Portrait Art

Dave Seeley’s "See No Evil" is a powerful large-scale oil painting on canvas mounted to panel, capturing a moment of intimate vulnerability and introspective solitude. Measuring 44.5...

Museum quality print of Marilyn Monroe by Lawrence Schiller, taken on the set of Somethings Got To Give in 1962 during the famous naked swimming pool scene ...

Polaroid transfer on Rives BFK paper Signed, titled, dated, and numbered (4/6) in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is o...

Canvas Size: approx 26.5 x 18 Framed Size: approx 30 x 22 inches Born into a poor family in Durham, England, John George Brown (1831-1913) earned a reputation as one of 19th-century...

An evocative oil study by the artist George Weissbort (1928-2013). Signed and dated to the lower right. (Provenance: Studio Sale, George Weissbort). On board.

A charming oil portrait depicting a mother with an infant in a christening gown on her knee. Both smile towards the artist, who captures them against a dark background. Signed to the...

Nick Veasey Easy Listener Silver Silkscreen 2025 From Print Series Signed and numbered by artist 75 x 105 cm frame included Numbered 5 out of 75

Dancer Steven-Jan Hoff photographed nude for After Dark magazine, 1972. Vintage silver gelatin exhibition photograph made by Jack Mitchell. American photographer Jack Mitchell (192...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Unsigned. On board.

Sunset (Till Death do us Part) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #958...

Portrait of a Clerical Gentleman Italian artist, mid 18th century Circle of Giovanni Battista Carboni (1725-1790) oil on canvas, unframed canvas: 26 x 22 inches provenance: private c...

This mid-18th-century half-length German portrait depicts a middle-aged aristocrat wearing armour and a wig. Despite his heavily-clad appearance, it’s likely that this rather noncha...

Hand printed by Brett Weston. Verified by Carol Wiliams (Photography West Gallery) Mint Condition No Signature Stamped on verso, signed by C. Williams

Matt Talbert’s "Last Night" is a 2023 oil painting on linen measuring 10 x 8 inches unframed and 11.25 x 9.25 inches framed. The piece is professionally framed and ready to hang. A ...

Marilyn Monroe, New York City, USA, 1956 1956/2023 Signature stamp, verso Archival pigment print 6 x 6 inches, sheet 3.75 x 5.5 inches, image This work is offered by CLAMP in New...

Emeline #4, 2020

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

This is an interesting portrait of a military person related to the Prinz Heinrich Kaserne complex in Germany after World War II. Apparently there were internal conflicts happening a...

TOM QUINN Born of IRISH PARENTS in 1918, Tom W. Quinn was indeed fortunate as he was one of the last generations of students at the Camberwell School of Art to study under such great tutors as Lawrence Gowing, Victor Passmore...

Study for the Head of an Apostle or Saint Artist: Enrico Reffo (1831-1917) Medium: Charcoal and white chalk on colored paper Dimensions: [To be specified] Date: Late 19th - Early 20...

A finely executed mid-19th century portrait depicting a dapper young lad dressed in his best attire. The artist has skilfully captured the boy’s proud, contemplative expression as he...

Warhol superstar Joe Dallesandro the iconic portrait taken during the photo session for After Dark magazine, 1970, shortly after starring in Andy Warhol'...

Flemish school of the 19th century Armorial portrait of Baron Henri de ROISIN (1787-1846) in the uniform of a general of the gendarmerie (1835) Oil on canvas H. 108 cm; W. 90 cm Bar...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

A Mardi Gras Indian known as Spoons during Super Sunday 2007, in which Mardi Gras Indians parade down from the Bayou St. John in New Orleans. Photograph Print is 12 x 9 inches, Frame is approximately 19.5 x 15 inches. Statement: "My mission is to capture the vitality of human experience and to present it on paper in a visually compelling manner. I work with daily life, ritual and celebration within which I look for moments of insight. From Coney Island, to New Orleans, Cuba, Haiti, Colombia and India I use my camera as a tool for understanding and mutual respect between cultures!" Andy...

French artist of the first half 19th century oil painting on canvas, unframed canvas: 12.5 x 9.5 inches provenance: private collection, France condition: overall very good - aging signs...

16th-century Flemish master Circle of Quentin Metsys (Leuven, 1466 - Antwerp, 1530) Ecce Homo oil on panel cm. 34 x 23 with frame 47 x 37 (not contemporary) An important painting...

Linocut on vélin pur fil Johannot a la forme paper. Inscription: signed in pencil and unnumbered, as issued, from the edition of 50. Good condition. Notes: From the folio, Le Poème p...

