Wheel Art

In 1990, the celebrated artist Razzia crafted a captivating poster seamlessly blending classic automobiles, luxury fashion by Louis Vuitton, and the iconic Bugatti "Royale" cars. Thi...

Oil on linen - tryptich Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Hand Signed. Edition of 50 prints. Reference: Catalogue Battisti n.10.

"No. 7" (2023) by Neil Douglas is an original handmade painting that depicts a cityscape. This painting measures 34 x 29 cm in it's frame and is ready to hang.

This artwork titled "Guiding the Herd" 1967 is a watercolor and ink on paper by noted Uruguayan artist Enrique Castells Capurro, 1913-1997. It is signed and dated at the lower left corner by the artist. The artwork (image) size is 13 x 19 inches, framed size is 20.35 x 26 inches. Custom framed in a wooden light brown frame, with light grey matting and green fillet. It is in excellent condition. About the artist: Enrique Castells Capurro ( Montevideo , March 9 , 1913 - Punta del Este , J...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Vintage Photo. Batman and Robin on the set of the famous TV series of the 60s.

A charming genre scene from the circle of William Lee Hankey (1869-1952). Presented in a wash line mount and gilt effect frame. Bears the artist's signature lower left. However we do...

Fine Art Print, photographed in the US., Limited edition.

It's early morning I'm St. Louis in this 2002 mezzotint that is signed and numbered Art Werger’s lyrical suburban scenes are evocative of boyhood summer evenings while his city imag...

This original 1933 poster by the artist J. Pillod is a captivating piece of automotive history, advertising Castrol oil with the iconic Bugatti car as its centerpiece. The poster beautifully combines the elegance of the Bugatti with the reliability of Castrol, making it a standout example of early 20th-century automotive advertising. The composition features a streamlined Bugatti car, symbolizing speed and luxury, set against a dynamic backdrop that emphasizes movement and modernity. The use of bold colors and clean lines reflects the aesthetic of the time, with a focus on both functionality and style. The poster’s typography is striking yet balanced, ensuring that the message about Castrol oil's superior performance is clear and compelling. This poster is printed on high-quality paper, showcasing the artistic and technical prowess of J. Pillod. The poster remains a cherished piece for collectors of vintage automotive memorabilia and those interested in the golden age of motoring. This 1933 Castrol-Bugatti poster...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Rare and impressive Fire Island, NY store still life. Very well painted with great detail. Amazing and historic beach town. Oil on canvas. Framed. Signed. Image size, 20"H x24"L.

New York Picnic A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. 1952 Paper size 50 x 50 / 127 x 127 cm Estate S...

Vincent HADDELSEY (1934-2010) Horse : Woman In Yellow Hat, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Reprint of a vintage photograph titled "Monsieur (Louis) and Madame Paulhan of France ready to fly a Farman model lll in Los Angeles - 1910 from an original photograph by an unknown ...

Irene Georgopoulou's "M is for Monopoly" is an original, handmade oil painting depicting a monopoloy board. Please allow 3-5 weeks before this artwork will ship.

The Bicycle is a contemporary artwork realized by Adolfo Lorenzetti in 1992 Mixed colored oil painting on canvas. Includes frame. Hand signed on the lower margin. some folds on t...

Impressive early American modernist car still life landscape oil painting. Framed. Oil on canvas. Signed.

This artwork captures the charm of life’s small joys and unexpected moments. Set in a sunlit desert, a sleek black car gleams in the foreground, contrasted by a nostalgic white vehic...

"Avanti", color photograph by Patrick Lajoie. Patrick Lajoie, born in 1969, lives and works in Caledon, Ontario, Canada. In Patrick Lajoie's universe, commonly recurring themes such...

Elizabeth Taylor Spinning Lasso in "Giant" by Globe Photo Archives This black and white action shot features actress Elizabeth Taylor swinging a...

A charming late 19th Century architectural watercolour showing an impressive view of the Hotel Allyon in Spain. Bears signature to the lower left corner and the painting has been pre...

August 18, 1951: Cyclists competing in the Tour de France riding through the French Alps. Original Publication: Picture Post - 5381 - The Greatest Show On Earth...

This photograph, taken in 1952, depicts the Place de la Concorde in Paris, France. The scene captures a busy urban atmosphere with classic cars typical of the mid-20th century lining...

John Charles Maggs British, (1819-1896) Saracens Head Oil on canvas, signed & labelled ‘Bath’ Image size: 13.5 inches x 25.5 inches Size including frame: 21 inches x 33 inches A wo...

