People Art

The Patient Traveler by Maggie Taylor is a limited-edition, color photomontage image. Maggie Taylor is a Florida-based artist who creates complex photomontage compositions with a fl...

This painting depicts an impressionistic scene of Spring in the Garden, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions similarly capture...

Original Marilyn Monroe Photograph Original photograph of Marilyn Monroe posing in her dressing room on the film of "Gentlemen Prefer Blondes" by photographer Milton Gold (American,...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

This is a signed and numbered lithograph. In good condition. Measures 46x36

Serge LASSUS (1933-) Horses : Riders in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Coated paper 56 x 76 cm (c....

Set of 2 Photographs Aventure d'une libertine, 2015 From The Secret Album Series Overall Frame size: 20.5 H x 28.5 W x 1 D in. Overall Sheet size: 17.7 H x 24 W in. Individual size: ...

⭐Jean Michel Basquiat⭐ Portrait closeup of the famous artist Jean Michel Basquiat _ Icon of Street art and Bad art. Technique: oil, acrylic, and ink on old book pages on wooden fram...

Le chapeau épinglé (La fille de Berthe Morisot et sa cousine) 3e planche. Etching realized by Renoir in 1894. Image dimension 11.5x8 cm. / sheet dimension 33.2x15.1 cm. The final s...

Title: Original French Textured Equine Study of a Horse Artist: Robert Ladou (French, 1929-2014) Medium: Acrylic and Textured Paste on Paper Size: 14 (Height) x 14 (Width) Signed: No...

The Cardinal English artist, 19th century watercolor on board framed framed: 11 x 9.5 inches board: 8 x 7 inches provenance: private collection, Norfolk, England condition: very good...

5150 French oversized Surreal oil on canvas A Man's Fantasy Framed

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

This vibrant landscape painting captures a quaint village nestled in rolling hills, with bright red-roofed houses forming a striking contrast against the lush green surroundings. The...

Trotting Race, Ratter (USA) & Miss Turner (Welsh), 1820 by HENRY ALKEN SNR (1785- 1851) Large 19th Century English trotting match between Rattler (USA) and Miss Turner (Welsh), o...

Vachagan Narazyan’s Entrance and Exit (2015) is an original oil on canvas painting that exemplifies the artist’s poetic and allegorical approach to spatial imagery. The composition c...

Wintry Pool oil on canvas 12 x 16 image size Signed LR when viewing the painting and again verso, on back. Image measures 12 x 16 The painting is in good condition in a period gilded Impressionist frame showing Carlson's mastery of light and technique. Carlson uses subtle cool snow tones juxtaposed with soft warm sunlit areas of snow help to create form and depth in this winter stream scene. The warm brown tones of the earth showing through the snow and darker trees in the backgroaund add a nice contrast. John Fabian Carlson (May 5, 1875 – May 19, 1947) was a Swedish-born American Impressionist painter. from Wikipedia Background John Fabian Carlson was born in Kolsebo in Västervik Municipality, Kalmar County, in Småland, Sweden. The Carlson family immigrated to the United States in 1884, making their home in Buffalo, New York. Carlson attended evening art classes at the Art Students League of Buffalo, New York. There Carlson received instruction from Lucius Wolcott Hitchcock, a former pupil at the Académie Colarossi in Paris and the Art Students League of New York. Carlson won a scholarship in 1903 or 1904 to study with Lovell Birge Harrison...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be disc...

This is an original exhibition poster featuring The Wall by Larry Rivers, highlighting a piece from the Guild Hall's permanent collection in East Hampton. Showcasing Rivers’ bold, av...

Title: French Impressionist Oil Painting of Two Women at the Beach By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Oil painting on board, unframed Condition:...

Ernie BARNES (1938-2009) Sugar Shack (Marvin Gaye), 2002 Original screen print Printed signature in the plate On glossy paper 70 x 94 cm (c. 37 x 27.5 in) Excellent condition

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Portrait, ca. 1975. Period print measuring 8.75 x 11.25 inches. Unframed. Studio stamp on verso. Mounting and framing services available. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Roy Lichtenstein Eddie Diptych: Selections from the Ileana and Michael Sonnabend Collection, rare Princeton University Art Museum poster, 1985 Offset...

This vibrant 20th-century French Impressionist painting by Charles Ducant captures the timeless allure of a bustling Parisian street scene, immersing the viewer in the charm and ener...

