Wheel Art

Running Death from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed and dated on ...

Photographed in 2001 but just released, printed by Richard in his darkroom for the first time last year. This cinematic photograph featuring a vintage yellow chevy parked up at an Am...

Charles Bragg, American (1931 - 2017) - Ambulance, Year: circa 1970, Medium: Etching, signed, numbered in pencil, Edition: 300, Image Size: 7.5 x 12 inches, Size: 11.5 x 15 in. (29...

ABOUT THIS ARTIST: Every day is a pride march. Ramzy Masri's work celebrates the power and joy of being true to your authentic self, and reimagines the world as a magical queer-norma...

Winged I (Bombay Bay all Day), 2019, 19x25cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, based on an original Polaroid, not mounted. Signed on the back and with certificate. ...

Hotel De Paris In Monaco 1977 by Slim Aarons Slim Aarons Limited Estate Edition The entrance to the Hotel de Paris in Monte Carlo, Monaco, June 1977 unframed c type print printed...

Polo At Cowdray Park 1985 by Slim Aarons Slim Aarons Limited Estate Edition Three people sitting on a red Mercedes convertible watch polo players in ac...

New England Skiing Essentials 1955 by Slim Aarons Slim Aarons Limited Estate Edition A couple prepare for a day’s skiing in New Hampshire, 1955. unframed Silver gelatin print pr...

This painting depicts an impressionistic street scene of a man with hat riding up Notting Hill. The thick brush strokes and fun marks creates an atmospher...

Reliant Robin in blue – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmode...

Title: La Comédie-Française, Paris, c. 1954 Photographer: Paul Almasy Format: Black-and-white, original vintage print This elegant photograph captures the iconic Comédie-Française in...

Reliant Robin in blue – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmode...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

1964, Uwe Ommer, a young 20-year-old photographer who recently arrived from Cologne, lives in a small room on Boulevard St-Marcel. Every weekend, he goes to the market on rue Mouffetard...

Public Building'S Packaging is an original photo-offset realized by Christo in 1974. Hand-signed and numbered, edition 48/100. Very good conditions. Chri...

PERELLE Family (17th Century) Landscape with Fishermen Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by Gabriel, the f...

This is a special edition poster designed by artist Valerie Jaudon for the Lincoln Center Information Center in 1986. The poster, a striking screenprint, incorporates both traditiona...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

The 1952 original advertising poster for BSA, titled From the Bantam to the Golden Flash!, was a powerful marketing piece that celebrated BSA’s range of motorcycles, emphasizing thei...

Jan Maris Small Street with Green Scooter 42 x 33 cm Oil on wood panel Frame is included in price, size with frame 46 x 37 cm The work of the Amsterdam arti...

Farmers in Town (1939) Silver Gelatin Fibre Print - Oversized (Photo by Arthur Rothstein/Alamy) Farmers in town, Fairfield, Montana, USA, circa 1939. Additional Information: Un...

Hand Signed by Artist Limited Edition of 20

Artwork sold in perfect condition During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhe...

Dukeries District - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) A German Opel racer leaving Welbeck Abbey, the seat of the dukes of Portland in Nottinghamshire, during the Prince Henry...

Impala is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. Hicks' work is characterised b...

Village Church signed by Y. Blanchon, French 1950's Impressionist artist gouache on artist paper, unframed painting: 12.5 x 16.5 inches provenance: from a large private collection o...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

A highly detailed and visually striking railway painting by renowned British transport artist John Edwin Wigston, depicting an early steam locomotive gathering attended by engineers,...

"1st Class Travel" by Fox Photos September 1934: Mrs C Wylds behind the wheel with her pet pig at Terling in Essex. Unframed Paper Size: 16" x 20'' (inches) Printed 2022 Silver Ge...

"Beverly Hills Hotel" by Slim Aarons Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. (Photo by Slim Aarons) Slim Aarons (born George Allen Aar...

A truly wonderful 19th century drawing depicting a French officer of the 15th Pontonniers Artillery Regiment. The regiment was active from 1789 to 1800 during the French Revolution, ...

