Wheel Art

Kopper’s Coke (Philadelphia Coke Works, Bridesburg) Etching & Drypoint, c. 1929-1933 Unsigned Provenance: Estate of the Artist New York Financial Institution Th...

A magnificent "vue d'optique" engraving depicting the Huis ten Bosch Palace in the Netherlands. Published by Robert Sayer (1745-1794). Smartly presented in a black frame with a blue ...

Paper Size: 25 x 33.5 inches ( 63.5 x 85.09 cm ) Image Size: 19.5 x 30.5 inches ( 49.53 x 77.47 cm ) Framed: No Condition: A: Mint Additional Details: five color offset lithogr...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21365 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

This gorgeous gorgeous piece, 'Glamour Cabs' taken at the glamorous retro event Goodwood Revival, perfectly captures elegant feminine sophistication with a vintage vibe. A nod to the...

"Night Rider" depicts a bird riding a motorcycle in the soft light of an early evening. I don't own a motorcycle but I've always fantasized about riding one! This artwork is unframe...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Artist: A. Colucci Title: Village Market Year: circa 1940 Medium: Oil on Board, Signed l.r. Size: 32 x 53 inches (81.28 x 134.62 cm) Frame: 38 x 60 inches (96.52 x 152.4 cm)

This piece titled "Jake Yeager Untitled 7" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. About Space 1026...

Nick Vedros DC III Plane Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8.5x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provi...

Lush landscape of an autumn forest by Evelyn Campbell (Australian, 20th Century). A path runs from the lower right of the composition through an open gap in a wood fence, with a wago...

The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their personalities. Tapes are significant in both their live...

[Bruce Sargeant (1898-1938)] Frieze with One Runner Flanked by Two Bicyclists n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 35.5 x 69 inches (90.2 x 175.3 cm) $8,250...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to Contempora...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

ABOUT THIS PIECE: 19.6x23.5, edition of 50 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully authenticated with a signed and numbered Certificate of Authenticity. This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden phot...

This Golden Age of Illustration painting juxtaposes modern and ancient industrial practices. Giant eclectic generators from the current ti...

Reprint of a vintage photograph titled "Monsieur (Louis) and Madame Paulhan of France ready to fly a Farman model lll in Los Angeles - 1910 from an original photograph by an unknown ...

Waiting for you - acrylic on canvas, impressionism painting, 14" x 17,5", (36cm x 44cm) The thickly applied paint vibrates wtih color, and the motion of the brush strokes pulls you...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Rémy Duval, 'Street Corner, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives pap...

This dynamic and vibrant original 1952 racing poster by French artist J. Des Gachons captures the high-octane spirit of postwar motorsport in France. Created to promote the Grands Pr...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Bill Crawford (1913-1982). Original illustration artwork depicting teams as they advance to the World Series. Depicted are representations of the St. Louis Cardinals and The Brooklyn...

This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...

Artist Comments
Once upon a time, this was the only way to communicate over long distances if you weren’t at home. Next to it sits a phone book, the Yellow Pages, inviting ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden photographs one icon of American childhood- a Hot Wheels...

Historical Photo is a black and white vintage photo, realized in the 1970s.  It belongs to a historical album including historical moments, royal families, and political events, met...

Vintage Photo. Batman and Robin on the set of the famous TV series of the 60s.

Paris is an orginal modern artwork realized in the mid-20th century by an unknown artist. Mixed colored painting on canvas. Unreadable signature on lower right. Titled on the lowe...

A charming depiction of Restaurant Cafe, located in Amsterdam. A cozy impressionistic street scene with colors of vibrant turquoise, lush greens, and yellow ochres. This painting was...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...

Original oil painting on canvas, still life painting made under natural light. This artwork is painted using high-quality fine linen canvas and sold unframed. Signed on the back of a...

Nick Vedros Vintage Motorcycle Rally Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2011 Size: 12.5x9in Edition: 15 Signed, dated a...

Ambassador cars, a typical sight throughout India, lined up here with a coat of dust, at a roadside garage. From Richard Heeps India series, The Ambassador's Window. This artwork is...

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited editio...

Seymour Chwast (American, b. 1931) Three Pilots Ready for Take Off Mixed Media Painted Sculpture Hand-painted metal, (galvanized steel or aluminum) large wall hanging Hand signed to ...

Michael Boulet (France b. 1938-), Oil on canvas Hand signed lower right "Le Patinette de Bâle" Frame: 28" X 33" Image: 20" X 24" Michel Boulet was born in 1938 in Marseille, Franc...

