Wheel Art

Anticaglie Preso Il Ponte Palatino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lowe...

Water Trails down Empty Street in Front of Water Tower by Michael Ormerod is a black and white photographic print in this size of 24" x 34" in an Edition of 10. Michael Ormerod was ...

Need For Speed 1954 Oversize silver gelatin print Limited edition to 300 only Archive stamped and numbered. Certification of authenticity provided printed later 2020 Argentini...

Antique Advertising Signs Image Size: 20 x 40 Frame Size: 25 x 45 Medium: Lithograph Date: 1907 "Rock Island RR Lines" Rocky Mountain Limited Vintage Sign Railroad

Etching on Montval paper, realized between 1927 and 1930. Table from "Les Fables de La Fontaine", published in 1952 in and edition of 200. Hand signed in pencil. Very good conditi...

Yellow Haul by Erik Pawassar 30 x 40 inches (76 x 102cm) signed edition of 25 48 x 63 inches (122 x 160cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

About this Painting: I originally painted this Pebble Beach awarding winning car back in 2017. The painting sat on my walls for several years, and in 2021 I recreated it on a much la...

'God Speed Good Year', captured in the iconic home of speed, Bonneville Salt Flats. The bold graphic 'God Speed Good Year' contrasts in size against the vast...

Medium: Pencil on paper Size: 9 inches (height) x 14 inches (width) Signed: No Condition: Good condition, with minor wear on the edges Provenance: From the artist's estate Description: This pencil drawing by K. B. White features a dynamic World War I dogfight scene involving biplanes, likely inspired by iconic aircraft such as the British Sopwith Camel and the German Fokker Dr. I. The artist captures the intense aerial maneuvers typical of dogfights, characterized by quick turns and tight formations, reflecting the early era of military aviation​. On the left-hand side of the drawing, a vintage race car...

El Paseo by Bruno Luna, Mexican (1963) Bronze Sculpture with patina, signature and numbering inscribed Edition of XVI/XXX Size: 21 x 21 x 8 in. (53.34 x 53.34 x 20.32 cm)

John Albok Harlem (Three Cowboys), 1938 Vintage gelatin silver print, 9 1/2 x 7 1/2 in. Titled in pencil on mount margin. Signed and dated by John Albok in pencil, artist stamp in bl...

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

Cambridge Market and Great St Mary's Church seen through spring flowers. The print depicts a typical scene of shoppers and cyclists ambling through the cobbled streets of Cambridge. ...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP : Fiat Lux. Religiously parked under the watchful gaze of the Blessed Virgin, the ca...

Silver Gelatine Print by Erich Andres, 1955. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photograph...

Nadine Rovner orchestrates lush cinematic scenes, exploring a visual world of heightened tension, anticipation, anxiety, longing and desire. These carefu...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

'Blank Tape Side A' from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past and ...

A unique, original silver gelatin black and white photograph by Press Agency Trampus. In Paris, the Carrousel Bridge, circa 1930. Construction started at The Carrousel Bridge in Pari...

Paris is an orginal modern artwork realized in the mid-20th century by an unknown artist. Mixed colored painting on canvas. Unreadable signature on lower right. Titled on the lowe...

One of the photographers at Mauritius Publishing based in Berlin was Nolte. His work is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of industry and products from this time. The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description:Blick auf die Vordersitze und das Armaturenbrett des Volkswagen Käfer, oder KdF Wagen, im Modell mit Faltdach, Deutschland 1930er Jahre. View to the front seats and the car dashboard of the Volkswagen beetle...

This is a limited edition 16 x 20 inch print of Joan Didion by photographer Julian Wasser shot for her iconic interview with TIME in 1968. Listing includes free shipping to the continental US and a 14-day return policy. Please inquire for framing options or international shipments. We offer framing services through our New York location. Joan Didion by Julian Wasser Gelatin Silver Print Paper Size: 16 x 20 inches Image Size: 11.5 x 17.5 inches Edition 9 of 15 Signed and on the back by Julian Wasser and editioned on adhesive certificate History Behind the Photograph - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz...

