People Art

"A Fabled Journey" Iconic print of a cowboy among a herd of wild horses in black and white Black and white image of a single cowboy riding across a dusty landscape among a herd of...

In my artistic practice, I explore the space of modern hedonism through the prism of "the female gaze." The artwork Celebrate is not merely a domestic scene, but a visual investigat...

Surrealist Figures by Ronald Hull, British 20th century signed oil on canvas framed framed: 27 x 37 inches canvas : 24 x 34 inches Provenance: private collection, Cotswolds, England ...

Artist: Alexander Shandor Title: It's Snowing Again Medium: Oil on Hardboard Year: 2021 Style: Impressionism Dimensions: 19'' x 23.5" x 0.3" inch (48 x 60x 1cm) Presentation: Unfra...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Contemporary Neo-Expressionist floral still life with Fauvist chromatic influence, expressive mixed-media painting on heavyweight professional acid-free paper (50 × 65 cm / 19.7 × 25...

Graphite on J Whatman 1835 paper with a partial watermark 4 1/4 x 6 7/8 inches (108 x 176 mm), the full sheet. Scattered uniform age tone and discoloration throughout. Brown ink spot...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

A Fine depiction of figures in a rowing boat in the open ocean. For this wonderful depiction, Nemethy uses a Fine technique which depicts the figures on the boat in a miniature way. ...

The Deposition of Christ French School, mid 20th century oil on canvas, unframed canvas: 28.5 x 42 inches Provenance: private collection Condition: very good condition For more any...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

About this work: Created in 1942-43, this work belongs to one of the most fertile periods of Matisse’s career as a printmaker and draftsman. By this time, Matisse had long since mast...

Edouard Benedictus, 'Variations, plate 14' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Signed lower right 'John R. Nobriga' (American, 20th Century) and dated 1962. Additionally signed and dated verso and titled 'Dancers'. A colorful mid-century oil on paper showing ...

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

Madonna and Child with St. John the Baptist Italian artist, 18th century, after the earlier painting by Raphael, unsigned oil on wood panel, framed in an Empire, gilt moulded frame F...

Size: 97×97 cm (Total canvas size including stretching margins: 107×107 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled This painting immerses the viewer into an atmos...

Size: 142×142 cm (overall size with stretching 152×152 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled This painting is a visual meditation on preserving one's inner wo...

"Water in swimming pools changes its look more than any other form. If the water surface is almost still and there is a strong sun, then dancing lines with the color of the spectrum ...

Artist: Alexander Shandor Title: Autumn on the Tisza River Medium: Oil on Canvas Year: 2023 Style: Impressionism Dimensions: 29.5" x 33.5" x 1" inch (75 x 85 x 2cm) Presentation: Un...

An atmospheric twilight scene by Alessandro Altamura, depicting a tranquil river teeming with activity, likely set near the forest landscape of Fontainebleau in France. The compositi...

For me, this painting is about silence, trust and inner protection. The turquoise light creates a special space around them, as if it were a moment when a person is left alone with t...

Circle of Christian Wilhelm Ernst Dietrich (1712–1774) Germany Head of an Elderly Bearded Man oil on panel unframed 28 × 22.5 cm (11 × 8.9 in) framed 44.5 × 38.5 cm (17.5 × 15.2 in...

An important Florentine painting from the mid-17th century. This oil-on-canvas painting, attributed to the great Italian painter Vincenzo Dandini (1609–1675), depicts a refined alleg...

Summer Play, Sailboats and the Jetty 6 x 8 unframed, 9.75 x 11.75 framed Signed LR Summer Play is a study oil painting on canvas by award winning contemporary artist Michael Budden t...

Pencil drawing and white lead on paper. Not signed. Very good condition.

A vibrant and whimsical first edition lithograph from Marc Chagall’s celebrated Lithographs Volume II, showcasing the artist’s signature dreamlike composition. Floating figures, play...

Jean-Baptiste Baujault (1828-1899). Portrait of a Bearded Man, ca. 1880's Cast bronze on bronze base. Measures 12.75 x 5.25 x 4.5 inches. Created by the Ferdinand Barbedienne foun...