A late 19th-century pastoral landscape depicting a farmer travelling by horse and cart along a serene country road. Presented in an elaborate scrolling acanthus frame with pierced de...

Clyde Steadman's "Cake" is an original, handmade oil pain ting that depicts a red velvet cake sliced in half with white frosting and red flowers. About the Artist: Clyde Steadman g...

A rare and striking artifact of automotive history, this original 1928 Bugatti poster is a celebration of modern engineering and brand prestige. Featuring a bold, minimalist rendering of a Bugatti Type 35 — one of the most iconic racing cars of its time — this design fuses mechanical precision with graphic elegance. The poster proudly proclaims in bold red lettering: "Les 7 merveilles du monde sont les vestiges des gloires passées — la Bugatti est la merveille de notre époque" (“The seven wonders of the world are relics of past glories — the Bugatti is the marvel of our time”). It's a declaration of innovation, pride, and forward-looking optimism, capturing the spirit of the interwar years when technology and speed symbolized progress. This composition is a masterpiece of early automotive advertising — clean lines, bold contrast, and sharp typography emphasize the modernist aesthetic of the 1920s. More than a promotional piece, it stands as a cultural statement about Bugatti’s place in the modern world. Ideal for collectors of classic car memorabilia...

Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...

Charles fazzino 3D called “Broadway ii”. In good condition . Measures 28x25

A print by Russell Young. "Easy Rider (black+silver)" is a black and silver, contemporary Pop Art screenprint on canvas by UK artist Russell Young. The artwork is edition RY and is p...

The Haycart by Wilfred Wilson (English, 1920 - 1978) signed oil on paper (laid on board), framed framed: 12 x 14 inches painting : 8 x 10 inches Provenance: private collection, Eng...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP : Fiat Lux. Religiously parked under the watchful gaze of the Blessed Virgin, the ca...

Willie Nelson, taken in 1977 during a running race in Austin Texas. Taken by photographer, Scott Newton Scott Newton recalls, "Willie Running Race (For Stehlin Foundation Cancer Benefit-Run For Your Life) outside the Austin Opry House entrance on Academy Drive, Austin TX...

Tinted lithograph by Philippe Benoist (1813-1881) after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Grandeur', circa...

Wall Street Melanie Taylor Kent, American Date: 1993 Screenprint on Wove Paper, signed and numbered in pencil Edition: AP Size: 27 x 26 in. (68.5...

Monogram and date of etching in the plate bottom left. 220mm by 305mm (platemark) 310mm by 390mm (sheet)

Medium: Pencil on paper Size: 9 inches (height) x 14 inches (width) Signed: No Condition: Good condition, with minor wear on the edges Provenance: From the artist's estate Description: This pencil drawing by K. B. White features a dynamic World War I dogfight scene involving biplanes, likely inspired by iconic aircraft such as the British Sopwith Camel and the German Fokker Dr. I. The artist captures the intense aerial maneuvers typical of dogfights, characterized by quick turns and tight formations, reflecting the early era of military aviation​. On the left-hand side of the drawing, a vintage race car...

Walter SPITZER (1927-) Musicians Troupe Original lithograph Handsigned in pencil Numbered /75 copies On Japan paper 61 x 90 cm (c. 24 x 36 inch) Excellent condition

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

Werner Bronkhorst is a contemporary artist based in Australia. He is recognised for his two distinctive styles, with the first involving abstract sculptural backgrounds with hyper-re...

This is a limited edition 16 x 20 inch print of Joan Didion by photographer Julian Wasser shot for her iconic interview with TIME in 1968. Listing includes free shipping to the continental US and a 14-day return policy. Please inquire for framing options or international shipments. We offer framing services through our New York location. Joan Didion by Julian Wasser Gelatin Silver Print Paper Size: 16 x 20 inches Image Size: 11.5 x 17.5 inches Edition 9 of 15 Signed and on the back by Julian Wasser and editioned on adhesive certificate History Behind the Photograph - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz...

New York Picnic A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. 1952 Paper size 50 x 50 / 127 x 127 cm Estate S...

Yellow Haul by Erik Pawassar 30 x 40 inches (76 x 102cm) signed edition of 25 48 x 63 inches (122 x 160cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Water Trails down Empty Street in Front of Water Tower by Michael Ormerod is a black and white photographic print in this size of 24" x 34" in an Edition of 10. Michael Ormerod was ...

Covered Wagon Pulled by Cattle - Monochrome Western Scene Sepia-toned painting of a family traveling west on a covered wagon by an unknown artist, signed "B. F. Taylor." Four oxen a...