Jack Hayhow Title: Magnolia Station Photographic Print on fine Paper Year: 2020 Size: 12x18 inches Description: Available in multiple sizes - please inqui...

Artwork sold in perfect condition Fabrizio La Torre’s 100th Anniversary Celebration (1921-2021) Set # 1 - New York Discovery Limited edition of 100 Coffrets for each themes, all artw...

No Transport Problems Mrs Woolworth Donahue with car and bicycles on her motor yacht, ‘Hartline’ 60 x 40" inches / 152 x 101 cm cm paper size Estate Stamped Collection Edition t...

"Chevrolet Corvette" by Bob D'Olivo UNITED STATES - MAY 01: 1957 Ford Thunderbird - Chevrolet Corvette. These two V8 powered cars represent Detroit's...

"Cotton Club Marquee In NY" by George Karger Taxis line up out side of the Cotton Club at Broadway and 48th Street circa 1938 in New York City, New York...

Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below. 180mm by 240mm (plate mark)...

Ashbrook Studios - Spanish Ship and Mission Villa, Year: circa 1960s, Medium: Velvet, Oil, Light Bulbs on board, Size: 23.5 x 48 in. (59.69 x 121.92 cm), Frame Size: 30.5 x 55 in...

Trying my best to decipher the name I get Leo Tanenbaum. Well, (Sergeant) Sgt. Leo Tanenbaum. Sorry that I haven't been able to find a mid-century artist with this name. It's such an...

This 2004 poster, titled Wrapped Vespa, was published by Dr. Fils Art Edition and stands as a unique and sought-after collectible within Christo’s celebrated body of work. Printed on...

Hotel De Paris In Monaco 1977 - Slim Aarons Estate Stamped The entrance to the Hotel de Paris in Monte Carlo, Monaco, June 1977 16 x 20" inches / 51 x 51 cm paper size Estate Sta...

Artist: Benjamin Cole (English, c. 1697-1783) Title: "The South West Prospect of St. Mary's Church in the Strand" Portfolio: The History and Survey of London from its Foundation to t...

Pozzolo Battle is a lithograph print on paper realized After Louis Martinet in the 1850s. Titled, signed on the plate. The artwork is in good conditions with aged margins and diffu...

This striking 1971 poster announces the LEM Grand Prix, a round of the Formula 5000 championship held at Riverside International Raceway. Scheduled for April 25, the event formed par...

The ubiquitous American motel, neon lit and rain soaked. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the Americ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1938 Size: painting: 13...

This vibrant 1971 poster promotes the annual racing calendar at the renowned Mid-Ohio Sports Car Course, located near Mansfield, Ohio. During the early 1970s, Mid-Ohio had already es...

The ubiquitous American motel, neon lit and rain soaked. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the Americ...

This very elegant poster created by the artist Rogerio, for the car brand Nash, shows their brand new model: the Geo Ham coupe, a mythical model of the 30s. The years between the tw...

Lithograph on paper. Hand signed and titled in pencil. Artist Proof. Very good condition.

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The Hay Cart Medium: oil on board, unframed Size: board: 9.5 x 13 inches Provenance: ...

Vintage Photo is a black and white vintage photo, realized in Mid 20th Century.   Good conditions and aged. It belongs to a historical and nostalgic album including historical mome...

'Gillingham Mill, Dorsetshire' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...

keywords; surrealism, portrait, oil painting, representation painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, car, automobile, tractor, old car wreck...

Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...

High Wire Motorcycle (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A high-wire act with a man standing on his head on a motorcycle with man a...

Rineke Engwerda is a young artist with a unique style. Partly very hyper realistic and partly almost comic style. Even without a signature you can immediately recognize the work of R...

A very interesting signed and dated 1952 watercolor painting depicting the interior of a printing factory. The work is inscribed 'Daily Graphic Process' lower right. Artist: Harry T...

This artwork "Ford T" is an original ink drawing and gouache on thick Bristol paper by American artist Lynn Gertenbach, b.1940. It is hand signed at the lower left corner by the arti...