People Art

Size: 97×120 cm (Total canvas size including stretching margins: 107×130 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled This artwork is a visual metaphor for the sanct...

Pastel Landscape by Irina Hale (British 1932-2022) pastel sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotswolds condit...

This charming landscape from 1933 depicts a farmstead on Fårö, the island situated north of Gotland in the Baltic Sea. In the foreground stands a characteristic stone barn with a tha...

"17th Century Flemish School Old Master Adoration of the Magi." Oil on canvas. Previously relined. Unsigned. Artwork: 81 × 61 cm (31.9 × 24 in.). 88 × 69 cm (34.6 × 27.2 in.). (Fra...

Super iconic and instantly recognizable Flower Thrower image featured on this Banksy Walled Off Hotel separation wall sculpture. This image was originally painted by Banksy in the We...

This AFTER BOTERO sculpture is a very beautiful, faithful reproduction in the style of BOTERO'S work that has sold very well here on 1st Dibs. The edition is 50 in Roman numerals. ...

Conversation in the Theater - Expressionist Figurative Abstract by Jane Mellin Bold and expressive large scale figurative abstract painting of two people conversing in a theater, wit...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Akanji Bolaji (b...

Title: Vintage Cavalier King Charles Spaniel Dog Portrait Oil Painting Artist: Dorothy Johnson Medium: Oil on canvas laid to boar...

Since 1956, Jean Claude Picot has been a full-time professional artist. He has seriously studied the works of the Fauvist masters Vlaminck, Derain and Matisse. Like these great maste...

Sunrise Study Image is 6 x 8 unframed, and 11.75 x 13.75 framed. Signed LR Sunrise Study is a study oil painting on canvas by award winning contemporary artist Michael Budden that s...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bey...

Large vintage oil painting on canvas depicting a traditional English fox hunting scene with riders on horseback accompanied by a pack of hunting hounds moving across an autumn countr...

Ama, a Ghanaian woman born in 1940 near Kumasi during British colonial rule over the Gold Coast, grows up witnessing the exploitation of cocoa farms, missionary influence, and growin...

Step into a dreamlike pastoral paradise with this enchanting mid-century oil on canvas by French artist Denise Collet. Titled "Girls and Ponies," this wo...

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

This work captures a moment suspended in time, where nothing is rushed and nothing is required. Set within the quiet presence of nature, the scene speaks of shared stillness and unsp...

Leonard Freed's photographic career is punctuated by epic documentary photo essays with many works from New York City. Wall Street is one of the photographer's iconic 1950s images. ...

Dancer III is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 100 × 50 × 20 cm (39.4 × 19.7 × 7.9 in). The sculpture is signed and numbered, it is part of a l...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

Acrylic on canvas Signed

George Henry Laporte A huntsman clearing a brook Oil on canvas Painting 28 x 36 in Framed 34 x 42 in This spirited composition by George Henry Laporte captures a huntsman at full st...

Figures in an Italianate Landscape Flemish, late 17th century oil on canvas, 11.5 x 18 inches condition: the painting, for its age is in very good and decorative condition. Obvious a...

Boleslaw Cybis (1895-1957). Lowicz Girl, ca. 1930's. Conte on paper, sheet measures 18 x 23 inches. Signed by the artist some years after its creation in blue ink, on verso bottom...

Portrait of a Jack Russell Terrier by John Emms (1843-1912) signed lower left oil painting on board, framed painting: 7.5 x 6.25 inches framed: 8.5 x 7.25 inches condition: overall v...

Figurative Art, Large Painting Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2023 Style: Contemporary Art Title:...

Art Deco Cubist Sculpture 20th Century European Terracotta Modern Female Figures Catherine Fussli (20th Century) "The Two Friends" Metallic finished terra-cotta, c. 1920s 20 wide x ...

Hippolyte Michaud 1813 – 1896 Its actual title is 'Ritratto di Donna Elegante in Abito Giallo' (Portrait of an Elegant Woman in a Yellow Dress) A wonderfully engaging portrait. The s...

A warm sunset over Norfolk's Cromer beach. Between Thoughts is a sublime oil painting that captures the mesmerizing tranquility of a sunset over thw North Sea. The horizon is ablaze...

The Runaway by Norman Rockwell, (1894 - 1978) Date: 1982 Medium: Collotype Poster Size: 31.5 in. x 28 in. (80.01 cm x 71.12 cm) Publisher: Circle Gallery, Ltd Printer: Max Jaffe, Vienna

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Magic Unicorn" animal painting portrait of an animal in oil of Volsky Lily. This magical painting will delight and make even the saddest person smile. It seems to me that if you ask,...

