is part of my “Trust” series, where an...

ARTIST: Salvador Dali TITLE: Time Stillness of Time MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine, New York EDITION NUMBER: EA MEASUREMENTS...

Circle of Jean Baptiste Vanmour (French, 1671–1737) Portraits of a Moorish Prince and Princess c. 1700 Pair of oil paintings on canvas, unsigned framed in carved gilt wood frames D...

McBey, James (Scottish, 1883-1959). DAWN, THE CAMEL PATROL SETTING OUT. Hardie 181. Edition of 76, of which 70 were signed and numbered. Etching and drypoint, 1919. Signed in black ...

Artist Comments
A cowboy sits on a blue couch with a confident yet relaxed posture. The contrast between the figure and the background creates a theatrical atmosphere, as tho...

In this piece, the artist depicts the Place de la Concord tower in the distance and his subjects in an abstract and impressionistic way, capturing the busy Parisian street from the 2...

Parisian Café Terrace Street Street with Figures 20th Century Post-Impressionism by Italian Artist, Mario Passoni (Italian, born 1927) Art measures 20 x 16 inches Frame measures 30 ...

'Paris, la Bourse', gouache on paper, by Lucien Génin (circa 1930s). Created at the beginning of the 19th century by Napoleon, la Bourse, or the Stock Exchange, was intended to assert and encourage France’s prosperity in industry and trade. In 1826 the Stock Exchange was installed in the palace that the architect Brongniart had begun in 1808. Surrounded by a large peristyle of Corinthian columns, the rectangular structure reflects the official neo-classicism of the Empire Period. The artist, Génin, depicts a typically lively 1930s day in front of the building with cars of the period zooming by pedestrians on the walkway and others on the stairs leading to the entrance. He has an extremely charming, almost childlike style particularly the way he renders the people and the vehicles. The building, on the other hand, is accurate in its detail and more seriously presented. Our gallery has held and has sold over a dozen of Genin's paintings but this one stands out for its pure stylish appeal and ability to captivate while inducing a smile in the viewer. The artwork is in good overall condition - there are some minor blemishes not on the artwork itself but on the edges of the mount to which it is attached. The frame is in fair condition showing some nicks and scratches. Please enjoy the many photos accompanying the listing. Upon request a video can be provided. Signed by the artist in the lower right hand. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...

Miniature painting is like a little pearl in a collection of paintings. It was created specifically so that you can decorate your room and harmoniously place it in combination with p...

WILLIAM WEGMAN (b. 1943) 'La Fille du Régiment', 2007 SIGNED Vintage Oversized Artist's Photography Poster Commissioned for the Metropolitan Opera's 2007-2008 season, renowned arti...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Edward Alcock (1745-1788) A pair of portraits of Orientalist subjects Both signed 'E. Alcock' Oil on copper Framed size 9 x 8 in Edward Alcock (active 1846–1905) is best known for h...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

This bronze figurative tabletop sculpture by Roch Smith features a canoe. Canadian sculptor Roch Smith has turned his attention to a cherished national and historic pastime—canoeing...

Winter On Fifth Avenue, St Patrick's, Flags 24 x 18 unframed. and 30.25 x 24.5 framed signed LL Winter On Fifth Avenue, St Patrick's, Flags is an oil painting on linen by award winn...

Gathering Firewood by W Pettingale (19th century) signed oil on canvas, framed framed: 16.5 x 12.5 inches canvas : 14 x 10 inches Provenance: private collection, England Condition: v...

"Hercules and Deianira", ink on paper, part of Neo Mythology series. Comes with a certificate of authenticity signed by the artist. Shipped rolled in a tube from Fort Lauderdale, Flo...

A group of people playing backgammon by a swimming pool at Marbella Beach Club, Spain, September 1970. Slim Aarons Backgammon Players 1970 (printed later) C print Estate signature s...

Mark Morrison (1895-1964) Head of Woman , ca. 1950 Carved stone 7.75" wide, 9" deep, height is 20 7/8" Signed at base. Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

The Sheep Shearer by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Conditi...

This rare exhibition poster features Pierre Bonnard’s La Terrasse, created around 1918–1920, and published as part of the Collection of European Masters for the Kunstsammlung Nordrhe...

A man and a woman float in gentle harmony, surrounded by flying fish moving through soft turquoise and deep blue. The scene is calm yet surreal, a space between dream and sea, presen...

Portrait of the Lady with a Fan English School, second half 20th century after Diego Velazquez's (1599-1660) original painting oil painting on canvas, unframed canvas : 36 x 28 inche...

"Youth Reflected Fashion-inspired portrait of two young women posed in traditional jewelry Two young Rendille women proudly standing back to back in the salt flats of the Northern ...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Portrait Surrealism, T...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21023 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Roy Nuse (1885-1975) Children Fishing by a Creek, 1923 Oil on panel measuring 12 x 16 inches. Overall measurement with frame 17.5 x 21.5 inches. Signed and dated with monogram low...

"Kellsboro Jack" 1933 Grand National Winner by William Yeaman (Irish, 20th century) signed and dated 80' oil on board, framed framed: 15 x 17.5 inches board: 10 x 12 inches Inscribed...

No matter what life throws at you to discourage or change your good personality, or change the reflections people see on your face or identity, one should try to look beyond and ahea...

This evocative poster reproduces Ina, en contre-jour, a celebrated photograph by renowned French photographer Jeanloup Sieff, known for his poetic, sensual, and psychologically charg...

