Wheel Art

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Wall Street Melanie Taylor Kent, American Date: 1993 Screenprint on Wove Paper, signed and numbered in pencil Edition: AP Size: 27 x 26 in. (68.5...

Maurice Greenberg American, 1893-1996 Pharaoh and His Family on a Chariot Oil on canvas 22 ¾ by 26 ¾ in, w/ frame 29 by 32 ¼ in Signed lower left Maurice was born in Milwaukee, whe...

"Study for Long Beach" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Ralph Celantano (1902-1980) "Study for Long Beach" 8 x 10 inches Oil on artist bo...

Printmaking on Paper

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

Red Rooster by Sandy Scott Wildlife Hand-colored Etching 14x11" image 24x20" framed, archival matte, under glass circa 1970's, numbered 76/100, titled, si...

This piece, "No Breezing Today", is an 8x10 oil painting on canvas by artist James Jahrsdoerfer featuring a snowy winter view at the Saratoga Race...

Slim Aarons Capote Cycling Slim Aarons Estate Edition 1970: Truman Capote (1924 - 1984) on his bicycle in Palm Springs, California. Author of several novels including 'Breakfast at Tiffany's' which was made into a film. Complimentary dealer shipping to your framer, worldwide. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic Lambda print from the original transparency Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Internal: Vintage Literary photography, vintage writers, vintage glamour, vintage breakfast...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features two people horseback riding at the Rawlins Plantation...

John Austin Hanna Born 1942 Fredericksburg Artist Image Size: 24 x 48 Frame Size: 28 x 52 Medium: Oil on Canvas Mercedes Benz 300SL "Gullwing" Coupe Ralph Lauren's personal vehicle Biography John Austin Hanna Born 1942 John Austin Hanna - Fredericksburg, Texas John graduated from Texas Tech University with a degree in Advertising Art & Design. As a 20-year illustrator in New York and Dallas he has been published in several magazines such as Automotive Quarterly, Car and Driver, Saga, Town & Country, Flying, Popular Boating, and Popular Science. He has also done work for several large corporations such as Mercedes, Volkswagen, Bell Helicopter, Lockheed Martin, Borden’s, Pearl Beer...

Artist Comments
Painted in a realist tradition, a hotdog in a bun takes center stage in this modern still life. Artist Dwight Smith enjoys exaggerating the scale of objects t...

August 18, 1951: Cyclists competing in the Tour de France riding through the French Alps. Original Publication: Picture Post - 5381 - The Greatest Show On Earth...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso AVAILABLE SIZES: 11 x 14 in., Edition ...

This Favor Cycles advertisement from c.1930 is by L. Marthey. The poster features a motorcycle, scooter and bicycle rider following an arrow path. The message of the piece is that no...

This is a one of a kind original acrylic and gold leaf painting by San Diego artist, Duke Windsor. Windsor’s success as a contemporary artist lies in his ability to infuse ordinary s...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

“Ferrari 250 GTO” by Marcello Petisci reimagines one of the most legendary sports cars in automotive history through a playful and contemporary lens. The classic Ferrari form is colo...

Coffee Peloton XXXVII By Eliza Southwood [2023] