Tree Art

Wonderful encaustic landscape of Coastal Farm by Northern California artist Gregory Fetler (American, b. 1946), 1973. Signed and dated lower right hand corner and on verso. Attached ...

Reid Masselink (born 1974) is an American born artist, currently living in Bourron-Marlotte, France. He is primarily a landscape painter, working in oils on canvas, out-of-doors, en plein air. His paintings are notable for their attention to detail and their insistence on the exuberance and diversity of nature. He paints and exhibits in Europe and the US, and gives lectures on various art related topics. Masselink earned his BA in Art from the Colorado College in 1997. He then worked as an art dealer and art historian specializing in old master drawings and paintings in New York and Paris from 1997-2004. During these years he authored an important catalog of old master Dutch drawings...

Frank Lewis Emanuel 1865 - 1948 By the River, Montreuil Oil on board, signed and inscribed on reverse Image size: 13 1/4 x 10 inches (33.5 x 25.5 c...

Born in Riga, Edgars Vinters was the only child of the facade and decoration painter Hermanis Vinters (1874–1939) and his wife Anna, née Kalniņa, (1879–...

woods, sticks, bonsai

Allier (France) by P. Bellenger, French 20th century impressionist painter signed oil on canvas, unframed dated 1970's verso canvas: 24 x 20 inches provenance: private collection, Fr...

"Absence No Presence" by Brooks Salzwedel is an original work that depicts a tree with a rainbow colored structure emerging from a snow covered landscape. Brooks is a Los Angeles-...

Snowmass Picnic - Slim Aarons Estate Stamped A stand-up fondue picnic for fashionable skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields....

SZL Monograph (lower left) stands for Sidney Z. Lucas, founder of the Paris Etching Society Signed in pencil lower right "Martin"

I constantly look out of the window at the birds from the height of the 5th floor. It's so mesmerising—their flight, their communication, and their constant search for new places! An...

Of his work, Peter Hoffer says "These latest paintings are my most recent in the Landscape series. The surfaces of these works, in contrast to the slick glossy finish, are further st...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

Edition of 5 signed and numbered by the artist more sizes on request A mountain Gorilla in the rainforest in the Volcanoe National Park, Rwanda. ​For years, Joachim Schmeisser has ...

This painting was created alla prima during a plein air session in the English Garden in Munich. It depicts a quiet winter day, when mist softens the outlines of the trees and fills ...

'Bluebell Dream', 2017 Edition 2/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-306 Kirste...

Christopher Clark's "Icy Morning Light" is an original, hand made oil painting that depicts a landscape of snow covered trees with a warm sun rising in the background. Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult and Eddie Money...

Laguna Bowls 1970 - Slim Aarons Estate Stamped A game of bowls in progress at Laguna Beach Lawn Bowling Club in Heisler Park, southern California, circa 1970. Members and guests hav...

This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...

This oil painting captures the quiet elegance of a birch forest in winter. The vertical rhythm of slender white trunks, accented with delicate shades of blue and violet, creates a ca...

Lithograph realized by Antonio Saliola in 1990s. Hand signed in pencil. Edition of v/z, marked in pencil. Excellent condition.

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

Oil on board Image size: 12 x 15 inches (30.5 x 38 cm) Contemporary style frame

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Title: British Impressionist Watercolor of a Tree-Lined Boulevard with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimens...

Woodland in Early Spring French Impressionist, c. 1930's oil on canvas unframed canvas: 18 x 15 inches Provenance: private collection, France Condition: sound and good condition Des...

"Autumn Sensation" by Michelle Condrat is an entrancing oil on board piece that reflects the dynamic beauty of the Uinta Mountains in Utah during the fall season. Measuring 12 x 24 x...

'Antirrhinum Orontium' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...

This artwork "California Landscape" c.1950 is a watercolor on paper by noted California artist Ted Lewy, 1912-1963. It is hand signed at the lower right corner by the artist. The art...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

This early 1990s photograph, captured by society photographer Slim Aarons, features ski slopes and chalets seen from the Gstaad Palace hotel resort, Switzerland. This is an estate s...

Fred Darge (1900-1978) Dallas Image Size: 9 x 12 Frame Size: 17 x 20 Fred Darge Made Frame Medium: Oil on Canvas board signed Autum (Autumn) Biography Fred Darge (1900-1978) Friedri...