Original watercolor and gouache on archival paper by the American contemporary artist Jim Weidle. Signed lower right “J. Weidle”. Condition is excellent. Circa 2000. The artwork is ...

LSR Streamliner II, captured in the iconic home of speed, Bonneville Salt Flats. Just as the mountains contrast with the flatness, Richard Heeps captured this racing car at high spee...

A magnificent "vue d'optique" engraving depicting the Huis ten Bosch Palace in the Netherlands. Published by Robert Sayer (1745-1794). Smartly presented in a black frame with a blue ...

This Photograph titled "Lotus MK 9" c.1960, is a gelatin silver print by noted photographer Richard Stacks, 1930-2015. It has the stamp of the Baltimore Sunpapers and the name of the...

Title: Brittany Watercolor of Thatched Cottage and a Well in the Countryside by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11....

Oil on linen - tryptich Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper...

Untitled #27 (Man Jermyn St.) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. As...

Monogram and date of etching in the plate bottom left. 220mm by 305mm (platemark) 310mm by 390mm (sheet)

Sunset lights an advertisement for antiques…. seemingly abandoned on a highway in California – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-wait...

Original Italy bicycling travel poster. Archival linen backed in excellent condition, ready to frame. The images shown are of the exact poster you ...

Bermuda Street Scene 1967 - Slim Aarons Estate Stamped Bicycles, motorcycles, and cars on a street in Bermuda, June 1967. 24 x 20" inches / 61 x 51 cm paper size Estate Stamped C...

"Puppet Show" (2024) By Dustin Panzino is a beautiful digital painting created in Procreate, which details a fantasy scene of an almost magical puppet show trolley, pulled along by a...

Super Giant Oversize - C3PO Star Wars Archival Pigment Print 1977 by Geoff Wilkinson / Mirror Trinity Group Archive size : 71 x 45.5" inches / 180 x 116 cm paper size print type ...

Artist Comments
In the search for cozy-looking campers, artist Hadley Northrop discovered that some trucks have the same appeal. This particular food truck appeared at an outdo...

Willie Nelson, taken in 1977 during a running race in Austin Texas. Taken by photographer, Scott Newton Scott Newton recalls, "Willie Running Race (For Stehlin Foundation Cancer Benefit-Run For Your Life) outside the Austin Opry House entrance on Academy Drive, Austin TX...

"Chevrolet Corvette" by Bob D'Olivo UNITED STATES - MAY 01: 1957 Ford Thunderbird - Chevrolet Corvette. These two V8 powered cars represent Detroit's...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller". Lancaster Bomber DS689 with Crew Original silver gelatin photograph c. 1943 21 x 16 cm Stamped to reverse ‘This Photograph has been Passed by Censor’ and ‘Copyright Aeroplane [Magazine]’ A photograph of the ground- and air-crew of DS689. The engine fitter second from left is Samuel Greisman. That the aeroplane has five operations marked on its nose suggests a date of late August or early September for the photograph. This photograph was publisehd in ‘Jews in Uniform’ by Michael Greisman, published by Aster Publishing. DS689 OW-S (identifiable from another photograph we have listed on account of the nose art...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Artist/ School: Charles Thomas Burt (British, 1823-1902), signed lower corner Title: Haymaking in Surrey Medium: oil on canvas, framed in a fine antique gilt frame. Framed: 36 x ...

Werner Bronkhorst is a contemporary artist based in Australia. He is recognised for his two distinctive styles, with the first involving abstract sculptural backgrounds with hyper-re...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Dukeries District - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) A German Opel racer leaving Welbeck Abbey, the seat of the dukes of Portland in Nottinghamshire, during the Prince Henry...

Americana is the subject of most of Michigan native Charlie Winkler's photography. He was adept at photoshop and would add any particular car the buyer wished! (This may be the Stan...

This dynamic and vibrant original 1952 racing poster by French artist J. Des Gachons captures the high-octane spirit of postwar motorsport in France. Created to promote the Grands Pr...