"Dangerous" Portrait of the 1833 Derby racehorse winner by John Frederick Herring Snr (1795-1865) British signed lower left, titled lower right oil painting on canvas: 10 x 14 inches...

Alejandro Casanova (Spanish artist) No title 80 x 80 cm Oil paint on canvas Alejandro (Ale) Casanova was born in Valencia (Spain) in 1981. In the capital of Turia, he studied Fine ...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2022 Style: Impressionism, Subject: Nude Wo...

Artist: Varvarov Anatoly Viktorovich Title: Happy, Sise: 53x43.5 inches, (135x110 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. Looking at the "Happy" oil paintin...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In my painting 'Sister, do you remember the sea ...

'The Lament of Icarus' Continental School, late 20th century, signed after the original painting by Herbert James Draper oil on canvas, unframed canvas : 36 x 24 inches provenance: ...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2009 Style: Impressionism Title: Gold Stubble, Size: 39" x 43" x 1''...

OLD MASTER Signed L S Lowry " The Vote" Oil Painting 20th Century NEW COLLECTION Of RARE PIECES OF ART Here we have a unique and rare piece of Art signed Good Detail one of the b...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2022 Style: Impressionism, Subject: Nude Wo...

Juventus 1995-96 - The Embrace of Victory Artist: Marco Silombria (Savona, 1936 - Albissola, 2017) Medium: Charcoal on paper Dimensions: 101 x 72 cm Signed: Lower right, "Si...

Up for sale is a beautiful large oil on canvas painting by the Famous Italian Artist Antonio De Vity (1901-1993) depicting a Paris street view. Signed lower right corner De Vity. Wi...

Watch Me Gone - 2024 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-026. Not...

This piece titled "Voisine (Neighbor)" is an original artwork by Alain Jean-Baptiste and measures 48"h x 36"w x 1.5"d. . This work is made from oil paints on canvas and ships with a ...

Portrait of a Lady British School, early 1900's Circle of Samuel Luke Fildes (1843-1927) British. Bust Portrait of a Lady, Oil on canvas, 24" x 20" (61 x 50.8cm) plus gilt swept f...

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove paper, with margins, in excellent condition. Published by Associated American Artists. Archivally matted to museum standards, unframed. Image size 9 7/16 x 11 7/8 inches; sheet size 10 3/4 x 13 5/16 inches. Impressions of this work are held in the following museum collections: Figge Art Museum, Georgetown University Art Collection, Indianapolis Museum of Art, Library of Congress, Metropolitan Museum of Art, and the Nelson-Atkins Museum of Art. ABOUT THE ARTIST “Benton’s idiom was essentially political and rhetorical, the painterly equivalent of the country stump speeches that were a Benton family tradition. The artist vividly recalled accompanying his father, Maecenas E. Benton — a four-term U.S. congressman, on campaigns through rural Missouri. Young Tom Benton grew up with an instinct for constituencies that led him to assess art on the basis of its audience appeal. His own art, after the experiments with abstraction, was high-spirited entertainment designed to catch and hold an audience with a political message neatly bracketed between humor and local color.” —Elizabeth Broun “Thomas Hart Benton: A Politician in Art,” Smithsonian Studies in American Art, Spring 1987. Born in 1889 in Neosho, Missouri, Thomas Hart Benton spent much of his childhood and adolescence in Washington, D.C., where his father, Maecenas Eason Benton, served as a Democratic member of Congress from 1897 to 1905. Hoping to prepare Benton for a political career, his father sent him to Western Military Academy. After nearly two years at the academy, Benton persuaded his mother to support him in attending the Art Institute of Chicago for two years, followed by two additional years at the Académie Julian in Paris. In 1912, Benton returned to America and moved to New York to pursue his artistic career. One of his first jobs involved painting sets for silent films, which were being produced in Fort Lee, New Jersey. Benton credits this experience with equipping him with the skills necessary to create his large-scale murals. When World War I broke out, Benton joined the Navy. Stationed in Norfolk, Virginia, he was assigned to create drawings of camouflaged ships arriving at Norfolk Naval Station. These renderings were used to identify vessels that might be lost in battle. Benton later remarked that being a "camofleur" profoundly impacted his career: "When I came out of the Navy after the First World War," he said, "I made up my mind that I wasn’t going to be just a studio painter, a pattern maker in the fashion then dominating the art world—as it still does. I began to think of returning to the painting of subjects, subjects with meanings, which people, in general, might be interested in." While developing his Regionalist vision, Benton also taught art, first at a city-supported school and later at The Art Students League from 1926 to 1935. One of his students was a young Jackson Pollock, who regarded Benton as both a mentor and father figure. In 1930, Benton was commissioned to paint a mural for the New School for Social Research. The "America Today" mural, now permanently exhibited at the Metropolitan Museum of Art, led to many more commissions as Benton’s work gained wide recognition. The Regionalist Movement became popular during the Great Depression of the 1930s. Painters such as Benton, Grant Wood, and John Steuart Curry rejected modernist European influences, choosing instead to depict realistic images of small-town and rural life—comforting representations of the American heartland during a period of upheaval. Time Magazine referred to Benton as "the most virile of U.S. painters of the U.S. Scene," featuring his self-portrait on the cover of a 1934 issue that included a story titled "The Birth of Regionalism." In 1935, Benton left New York and returned to Missouri, where he taught at the Kansas City Art Institute. His outspoken criticism of modern art, art critics, and political views alienated him from many influential figures in both political and art circles. Nonetheless, Benton remained true to his beliefs, continuing to create murals, paintings, and prints that captured enduring images of American life. The dramatic and engaging characteristics of Benton’s artwork drawn the attention of Hollywood producers, leading him to create illustrations and posters for films, including his famous lithographs for the film adaptation of John Steinbeck’s "The Grapes of Wrath," produced by Twentieth Century Fox. During the 1930s, The Limited Editions Club of New York asked Benton to illustrate special editions of three of Mark Twain’s books...