Floaties (Beachshoot) - 2005 20x20cm, Edition of 10, digital C-Print, based on a Polaroid Certificate and Signature label, artist Inventory # 1431. Not mounted. The Tooth of Time It is obvious that the photographer Stefanie Schneider has a background in film. All her pictures live from the dust-filled eroticism of American road movies. For Hitchhikers, the thirty-seven-year-old artist sent her protagonists into the desert. The air shimmers. Desert. A highway, massive autos, dusty kisses. One is familiar with these sorts of images from films, even if one hasn't yet seen this particular one. In any case, it seems to be older: The tooth of time has gnawed at the photos; they are discolored, strangely and incorrectly exposed, covered with white spots. False! The photographic series Hitchhikers was created this year; the photos got their patina because the photographer Stefanie Schneider only uses film which has passed its expiration date by up to five years, and which accordingly reacts to light in unpredictable ways. Where one's assumptions are correct is in the matter of the cinematic allusions: Schneider received a degree in film at the Folkwang-Hochschule in Essen and was a cutter for several years. In the USA, she was responsible for the scene photos in the feature-film debut (Everything put together) of Marc Forster (Monster's Ball, Finding Neverland) and out of tha collaboration developed her own photographic series Suburbia. Hitchhikers is similarly structured and actually consists of stills, in this case without the accompanying film: loosely staged pictures in which the protagonists have space for spontaneous improvisations. No plot, but moods which seem familiar to us. Schneider remarks that during the shooting she was thinking of Thelma and Louise. The series is marketed along with other works of Schneider by the Editions Galerie Lumas, the Galerie Caprice Horn in Berlin, and the Zurich gallery nd-projects. The Lumas branch in Munich is featuring Schneider in the exhibition Polaroid Movie through February 28, and starting on February 23 the feature film Stay runs, in which Schneider's pictures play a crucial role. And the thirty-seven-year-old artist, who lives alternately in Berlin and Los Angeles, continues to work on her filmography. At the moment she is developing along with Marc Forster a concept of transferring her typical photographic aesthetic into moving pictures...

No room for doubt come out to the light, flee from that past that keeps hunting you down. You don’t need to hide anymore, you’re a precious jewel. Painting Ships in a well-protected...

This intimate self portrait depicts the artist in contemplative three-quarter view, rendered with loose, expressive brushwork that captures both the subject's pensive mood. Signed t...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 A classical approach, sensual not sexual Large scale photograph. This image was captured on film in...

KAMIL LISEK (born in 1980) Studied under the guidance of prof. Maciej Świeszewski at the faculty of painting at the Academy of Fine Arts in Gdansk. He graduated with distinction obtaining scholarships from both the Ministry of Culture and the Mayor of the city of Gdańsk. In 2006 he won the Grand Prix (ex...

John Baker’s “A Broad Grin” is an acrylic painting on canvas with collage 24 x 20 inches in greys, greens and blacks, with flesh tones. A broad grin has been defined as “one in which...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Nahum Tschacbasov was born in Baku, in the southeast of Russia. When he was eight years old, he came to America, where his family settled in Chicago. His career, spanning more than five decades from the 1930’s to the 1980’s, is a kaleidoscope of influences, from modernism to the Byzantine style and expressionism of his Russian roots. Tschacbasov’s paintings of the 1930’s reflect the social and political preoccupations of the times. He received considerable critical attention for his powerful dramatic satirical depiction of social injustice. In the 1940’s he gained wider recognition when his style evolved into a fusion of Cubism and Surrealism. Through the influence of Jung, as well as currents brought to America by the newly arrived group of European Surrealists, he created a powerful personal iconography in which the inner workings of the psyche are revealed as myth and metaphor. His first encounters with modern art are the works of Cezanne, Van Gogh, and Rouault. 1932-33 Tschacbasov moves for a short time to New York City in order to be in a modern art center and then to Paris, where he adopts the name Tschacbasov, an anagram of different family names. He studies with Leopold Gottlieb for eight months, then with Marcel Gromaire, who teaches him pictorial structure, and briefly with Fernand Leger. Working in his studio on the edge of Montmartre and later in the Hotel de Sante in Montparnasse, he produces a large body of work, retaining fifty paintings. After trips to North Africa, Spain, and the Balearic Islands, he travels often from Paris to New York City, where he spends six months painting a series of Depression-inspired pictures after finding that his American business has gone bankrupt in his absence. 1934 In Paris, Galerie Zak exhibits landscapes from his trip to Majorca in the first one-man exhibition of Tschacbasov paintings; Salon de Tuileries also exhibits his work. His savings exhausted, he returns to New York via Tunisia in the midst of the Depression. 1935 Living on Pineapple Street in Brooklyn Heights, Tschacbasov works on the WPA Federal Arts Project, Easel Division, where he meets other artists and becomes politically involved. His works are shown at Galerie Secession with those of Mark Rothko, Adolph Gottlieb, and other modernist and expressionist painters. Tschacbasov, Rothko, Gottlieb, Joseph Solman and others from Galerie Secession form a group called The Ten combining common aims of social consciousness with an expressionist and abstract style. Themes of social injustice are more dominant in Tschacbasov's work than in that of others of The Ten, as he draws on his own childhood experiences of the harsh realities of immigrant life in industrial Chicago. In the summer, a one-man exhibition of his non-objective paintings is held at Galerie Secession, and in December, Montross Gallery in New York City holds the first exhibition of The Ten, including two works by Tschacbasov, "Handout" and "Three Graces." 1936 In January, an exhibition of The Ten is held at Municipal Art Galleries in New York City, and later in the fall an exhibition, also of The Ten, is held at Galerie Bonaparte in Paris. 1936-38 Among the paintings exhibited in the "Annual Exhibition of Contemporary American Painting" at the Whitney Museum of American Art are Tschacbasov's "Deportation", "Clinic", "Friday Night", "Harbor Sunset", and "The Matriarch". 1936-37 Tschacbasov is appointed business manager of Art Front Magazine, a publication associated with the Artists' Union. His circle of friends at this time include Philip Evergood, Milton Avery, Stuart Davis, David Burliuk, William Gropper, the Soyer brothers, Robert Gwathmey, Marsden Hartley, and Max Weber. Due to cut-backs in WPA funding, he teaches at his 38 West 22nd Street studio and at the American Artists' School. On the faculty are David Burliuk and the Soyer brothers, as well as Elaine de Kooning and other artists with similar aesthetic and social points of view. Personal and artistic crises lead to his entering into Jungian psychoanalysis, which provides new impetus and direction to his painting. Under the influence of analysis, he starts to write portions of a surrealistic autobiography, The Moon is My Uncle. His paintings, "Refugees" and "Friday Night" are shown with works by Avery, Burliuk, and DeHirsh Margules in a group exhibition at Albright Art Gallery in Buffalo, New York. In September, the Berkshire Museum in Pittsfield, Massachusetts focuses on themes of social criticism in an exhibition entitled "The World Today", curated by Elizabeth McCausland, which includes Tschacbasov's, "Little Red School House". 1940 Tschacbasov takes up photography. Photographing the works of friends and other artists, he builds a collection of color slides...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Sisterhood is also about growth and transformation. As we go through life, we change and evolve as individuals, and our relationships with our sisters change and evolve with us. The ...

