Text Art

This painting was created to help viewers manifest love. My hope is that my art will serve as a reminder that reality is fluid and flexible and that we can manifest a better future b...

This exquisite lithograph by David Hockney (born 1937), titled Letter J, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Group of original vintage color and black and white photographs related to Grandma Moses. Dimensions: Largest is 6 X 8 with mat. the rest are smaller. There are a total of photos. most with hand inscriptions and dated verso. They are not signed. Provenance: the collection of the Beers family and is from the estate. Anna Mary Robertson Moses (1860 – 1961), or Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses gained popularity during the 1950s, having been featured on a cover of Time Magazine in 1953. She was a subject of numerous television programs and of a 1950 Oscar-nominated biographical documentary. Her autobiography, titled My Life's History, was published in 1952. She was also awarded two honorary doctoral degrees. She embroidered pictures with yarn, until disabled by arthritis. In her 1961 obituary, The New York Times said: "The simple realism, nostalgic atmosphere and luminous color with which Grandma Moses portrayed simple farm life and rural countryside won her a wide following. She was able to capture the excitement of winter's first snow, Thanksgiving preparations and the new, young green of oncoming spring ... In person, Grandma Moses charmed wherever she went. A tiny, lively woman with mischievous gray eyes and a quick wit, she could be sharp-tongued with a sycophant and stern with an errant grandchild." Moses's work has been a subject of numerous museum exhibitions worldwide and has been extensively merchandised, such as on greeting cards. In 2006, her 1943 painting titled Sugaring Off was sold at Christie's New York for US$1.36 million, setting an auction record for the artist. Her work is fundamental for any Naive art or Americana collection. She was known as either "Mother Moses" or "Grandma Moses", and although she first exhibited as "Mrs. Moses", the press dubbed her "Grandma Moses", and the nickname stuck. As a young wife and mother, Moses was creative in her home; for example, in 1918 she used house paint to decorate a fireboard. Beginning in 1932, Moses used yarn to embroider pictures for friends and family. She created quilt objects, a form of "hobby art". Lucy R. Lippard stated in "The Word in Their Hands" that she found "hobby art" to be "an activity so 'low' on the art lists that it still ranks way below 'folk art'". She found that hobby art often involves reuse of otherwise discarded objects. Moses painted scenes of rural life from earlier days, which she called "old-timey" New England landscapes. Moses said that she would "get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live." From her works of art, she omitted features of modern life, such as tractors and telephone poles. Her early style is less individual and more realistic or primitive, with a lack of knowledge of, or perhaps rejection of, basic perspective. Initially she created simple compositions or copied existing images. As her career advanced, she created complicated, panoramic compositions of rural life. During a visit to Hoosick Falls in 1938, Louis J. Caldor, an art collector who worked as an engineer in the state of New York, saw paintings made by Moses in the window of a drug store. He bought their supply and ten more from her Eagle Bridge house for $3 or $5 each. The next year, three Grandma Moses paintings...

Original exhibition poster by Gaetano Pompa, featuring a surreal red line illustration of a knight on horseback riding a fantastic winged sea-creature, reflecting Pompa’s imaginative...

Text from: Marilyn Monroe "One of the Best things that ever happened to me is that I’m a woman. That is the way all females should feel." Limited run of 100 editions, hand printed ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Title: Original French Poster Artwork for Gala de Saint-Cyr à l’Opéra by Anne Marie Migette Perard (French 1902-1977) Signed: Verso Medium: Watercolor on unframed paper Size: 24.5 in...

This original 1967 exhibition poster was designed by the celebrated Swiss kinetic artist Jean Tinguely for his groundbreaking show Le Rotozaza at Galerie Alexandre Iolas, located at ...

This original and visually striking artifact from the First World War is a vintage U.S. Marine Corps recruiting poster titled ‘He Did His Duty.' It stands as a testament to the power...

Bob Dylan, Just Like A Woman, Mondo Scripto, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5 x 29.5 in) AP 18 of 65 - Aside from an ed...

Artist: Slonem, Hunt Title: Monty II Date: 2025 Medium: Oil on wood Unframed Dimensions: 14" x 11" Framed Dimensions: 17.5" x 14.5" Signature: Signed by Artist on Verso Editio...

The humor in Jerry Meyer's pieces taps into and gives voice to these worries, which are never too far from our awareness. “We have an incredible ability not to be in the moment…Hop...

Bob Dylan, Don't Think Twice, It's Alright, Mondo Scripto, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5 x 29.5 in) AP 18 of 65 - As...

America Martin "Study the Morning Star " Oil & Acrylic on Canvas 36 x 72 inches America Martin is an internationally represented Colombian-American fine artist based in Los Ang...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

Signed by Artist Lower Right Amoco Oil Advertisements

Naïve art meets abstract art. Signed and dated to lower right 'Paul Rand 4.6.52. Paul Rand said. “People who don’t have a sense of humor really have serious problems.” Besides being...

"I LOVE YOU" made with red and gold balloons on a black background. Several layers of paint, using traditionnal tools, :: Painting :: Photorealism :: This piece comes with an offici...

Marina Abramovic Original self-portrait drawing (hand signed and inscribed), 2014 Ink drawing held inside hardback monograph, done at the artist's Serpentine Gallery exhibition, han...