This acrylic painting on canvas presents two mirrored female busts rendered in vivid green tones, their identical facial structures and stylized hair buns evoking a reflection on sam...

Ricard Opisso - Crowd in Barcelona - Watercolor drawing Drawing measurements 19x24 cm. Frame measurements 30x35 cm. Son of Alfredo Opisso y Viñas, journalist, historian and critic, and of Antonia Sala y Gil, his sister Regina Opisso, was also a writer. He comes from an enlightened family full of artists. His paternal grandfather was Josep Opisso y Roig, journalist and director of the Diari de Tarragona, father of the also writers Antonia Opisso y Viña and Antoni Opisso y Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala y Francés. His nephew was Arturo Llorens y Opisso, a writer better known under his pseudonym Arturo Llopis. Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In modernist Barcelona at the end of the 19th century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Familia in Barcelona since 1892. He was linked to the group Els Quatre Gats, along with Ramón Casas, Manuel Hugué, Isidre Nonell...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 018" graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Signed, lower right ...

watercolour portrait of woman naked lady white cloves nu erotic art unique piece one-of-a-kind watercolour tempera on paper hand signed 51x41cm

The mysterious artworks by Rachel Ann Stevenson invite you into a dream world. Rachel Ann sees artists as day dreamers who can show the impossible...

I Don't Want to Go to Heaven, 2017 Giclee Print on Paper signed and numbered by the artists Edition of 150 166 x 106 cm - Sheet The Connor Brothers are a British artistic duo known ...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

"Woman-Warrior of the modern world" series. "Si vis pacem, para bellum" ("If you want peace, prepare for war") invites the viewer to remember that peace is a fragile and precious rea...

Pablo PICASSO (1881-1973) Diurnes, The Bride, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c.15.7 11.2 in) REFERENCE :...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

This is a very large serigraph signed and numbered by tarkay. In good condition. It measures 67x42. Buyer is responsible for all shipping cost

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

'Sundays (Heavenly Falls) - 2016 20x25cm, Edition 1/10, Archival C-Print based on a Polaroid from the making of the documentary "instant dreams". Certificate and signature label....

Disorder (Bombay Beach) - 2023 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2023-12. ...

Pablo PICASSO (1881-1973) Comédie Humaine, Circus clown and Ballerina, 1954 Original lithograph (Mourlot workshop) Unsigned On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INFORMATION : Created for portfolio Verve n°29-30 "La comédie humaine, suite de 180 dessins de Picasso...

Boat Expedition Italian School, early 1800's period oil on canvas, framed Framed: 19 x 23 inches Canvas : 18.5 x 22.5 inches Provenance: private collection, France Condition: the fr...