Paper Size: 23.5 x 34.5 inches ( 59.69 x 87.63 cm ) Image Size: 20.25 x 34.5 inches ( 51.435 x 87.63 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Sh...

Ormond Gigli Girls in the Windows, 1960 Gelatin Silver Print Printed by Artist 24" x 24" Unique Edition AP 3/5 Framed: $20,350 Provenance: Printed...

Formula 1 Ferrari - Signed limited edition archival pigment print, 2011 - Edition of 5 Formula 1 , Preseason test, 2011 , Barcelona, Spain. Fernando Alonso for Ferrari Photo/R...

Seymour Chwast (American, b. 1931) Three Pilots Ready for Take Off Mixed Media Painted Sculpture Hand-painted metal, (galvanized steel or aluminum) large wall hanging Hand signed to ...

Michael Boulet (France b. 1938-), Oil on canvas Hand signed lower right "Le Patinette de Bâle" Frame: 28" X 33" Image: 20" X 24" Michel Boulet was born in 1938 in Marseille, Franc...

Paper Size: 5.75 x 7.25 inches ( 14.605 x 18.415 cm ) Image Size: 5.75 x 7.25 inches ( 14.605 x 18.415 cm ) Framed: No Condition: A: Mint Additional Details: Vintage first edit...

Small scale contemporary figurative etching print by Polish artist Marian Bocianowski. Artwork depicts man sitting on a bike with a woman. She is seen from behind and he is seen from...

Work on canvas Golden wooden frame 57 x 69 x 5.5 cm

A double image, with multiple narratives. The title and main imagery depict the third day of Captain Ahab's fateful chase of Moby Dick (chapter 135). In the lower image the whale is ...

This black-and-white photograph captures the classic charm of San Francisco’s iconic cable cars. Taken in the 1960s, the image shows a boy hanging from the side of the cable car as i...

Abstract fishing boat by California artist Virginia Hughins (Virginia Brubaker DeWolf), (American, 1923-2004). Signed "Hughins" lower right. Unframed. 9.5"H x 11.5"L. Hughins was a...

Warren Hunter (1904-1993) San Antonio Artist Image Size: 23 x 30 Frame Size: 32 x 39 Medium: Watercolor on Paper "Wagon Wheel" Texas Landscape Known as W...

One of the photographers at Mauritius Publishing based in Berlin was Nolte. His work is an unparalleled and intriguing insight into the working and everyday life of the time. Impress...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

This artwork titled "An Old Friend" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 5...

Easy Rider Bike Scene by Globe Photos Archive Easy Rider 1969 film classical portrait riding on a motorcycle with a helmet. Easy Rider is a 1969 American independent road drama fil...

Public Building'S Packaging is an original photo-offset realized by Christo in 1974. Hand-signed and numbered, edition 48/100. Very good conditions. Chri...

This Golden Age of Illustration painting juxtaposes modern and ancient industrial practices. Giant eclectic generators from the current ti...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Self Portrait with Honda Motorcycle c. 1970s Signed in black ink, l.r. Vintage hand-painted gelatin silver print 8 x 10 inches (20.3 x 25.4 cm) This work is offered by ClampArt in...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller". Lancaster Bomber...

Charles Bragg, American (1931 - 2017) - Open House, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 7 x 10, Size: 11.5 x 15 in....

Savannah Food Store by Alain Le Garsmeur A food store on the corner in downtown Savannah, Georgia, USA, 1983. Paper size 16 x 20 inches / 40 x 50 cm Printed in 2022 - produced fro...

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Autobus Year: 1979 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 110 Size: 25 x 36 in. (63.5 x 91.44 cm)

The Drivers is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed  on the right margin. Good co...

Constantin Kluge was a Russian-born French painter best known for his naturalistic scenes of Paris and French countryside. Kluge was born to a wealthy military family on January 29, ...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. *Available in additional sizes Al Satterwhite started working as a photographer at a major da...

Artist: Jozza Title: "Cool Ride" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on the ve...

Ormond Gigli Girls in the Window, 1960 (printed later) Color coupler print 44 x 44 inches edition of 45 Signed, numbered and dated by the artist Ormond Gigli: The Visionary Behind t...

Artist: A. Colucci Title: Village Market Year: circa 1940 Medium: Oil on Board, Signed l.r. Size: 32 x 53 inches (81.28 x 134.62 cm) Frame: 38 x 60 inches (96.52 x 152.4 cm)

'Isletas Ice' by Alain Le Garsmeur Limited Edition Archival Pigment Print People wait by an ice cream cart in Isletas near Isletas banana plantation, ...