"Don Quijote Door of Duke's Grand Salon" 24x18.5 in (1957) by Salah Abdel Kerim Medium: pencil on paper signed & dated Born in Fayoum to a big family of 5 brothers and sisters. In ...

Medium: Ink and Gouache on Stiff Paper Signature: Signed Lower Right "The Lord's Prayer." Illustration published in the January 1946 edition of Coronet magazine, appearing on the in...

Medium: Pencil on paper Size: 10 inches (height) x 8 inches (width) Signed: No Condition: Good condition, with slight wear on the edges Provenance: From the artist's estate Descrip...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Pablo Picasso Fait à l'envers (Abstract Head) from Toros y Toreros, 1961 Sheet size 37 x 26.7 cm Publisher: Éditions Cercle d'Art, Paris. A offset lithography of an abstract head b...

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

A woman in jewels and a gossamer sari churns butter for ghee. Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on ...

Artist: Slonem, Hunt Title: Ted Date: 2025 Medium: Oil on wood Unframed Dimensions: 11" x 6" Framed Dimensions: 13.5" x 8.5" Signature: Signed Edition: Unique Hunt Slonem is...

" Sacred to the Memory of the Illustrious Champion of Liberty General George Washington First President of the United States of America" engraved and published by John Donlevy . The artist lists himself as an "intaglio-chromographic and Electrographic Engraver". This is a fine example of American calligraphic and stipple engraving. The face of the portrait is based on Stuart's " Antheaeum " painting surrounded by swirls and elaborate calligraphic design typical of this artist. This is the second state, according to Charles Hart's "Catalogue of the Engraved Portraits of Washington...

In this delicate, dreamlike lithograph, Édouard Vuillard lends his poetic sensibility to the printed program for the French premiere of Rosmersholm by Henrik Ibsen, presented by Lugn...

This blue glass wall sculpture is by John Paul Robinson. This graceful composition in hand-blown glass captures the beauty of light as it travels through the medium. Often inspired ...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

The painting is being offered with a work and authenticity certificate

Pablo Picasso Picador and Assistant from Toros y Toreros, 1961 Sheet size 37 x 26.7 cm Publisher: Éditions Cercle d'Art, Paris. A offset lithography of a bullfight scene depicting ...

Original Winston Churchill Poster Lithograph 51 x 40 cm c.1940-1945 "Never in the field of human conflict have so many owed so much to so few." ...

Medium: original lithograph. Printed in 1960 and published in Paris by Maeght for Derrière le Miroir (issue number 120). Sheet size: 15 x 22 inches (378 x 558 mm). There is a center ...

Classic advert poster for the musical score, Black Cupid's Birthday: March- Two Step by Seneca G. Lewis published 1898 w/ Ivy League School Banners Image...

ABOUT THIS PIECE: Untitled (Super) is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting c...

Guignet was born in Annecy and grew up in the city of Autun. He was a friend of Hippolyte Michaud. He was a rather popular orientalist painter in h...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Original painting. Hand signed, dated, and titled on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be con...

Autographed photograph of the POP singer Lena Biolcati. Excellent condition.

Art Sz: 19 1/2"H x 21 1/2"W Frame Sz: 25 1/2"H x 26 7/8"W Each card measures 2 1/4" x 3 1/2" The Parker Games Co Ltd London Derby Day race game published by Parker Games’ English...

Medium: pochoir (after the watercolor and collage). Printed in Paris in 1955 at the Daniel Jacomet atelier and published the Berggruen Gallery for a rare catalogue. Image size: 5 1/2...

Artist: Robert Rauschenberg Title: Features from Currents, #57 Year: 1970 Medium: Hand-Printed Screenprint on Aqua B 844 Paper, signed and numbered in pencil Edition: 50 Paper Size:...

This piece titled "General Medicine" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x .75"...

This is a unique original vintage oil painting on board in a fantasy abstract style. This piece has a wonderful color scheme with a modern contemporary feel. Unframed. Good condit...

The early 20th century was a period of intense ideological struggle in France, particularly between Catholics and secularists. The 1905 Law on the Separation of Church and State had ...

A.A. Lejeune (Active 18th century) attributed - Trompe l'oeil of assignats and documents of the French Revolution. 61 x 48 cm without frame, 69.5 x 56.5 cm with frame (not signed). ...

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Etching realized in the ancient style by Levasseur in 1847. Outlined hand color applied at the time of printing. It shows the region of Garonne, whose capital is Toulouse. Full ma...

ABOUT THIS ARTIST: Max Wanger constructed his first camera out of paper and scotch tape when he was seven years old. To this day, he is fond of simplicity a...

Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (...

In this painting, I delve into the raw essence of human vulnerability and resilience. The textured acrylic strokes and expressionistic style manifest a surreal and symbolic narrati...

Pablo Picasso, Spanish (1881 - 1973) - 60 Years of Graphic Works: Los Angeles County Museum. Year: 1966, Medium: Lithograph, Edition: 2500, Size: 26 in. x 20 in. (66.04 cm x 50.8 cm)...

Linda Stein, Profile Flying 446.075 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.075 is from Linda Stein's Profiles series--drawings, collages and paintin...

Tom Hegen provides with his aerial photographs an overview of places where the relationship between humans and nature becomes visible. Often choosing dramati...

"Exotic," 2019. Enamel on panel, sign painting, black, white, and red. Hand lettering