Symbol Art

11 layer serigraph on TW Graphic Ink on Coventry Rag 320 GSM paper with deckled edges. Hand signed lower left by Kai. Hand numbered 4/140 lower left. Artwork size: 30.5 x 35.375 i...

Vegetation an original Lithograph artwork realized by Daniele Dimitri. Hand-signed at the bottom. Numbered, edition 20/100. In excellent conditions. Passepartout included 70 x 5...

Antiquities of Herculaneum - Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an original etching on paper reali...

Antiquities of Herculaneum - Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century. Good conditions ...

This artwork titled "Cornbread The First Element Shield (Brug)" is an original artwork by Cornbread made of acrylic paint on a retired Amsterdam street sign. The piece measures 80cm ...

This artwork titled "Cornbread STRAAT Shield" is an original artwork by Cornbread made of acrylic paint on a retired Amsterdam street sign. The piece measures 80cm / 31.5in diameter....

Ex Libris Fereng is an original Modern Artwork realized in the 1950s. Original Ex Libris. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total...

Ex Libris Obratil is an original Contemporary Artwork realized in the Mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Hand-signed in penci...

The painting is 2 cm deep and can be hung without an additional frame, also all picture sides are painted. The painting is signed on front and on the back. A signed Certificate...

Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some st...

Capital letter S the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some stai...

Ex Libris Wagnerow is an original Contemporary Artwork realized in the half of the 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboar...

Ex Libris Kot Apókolo is an original Contemporary Artwork realized in the 1960s . Original Colored woodcut print on ivory-colored paper. The work is glued on cardboard. Total ...

Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some st...

Ex Libris Déry Ilonka is an original Modern Artwork realized in the half of the 20th Century. Original Ex Libris. Original B/W woodcut on ivory-colored paper. The work is glu...

Blue Life is an acrylic pouring painting on canvased cardboard realized by the Italian artist Amanda Ludovisi. Hand-signed on the back. The ...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In v...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters...

‘St Mark's Cathedral.' is a b/w photographic print on Cardboard. The artwork represents crucified Christ.The stamp of Foto Bohm Venezia on the rear.

Ex Libris Gaborne is an original Contemporary Artwork realized in the 20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Sigled on paper on the l...

The Inn is an original artwork realized by an artist of the 18th century. The print is quite worn at the edges and includes a passepartout. Image Dimensions: 12 x 29.9 cm The wri...

St. Gervais is an original drawing in mixed media: watercolor and China ink on paper, realized by the French Artist C. Lartigue in the early 20th Century Hand-signed on the lower ri...

Rebecca Skinner’s “Linger” is a 18 x 12 inch metal print and is part of her “Transient” series. The peeling paint, texture and soft pink and beige color exudes strength in this color...

Ceramic totem with charcoal glaze and red accents. Features a stylized chicken and conch shell at the top. Simplicity of the color brings a minimalistic approach to this totem.

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz,...

Study for a Decoration is an original modern artwork realized in the first decades of the XX Century by a French artist. Original colored watercolor on paper. On the back of the a...

Artist: Peter Max (1937) Title: Heart Series II Year: 1998 Edition: 110/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscripti...

Crucifixion Engraving, 1958 Signed, dated, titled, and annotated 'Printers Proof II' in pencil A printed by Master Printer Jon Clemens, c. 2000 A brilliant impression full of burr Im...

Don't Stop Dreaming by Alessio-B, Contemporary Street Art Print. Dimensions 70 x 50 cm with release in 2015. Comes from an edition of 15 pieces. Beautiful piece perfect for families,...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Artist: Robert Indiana (1928-2018) Title: Four Seasons of HOPE (four artworks) Year: 2012 Medium: Silkscreen on Coventry Rag paper Edition: 125, plus proofs Size: 35.25 x 25.5 inches...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Secret Garden (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory #212. Not...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production 'One Million Years BC...

This piece titled "Loretta's Flowers" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 8"h x .75"...

This beautiful fine art photograph of San Francisco de Asis Mission in Taos, NM is a standout in any room. :: Photograph :: Black & White :: This piece comes with an official certif...

"Brillo Box Green" Pop Art Sculpture 17" x 17.5" x 14" in Ed. 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award win...

Jean-Louis Corby was born in 1951 and was predominantly influenced creatively by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often characterised ...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Sherbet Yellow, Coral Pink , Viridian Green, Baby Blue. Get in touch to request other sizes or color combin...

Home, Sweet 29 (Oxana's 30th Birthday) - 2010 58x56cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid, mounted on Aluminum with matte UV-Protecti...

An original oil on board painting by emerging contemporary artist Anthony Leone, currently featured in the artist's solo exhibition Grape Farm.

Wrong Way (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventor...

Battlefield (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Invent...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

SOS (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL2022-...

Jean Sariano, Algerian/American (1943 - ) - The Road Child, Year: 1979, Medium: Etching, signed and numbered in pencil, Edition: 300, Size: 24 x 29.5 in. (60.96 x 74.93 cm), De...

Mireille Kramer, Egyptian/American (1932 - ) - Biblical V, Year: Circa 1980, Medium: Etching, signed and numbered in pencil, Edition: 300, Image Size: 14 x 17 inches, Size: 22.5...

FAUSTO RAMOS "NUDE WITH DRAPE" WOOD, SIGNED CUBA, DATED 1972 56.5 INCHES Acquired from the artist

No Parking (Stranger than Paradise) - 1999 59x56cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist In...

Judith Bledsoe, American (1938 - 2013) - Pegasus Astrological Chart from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition:...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Not a Through Street (Drive to the Desert) - 1999 44x59cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Signed o...

July 10, 2020 2020 Signed and numbered on label, verso Archival pigment print 40 x 52 inches, image (Edition of 3 + 2 APs) $5500 26 x 34 inches, image (Edition of 6 + 2 APs) $450...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Lithograph on paper, edited 1970 Limited edition in 75 exemplars Current exemplar numbered as: p.d.s (prova di stampa) Paper size: 76 x 53 cm Hand-signed by artist in pencil in the l...

Five Miles Per Hour, Rhyolite, Nevada, photograph from Richard Heeps 'Dream in Color' Series. This photograph taken at dusk captures the sunset in the valley. The area was once a go...

1990s Keith Haring exhibition poster: Original Exhibition poster for Keith Haring at San Francisco Museum of Modern Art, May 08-September 08, 1998; an exhibit which featured a complete retrospective of Haring's work, from his childhood doodles and early New York subway drawings to large-scale paintings during his final years. Off-set lithograph on heavy wove paper. 24 x 36 inches. Unsigned from an edition of unknown. Bright, vibrant colors. Some minor signs of handling; otherwise very good overall. Contains trademark of Haring Estate on lower center edge. Further Background: Image featured in this poster is Haring's, "Drawing for Headstand 1988. De Young Museum's regarding Haring's symbolism here: "Human figures depicted upside-down are usually B-boys and B-girls, the dancers of hip-hop, doing the iconic move in which they spin on their head. Figures contorting in backbends or jumps are probably also depictions of break dancers." Haring’s work has long been a part of San Francisco’s visual culture. He created works for diverse venues in San Francisco during his lifetime, including murals for DV8, a club once located in the South of Market neighborhood, and a huge, multi-panel painting for the South of Market Childcare Center (also known as the Saint Patrick's Daycare Center). Haring’s outdoor sculpture Untitled (Three Dancing Figures) (1989), located at Third and Howard Streets, is a prominent feature of Moscone Convention Center, and his triptych altarpiece The Life of Christ (1990) is installed in the AIDS Chapel at Grace Cathedral...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...