Wheel Art

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

Hand Signed. Edition of 50 prints. Reference: Catalogue Battisti n.7.

Jules Perahim (1914-2008) Surrealist Mecanism (Cycle), 1974 Original lithograph Signed in pencil by the artist Numbered / 199 On Arches vellum 56 x 38 cm (c. 22 x 15 inches) INFORM...

James Bond The Spy Who Loved me - Original 1977 Lobby Card #7 Vintage 1977 The Spy Who Loved Me lobby card of 007's car crashing into ...

This striking circa 1970 original travel poster by French artist Georges Mathieu captures the unique energy and elegance of the Rhône-Alpes region through an abstract, painterly lens...

A photorealist painting of the vintage Porsche 911. This beauty is a classic and one of my favorite subject matters. I love the cultural aesthetic of vintage cars and their historic...

In this piece, I aimed to capture a serene yet introspective moment under a summer night sky. The figure blends realism and symbolism, with dark hues against a twilight backdrop evok...

Watercolor drawing on paper realized by Mino Maccari in the mid-20th Century. Hand signed lower right. Very good condition.

Love, Death and the Beyond is a original modern artwork realized by Max Klinger in 1881. The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, publish...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

Hand signed and numbered. Edition of 50 prints. Reference: Catalogue Battisti n.41. Armando Buratti (Rome, 1924), is an italian artist and painter. His first exhibition was held in...

Agent X The adventures of Dixwell Hastings (episode 119) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed...

Still life featuring brightly colored car and toys

I didn't paint because I ran out of canvas. I was in a state of "I should have hung myself back during COVID." Got a new canvas, started painting, and suddenly felt happier. So, pain...

Nick Vedros Carhenge Horizontal Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA ...

Nick Vedros Carhenge Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided Re...

When I painted this sketch of life in the village of High Wycombe in Buckinghamshire, I included a funny story. It was a day with changeable weather, and I wrote the sketch quite imp...

Amor, Tod und Jenseits, (Cupid, death and afterlife) is an original etching and aquatint on paper Chine collé, realized by Max Klinger in 1881, plate XII from “Intermezzi” Opus IV,...

Fine Art Print, photographed in the US., Limited edition.

This colorful image is of a lone woman trying to navigate the street of an old Vietnamese town. Hội An is a city on Vietnam’s central coast known for its well-p...

Fine Art Print, limited editions.

Paper Size: 23.5 x 34.5 inches ( 59.69 x 87.63 cm ) Image Size: 20.25 x 34.5 inches ( 51.435 x 87.63 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Sh...

Walter SPITZER (1927-) Musicians Troupe Original lithograph Handsigned in pencil Numbered /75 ex On Japan paper 61 x 90 cm (c. 24 x 36 inch) Excellent condition

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Historical Vintage Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical albumen including photo reportages of historical events and political...

It's clear to me that that baby carriage is so beautifully drawn that it could be re-constructed from here if necessary. Without really knowing anything about Lucile Haynes I'm sure...

Irene Georgopoulou's "M is for Monopoly" is an original, handmade oil painting depicting a monopoloy board. Please allow 3-5 weeks before this artwork will ship.

Mezzotint with etching, stipple, and roulette work on woven paper. Good conditions.

Discover the quintessence of French Riviera charm in Slim Aarons' iconic photograph, 'Saint-Tropez Boucherie,' on Rue des Commercants, Saint-Tropez, 1971. This image is a beautiful i...

Signed and numbered, verso Edition of 15 This work is offered by ClampArt in New York City.

Bubbling with joy and optimism, this original 1950s French poster advertising the Dolina motorcycle powered by a Villiers 125cc engine is a burst of post-war modernism and consumer e...

Jack Hayhow Title: Tower Station and U Drop Inn Photographic Print on fine Paper Year: 2020 Size: 12x18 inches Description: Available in multiple sizes -...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Autos parken vor dem alten Rathaus in Heidelberg, Deutschland 1930er Jahre. Cars parking...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Blending colors of an impressionist palette evokes a lyrical New York street scene. Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unfr...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Unterwegs mit dem KdF-Wagen, dem Volkswagen Käfer, in der Reichshauptstadt Berlin, Deutschland 1930er Jahre. Travelling by car in the Volkswagen beetle, or "KdF car", through Berlin, Germany 1930s. Keywords: Deutschland; Germany; 1930er; 1930s; Reise; travel; VW; Käfer; Kaefer; beetle; KdF Wagen; Volkswagen; Deutschlandfahrt; Brezelfenster; Urform; Prototyp; Erlkönig; KdF; Kraft durch Freude; Ferdinand Porsche; Bela Barenyi; Brandenburger Tor; Brandenburg gate...

La obra va firmada por el artista en la parte inferior y fechada del año 1976 En la parte trasera, va nuevamente firmada, fechada y titulada El estado de conservación es bueno Se ...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Signed, titled and dated in pencil on verso Gelatin Silver Print 20 x 24 inches

"Englishtown New Almaden, 1890 by Milton K. Lanyon (American, 20th Century). Presented in a wooden frame. Signed "Lanyon" lower right. Titled "Englishtown New Almaden. 1890" and sign...

"To See Paris". From the "World Around Us" series. The painting captures a cinematic moment filled with motion and anticipation. Against the backdrop of a golden sunset and the silho...

The 1901 original poster by the artist Brun for "Société la Française Marque Diamant Paris-Brest-Paris, Maurice Garin 1er en 52h11" stands as a testament ...

Palazzo Ruspoli sul Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for worn margi...

Artist Comments
Stacked like rocks on the shore, artist Diane Flick plays with scale, color, texture, and joyful imagery—creating a quirky, awkward, and jovial childlike ba...

This luminous nocturnal mezzotint by Art Werger depicts a quiet American neighborhood arranged in a circular pattern, glowing under the soft spill of streetlights. Seen from an eleva...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Tim Trantenroth (* 1969) Title: Police car Giclee on linen Year: 2019 Signed and numbered by hand Edition: 25 Size: 16.0 × 21.5 on 18.1 × 23.8 inches C...

This Western Landscape by New England Impressionist painter Richard Edward Miller is a 12.5 x 23.5 inches, oil on board painting from 1931. A plein-air and impressionist painter as ...

'Wizard of Wyoming ' , Hand Colored Aquatint Etching with the plate (image itself) 12 x 12 inches. On a larger piece of archival paper at approximately 16 x 16 inches and matted to approximately 19 x 19 inches. . An iconic still life image featuring the crash scene of a lone overturned semi truck...

Can't Stop, Can't Hold The work is devoted to the struggle of the Belarusian people against the dictatorship. Hundreds of thousands of citizens took to the streets to express their ...

This work is offered by CLAMP in New York City.

Silver Gelatine Print by Erich Andres, 1955. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photograph...

George Michael George Michael of Wham! In a Chinese Government Limo, at the Forbidden City, Beijing during a tour of Hong Kong & China 1985 Photo by Martyn Goddard Printed 2024. ...

A series of abstract paintings. I like to paint instinctively, without thinking about what I'm doing. These paintings express only feelings and emotions. I enjoy exploring new ho...