This painting is in excellent condition and has only been shown in a gallery. Her works were recently featured in the March issue of American Art Collector magazine 2022. A hardbound-book is included with your purchase. Whether depicting lively night parties on the beach, Parisian streets, or bustling sidewalk cafes of her native Madrid, the paintings of Paloma Hinojosa...

DOWNTOWN LAS VEGAS, NEW MEXICO, USA 1979 by Alain Le Garsmeur A gorgeously evocative shot taken in the late 1970's by prolific documentary and well known editorial photographer Alain Le Garsmeur. Perhaps one of his most classic of images - it is one of our absolute favourites. Beautiful extra large Oversize C type print 40x30" inches paper size ( 101 x 76 cm's) LIMITED EDITION, unframed. edition size 1 / 100 only (Also available signed - ask us for details) Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein...

Vincent HADDELSEY (1934-2010) Horse : The Royal Carriage, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Tyrus Wong Original set illustration from "Gone With The Wind", 1939 Signed lower right Oil on panel 6 x 8 3/4 inches Tyrus Wong’s life embodies a remarkable journey of perseverance, talent, and artistic achievement. Born in China, he immigrated to the United States at the age of nine after being separated from his mother, whom he would never see again. Reunited with his father in Sacramento, Wong later relocated to Los Angeles, where the two lived in modest circumstances within a boarding house in Chinatown. His father nurtured his artistic abilities by encouraging him to practice Chinese calligraphy and helping him secure small painting jobs in the neighborhood. Recognizing his exceptional talent, one of Wong’s teachers recommended him for a summer scholarship at the Otis Art Institute. He became the youngest recipient of the award and later earned a full scholarship, offsetting tuition costs through work performed on campus. After completing his studies in 1930, Wong supported himself through a variety of artistic jobs, including creating advertisements and working at the popular Dragon’s Den restaurant in Chinatown. During the Great Depression, he found employment through the Federal Art Project, producing paintings for government-sponsored programs. His career took a pivotal turn when he joined Walt Disney Studios. There, his atmospheric pastel studies for Bambi impressed Walt Disney and helped shape the film’s distinctive visual style. Wong’s contributions to the film’s backgrounds were instrumental to its success, earning him posthumous recognition as a Disney Legend in 2001. Following labor disputes at Disney, he left the studio before Bambi was released and continued his career at Warner Bros. and Republic Studios, creating concept art for films including Rebel Without a Cause, Around the World in 80 Days, Sands of Iwo Jima, and The Wild Bunch. He retired from the film industry in 1968. Alongside his Hollywood career, Wong remained deeply involved in Southern California’s art community. He exhibited regularly in galleries and museums and participated in artist-run initiatives such as Eleven Associated, a cooperative gallery active during the early 1950s. Best known for his watercolor paintings and ceramics, Wong developed a unique artistic language that blended traditional Chinese brush techniques with modern American aesthetics. Influenced by his teacher Stanton Macdonald-Wright, he combined expressive calligraphic brushwork with depictions of nature and movement. His artistic versatility extended beyond fine art into commercial design, where he created popular Christmas card imagery and dinnerware patterns for Winfield Pottery...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Hand Signed. Edition of 50 prints. Reference: Catalogue Battisti n.10.

The Carlton Hotel A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. paper size 40 x 40" inches / 101 x 101 cm Estate Stamped Collecti...

Ormond Gigli Girls in the Windows, 1960 Gelatin Silver Print Printed by Artist 24" x 24" Unique Edition AP 3/5 Framed: $20,350 Provenance: Printed...

American Myth Archival pigment print on fine art paper, signed, titled, dated and numbered by the artist on verso "BJ and Richeille Formento and Formento come out of a hybrid lineag...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1956, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Artist Comments
A white farmhouse sits quietly beneath a gray sky, its brick chimneys contrasting against the muted backdrop. A red tractor rests in the golden field. Artist ...

In 1990, the celebrated artist Razzia crafted a captivating poster seamlessly blending classic automobiles, luxury fashion by Louis Vuitton, and the iconic Bugatti "Royale" cars. Thi...

Jack Hayhow Title: Magnolia Station Photographic Print on fine Paper Year: 2020 Size: 12x18 inches Description: Available in multiple sizes - please inqui...