John Charles Maggs (1819-1896) A Cracking Pace signed and dated J. C. Maggs / 1873 lower left Oil on canvas Painting size 11 1/2 x 23 1/2 in Framed size 17 x 29 in John Charles Magg...

Estate stamp, verso Vintage gelatin silver print 14 x 11 inches, sheet $6,707 20 x 16 inches, sheet $9,146 This artwork is offered by CLAMP, New York.

Off the Coastline by G. Selby (British, second half 20th century) signed oil on canvas, unframed canvas: 20 x 40 inches Provenance: private collection, England Condition: very good c...

Wild Flowers by Irina Hale (British 1932-2022) oil painting on thick artist paper, unframed size: 8.5 x 6.5 inches provenance: private collection, Cotswolds condition: very good Iri...

Size: 97×97 cm (Total canvas size including stretching margins: 107×107 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled This painting immerses the viewer into an atmos...

Firmado en la parte inferior (desconozco el artista) El estado de la obra es aceptable, lo único que está bastante sucia Se presenta sin enmarcar la pintura Medidas obra: 73 x 60 cm.

McBey, James (Scottish, 1883-1959). DAWN, THE CAMEL PATROL SETTING OUT. Hardie 181. Edition of 76, of which 70 were signed and numbered. Etching and drypoint, 1919. Signed in black ...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

These blue flowers are among the first to appear in the forest each spring. Their extraordinary blue color brings the earth back to life after the long winter. "For me, they have a...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...

Title: Provence Hillside with Stone Houses and Lush Trees French Landscape Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W):...

Young Girl Interior Scene by Irina Hale (British 1932-2022) oil painting on board, unframed size: 10.5 x 8.25 inches provenance: private collection, Cotswolds condition: very good I...

The Embarkation of the Queen of Sheeba British School, early 19th century, apparently unsigned though the previous owner insisted it was. after the earlier painting by Claude Lorrai...

French Art Deco Fauvist portrait, oil on paper laid on canvas by Auguste Chabaud. The painting is signed bottom right and carries an atelier label, with date, to the rear of the canv...

''Currents" is about the thoughts that come when we are alone. The fish symbolize these thoughts as they move between reality and imagination, silence and dreams. The painting reflec...

AUTUMN OF THE ROOSTER is an original hand drawn, limited edition lithograph by the American master artist and collagist Romare Bearden printed using traditional hand lithography meth...

A beautiful oil on canvas painting by American artist Gregory Sievers, capturing a romantic and atmospheric scene of the boulevard near the Champs-Élysées with the Eiffel Tower under...

The Harvest Workers French Post-Impressionist, signed and dated 1977 oil on canvas, unframed canvas: 20 x 25.5 inches Provenance: private collection, South of France Condition: very ...

PS251 Beauty and the Beast Scene: a closeup portrait with dachshund dog. The background is created with series of drippings. Technique: oil, acrylic, and ink on old book pages on ...

The Country Watermill English School, circa 1830's oil on canvas, framed framed: 23 x 29 inches canvas: 18 x 24 inches Provenance: private collection, Cotswolds, England Condition: v...

Title: Gentleman in Interior (After Fernando Botero) Artist: Sanz (Spanish painter, active late 20th – early 21st century) Year: circa 2000 Medium: Oil on canvas Dimensions (unfr...

Preparing the Ships Coastal Marine Scene with Figures and Sailing Vessels English, mid 19th century oil on board, framed in a gilt moulded frame Framed: 10.75 x 14.5 inches Board: ...

It was a windy day in May when artist Anna Shesterikova saw a sea of ​​poppies with her own eyes. She was so fascinated by the incredible views that she painted several works at once...

Series: Sea Within — Shells & Pearls. Abalone Shell with Pearl explores the ocean’s luminous beauty through a sophisticated, jewel-like palette of turquoise, aquamarine, cobalt and u...

Rare neoclassical white marble sculpture depicting an ephebe in the gesture of silence, also known as the gesture of Harpocrates, Rome, second half of the 18th century. Harpocrate...

Original Andy Warhol vintage poster with Michael Jackson for Time Magazine March 1984. This vintage poster created by Andy Warhol was the image used for the cover of Time Magazine ...

Watercolor on paper. Hand signed. Very good condition.

Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 10) This artwork is offered by CLAMP, New York.