"Untitled V" by Thane Gorek (Colorado, US based) is an oil on board depicting colorful aspen with a moonlit sky and crescent moon. This piece is framed and ready to hang. Thane Gor...

"An Autumn Memory" by Shawn Krueger (United States) is a handmade landscape oil painting that is framed in an arts and crafts frame and ready to hang. Krueger depicts a scene of trees in the autumn with warm afternoon light. Shawn Krueger, born 1973, is a contemporary landscape painter whose work sits comfortably in both the American Tonalist and Arts & Crafts traditions. Shawn received a Bachelor of Fine Arts degree from Calvin College in 1998, studying under Chris Stoffel...

Hazel Z Weckbach's "Vermont Autumn" is an original, hand-made watercolor painting depicting a serene northeastern landscape, created in an impressionistic style. Artist Statement: "...

Acquired by the gallery directly from the artist FRAMED: 13.25" x 13.25" x 1.5" UNFRAMED: 12" x 12" Signed: "Budkov" on lower left Artist Statement "Dawn light spills through tre...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 12 inches Very good condition. Provenance: from the artist...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

"WOODLANDS" by Mat Hennek The photos from the Woodlands cycle are the outcome of numerous excursions through all sorts of bosk - wood impressions with bewitching atmospheres. Carefu...

The canvas depicts an autumn forest, immersed in the soft glow of sunset. The entire painting exudes warmth and peace, from the crimson treetops to the golden-orange reflections on t...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Stuart Redler’s black and white images use bold contrast to emphasize both structure and emotion. The tones of his archival prints are beautifully nuanced and rich. Limited Edition...

Photo-realist still life painting of a green lotus leaf with brown decays edges against a soft grey background "Lotus Number Thirty", painted by Frank DePietro...

Izki 50×70 Oleksandr Khrapachov reveals one of the Carpathians' most secret treasures — the mountain village of Izki, where every mountain has its own character, its own soul, its o...

Eric Sloane (1905–1985), "Cold Shed," a beloved chronicler of Americana, Sloane’s work blends painterly realism with reverence for American heritage, craftsmanship, and architecture....

Title: British Impressionist Watercolor of Reflected Trees by a Calm River at Dusk by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 ...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Signed lower right indistinctly, ( A.B. Delarova? ) and dated, '68''. Inscribed verso, 'Manila, Cathedral of the Immaculate Conception viewed from General Luna Street'. A deftly-painted, tonalist oil painting showing of this elegant section of Manila with the silhouette of the dome of the cathedral as viewed from the far end General Luna Street. This minor basilica (Catedral Metropolitana de la Inmaculada Concepción), also known as Manila Cathedral, is located in Intramuros, the historic walled city located in the heart of today's modern city of Manila. It is dedicated to the Immaculate Conception of the Blessed Virgin Mary...

"Untied, Joyride" is an original metal, fabric, pebbles, wire, polyester fibre, plastic, paper, and enamel paint artwork by Kendal Murray measuring appro...

This contemporary outdoor figurative sculpture is a metal maple leaf. This iconic image of a maple leaf, a national symbol and its ‘key’ ...

Artist/ School: German School, circa 1900, signed Title: lady in Woodland Medium: oil on board Size: 13 x 10 inches Provenance: private collection, France Condition: The painti...

6086 Mountain and Cabim alpine landscape oil PINTING SIGNED LOWER LEFT AND ON VERSO Gilt eood frame Image size 23x19"

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Born 1979 in Warsaw. Works in painting and photography. Between 2001and 2006 she studied at the Warsaw Academy of Fine Arts in the studio of Professors Jaroslaw Modzelewski and Grzeg...

In creating this piece, I sought to capture the ethereal essence of autumn. Working with oils, I used impressionistic techniques to render the vibrant yet fleeting moments of the sea...

Alex Villà Bassols - Tossa de Mar - Oil on canvas Oil measurements 27x22 cm

A stand of birch trees—their distinctive white bark playing against a backdrop of verdant green. This is the work of Ciba Karisik. He is known for his highly realistic portraits of b...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 12 x 14.75 inches Very good condition. Provenance: from the arti...