This painting is a charming depiction of 42nd St. at the Public Library on a Snowy day in New York City. A cozy impressionistic street scene with colors of cobalt, light pink, yellow...

ITZCHAK TARKAY "Small Talk" Hand Signed Numbered Serigraph. In good condition measures 52x32

Summertime Harvest by Don Vaughan (British, 20th century) signed oil on canvas, framed framed: 25 x 35.5 inches canvas : 20 x 30 inches Provenance: private collection, Surrey, Englan...

Dimensions with frame: 28,3 x 37 x 4 cm Signed and titled "C. Carelli Napoli" in the lower right corner. A closely related companion painting by the same artist—depicting a similar view of the Bay of Naples under different atmospheric conditions and of identical dimensions—is also currently available, offering the opportunity to acquire a rare and decorative pair. This charming and atmospheric landscape depicts a lively scene along the Bay of Naples with the majestic Mount Vesuvius rising in the background. The composition captures the vibrant character of southern Italy, where daily life unfolds along the waterfront beneath the iconic volcano. In the foreground, a bustling open-air market is sheltered beneath large canvas awnings supported by wooden poles. Groups of figures gather around tables, creating a sense of activity and local color. Their lively gestures and varied attire animate the scene, suggesting a moment of social exchange and commerce. Beyond the market, the calm waters of the bay reflect the warm tones of the sky. Small fishing boats and rowboats glide across the harbor, guiding the eye toward the distant shoreline where the city of Naples stretches along the coast. Dominating the horizon, Mount Vesuvius releases a delicate plume of smoke, adding both drama and authenticity to this classic Neapolitan view. The artist skillfully balances narrative detail with atmospheric landscape painting. Warm sunlight illuminates the architecture and shoreline, while soft clouds diffuse the sky, enhancing the depth and tranquility of the scene. The painting reflects the tradition of 19th- and early 20th-century Italian veduta and tourist paintings, highly sought after for their romantic depictions of historic Italian landscapes. This evocative work would make a wonderful addition to collections of Italian landscape painting, Grand Tour subjects, or historic views of Naples and Mount Vesuvius. Mount Vesuvius painting, Naples harbor painting, Bay of Naples landscape, Italian coastal painting, Naples cityscape painting, Vesuvius volcano painting, Neapolitan landscape painting, Italian harbor scene, Grand Tour painting, Italian market scene painting, Naples waterfront painting, antique Italian landscape, signed G Carfelli Napoli, Italian coastal cityscape, 19th century style Italian painting, European harbor painting...

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inches P...

"The Fresco" Oil on canvas Large original, one-of-a-kind, painting - 33.5x63in / 85x160cm Nude in a Italian Baroque interior, with blue marine painted fresco. Picture from the sol...

Andy Warhol retrospective exhibition at the Ludwig Museum in Cologne / Koln 21 November 1989-11 February 1990 Andy Warhol Retrospektive Museum L...

Artist Name: Romare Bearden Title: Girl in the Garden. Year: 1979 Medium Type: Lithograph on Arches Archival Paper Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed...

This artwork titled "Vienna Opera House" c.1960., is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The p...

Young Woman Portrait by Enrico Crespi Signed Located Dated Italian Watercolor Beautiful and evocative watercolor technique painting by the great Milanese school artist Enrico Crespi...

Madras School C 1910 Acrylic on board 11.5" x 8" Address on verso This painting dating to the early 20th century, c 1910, shows a young woman, possibly from Madras (see info on reverse), The colours follow the conventions of a genre of art called Company School painting...

A captivating Belle Époque character study attributed to the French painter Tony Tollet (1857–1953), depicting a young woman seated in quiet contemplation. Rather than presenting hi...

Palm Springs Riders, 1970 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print. Edition of 150. Printed Later. Like a scene out of an Indiana J...

Artist: Marc Chagall (1887–1985) Title: Eve Cursed by God (Eve maudite par Dieu) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Eve maudite par Dieu (Eve Cursed by God), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical moment of divine judgment following the Fall, evoking themes of transgression, consequence, and spiritual awakening through his luminous color and dreamlike symbolism. The flowing forms and expressive imagery convey a sense of tension and emotional gravity, capturing Eve’s moment of reckoning and its enduring resonance within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of loss, accountability, and the origins of human suffering. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Eve...

Signed in red, u.l. $3,000 + $125 framing

Portrait of Sophia Clifton, aged 33 years, dated January 29th 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5 inches Pro...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Tangerines" 30.0 X 40.0 CM / 11.8 X 15.7 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2023 Good c...

The artist painted this life sketch while studying at the Russian Academy of Painting, Sculpture and Architecture in 2000, in a single session in the Alla Prima style. In the evening...

Artist: The Connor Brothers Title: Tell Him I Was Too Fucking Busy - Or Vice Versa Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 36/50 Image Size: 25" x 16" Sheet ...

Where am from Bandana was once a common style, we called it Big Boy Style, then it's seem to me like a style or fashion only, because our elder brothers only allowed to used it but n...

The painting captures a poignant moment of contrast between innocence and hurt. It depicts a wide-eyed, gentle-looking cat staring directly at the viewer, while adjacent to it, a per...

'Portrait of a Girl', gouache and crayon on fine paper (1966), by Raymond Debiève (1931 - 2011). Here the artist paints a young girl with blond hair in his post-cubist style. Clearly...

A charming and atmospheric 19th century European oil painting on canvas depicting an intimate domestic interior scene with two chil...