"Crowning Glory" by Bert Hardy Premium Rates Apply. An elegant Parisian spends the morning in a Champs Elysees cafe. Original Publication: Picture Post - 5343 - Sunday Morning In Th...

Oil on Canvas. French school of the late 1700s-early 1800s. Portrait of a gentleman in elegant bourgeois dress. The canvas has slight tears and is in need of cleaning. It is presente...

Charles Kvapil (1884-1958) "The Bather," massive oil painting on canvas signed lower right "Kvapil 1936." Charles Kvapil, born in Czechoslovakia and naturalized Belgian, is a painte...

Kiara Aileen Machado is a contemporary artist born in Lynwood, California who depicts and explores the construction of identity, familial lineage,...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by The Galley) The other side...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Jane Birch Hitchhike graphite on paper 9h x 6w in 16h x 12.75w in framed 22.86h x 15.24w cm JAB008 My drawings are lovingly objectifying. I’m an alien researcher, and my subject, h...

Gaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...

English School, circa 1780’s Circle of George Romney (1734-1802) oil painting on canvas, framed framed: 36 x 30 inches canvas: 30 x 25 inches private collectio...

The English Gentleman and his Country House English artist, circa 1800-1820 period Fine Georgian period portrait of a young English gentleman, seated with distant view of his country...

"Avant" Black & White Art Print 36" x 24" in Ed. of 25 by Yevgeniy Repiashenko Year photo was taken: 2020 Art Print Limited Edition of 25 Picture size: Height: 36" inch Width: 24"...

19th century French scene of Lovers walking in a Garden, in 17th century costume original frame Wonderful 19th century classical Genre scene, painted with great skill and delicasicy . The artist has captured the meetiung of the two lovers...

"Babatunde" is a compelling figurative portrait by Bukola Orioye that blends contemporary realism with symbolic reverence for ancestral continuity. Translating to “Father has returne...

Paper Size: 26 x 20 inches ( 66.04 x 50.8 cm ) Image Size: 15.5 x 13 inches ( 39.37 x 33.02 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Suppl...

There something so poignant about this 40-something woman, painted sometime after World War I by F. Harding. She’s in her plain but “Sunday best” clothes. Yet she unwrapped for this ...

Aventure d'une libertine XV, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born from a ...

"The Park Bench" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) oil painting on canvas, unframed painting: 6.25 x 8.5 inches A fine oil painting by the listed French Impres...

Warhol superstar Joe Dallesandro the iconic nude portrait taken during the photo session for After Dark magazine, 1970, shortly after starring in Andy Warhol's 'Trash'. Vintage 11 x ...

El Negro 1/1 Escultura Griega, 1991 by Celso José Castro Daza From the Series Guerreros One-of-a-kind Photomontage on archival paper Sheet Size: 27.5 in. H x 19.5 in. W Unframed Sig...

Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...