Clare Leighton, 'Washing Clothes, Corsica, 1934, wood engraving, edition 60, Boston Public Library 258. Signed, titled, and numbered '20/60' in pencil. A superb, richly-inked impress...

This impressive large oil on canvas painting depicts a dramatic fox hunting scene, capturing a rider in a classic red hunting coat mid-jump as the horse clears a rustic fence. In the...

Vladimir Veličković Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches ...

French School, late 17th Century Mediterranean Harbour with Lighthouse and Shipping oil on panel, circular composition unframed 20 cm (7.9 in) framed 33.5 × 33.5 cm (13.2 × 13.2 in...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

Attributed to Isidore Pils (1813–1875) Portrait of a Young Red-Haired Woman A captivating portrait of a young red-haired woman, attributed to the French academic painter Isidore Pil...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

Pablo Ruiz Picasso (Málaga, 1881 - Mougins, 1973) Études de personanages 1905 Ink, gouache and watercolor on laid paper 24.8 x 32.1 cm Documents - Certificate of Authenticity is...

An important Portuguese painting from the mid-17th century. This oil-on-canvas painting, attributed to the circle of Diogo Pereira (1630–1658), depicts Lot and his family fleeing the...

A beautiful and significant oleograph depicting a crucified Jesus with rare intensity and skill, rendered in an almost hyper-realistic style. The figure of Jesus stands out against ...

Gustavo Montoya “Sandías” — CHILDREN SERIES. SERIGRAPH. Unframed. B. LEWIN PUBLISHER In “Sandías,” celebrated Mexican artist Gustavo Montoya presents a young girl seated serenely ag...

John Nost Sartorius (London 1759-1828) A gentleman on horseback, 16 miles to London Signed and dated 1796 Oil on canvas Canvas Size - 25 x 30 in Framed Size - 32 x 37 in John Nost ...

Female Head Study signed with monogram and dated 1883 lower right by Axel Kulle (1846–1908). Oil on canvas laid down on panel. Original giltwood frame with relief ornamentation. The ...

A beautiful oil on canvas painting by the French artist, Henri Alexis Schaeffer. This painting is a wonderful example of his work from the prime of his career, where you can feel the...

Pastel toned coastal seaside landscape oil on canvas painting by French Impressionist artist Henry Moret. The work features a pair of figures walking along the water's edge as clouds...

Believe is a moving meditation on hope, self-worth, and the courage to look past our limits. Standing on a bed of clouds, the figure wears an oversized blue coat and giant red boots,...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This contemporary bronze figurative tabletop sculpture featuring animals is by Gillie and Marc. The British/Australian artistic duo of Gillie and Marc’s humorous bronze sculptures h...

This work questions what happens after arrival. When the life once desired is finally attained, soft, beautiful, without struggle, why does the mind remain unsettled? Thorns Before ...

Alekos FASSIANOS Elegant Man in a Bicycle, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Games of ...

The incomparable Dolly Parton doing what she does best, performing. In this vintage silver gelatin print by famed photographer Art Shay, she is dressed in her customary sequins and g...

"The Magic Moment" is an oil painting capturing a fleeting, intimate connection between two girls with uniquely expressive faces, two close friends sharing their secrets, thoughts, a...

Set against a luminous landscape of water, distant houses, and vibrant fields, two women occupy the same space while remaining immersed in their own inner worlds. One gazes across th...

Step into a dreamlike pastoral paradise with this enchanting mid-century oil on canvas by French artist Denise Collet. Titled "Girls and Ponies," this wo...

'Hidden Portraits VIII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Hampton Stephens "Studio with Fan" is a gestural loose 20 x 24 inch acrylic painting on canvas. A black four-bladed fan dominates the room on a table with a stool beneath it and a pa...

Woman Reading by French Window Interior Modernist 20th Century Oil Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 9.5 x 6 inches Medium: Oil on canvas...

"Portrait of an Elegant Woman in a Blue Kimono" French School, late 19th century, "Japonism" movement. Large oil painting on canvas mounted on a panel. Monogrammed on the lower right...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete de Femme". The original painting was completed in 1958. In the 1970's after Picasso's d...

Two figures sit quietly by the water, suspended in a moment that feels both ordinary and timeless. Facing the glowing landscape, they share a silence that needs no words. Across the ...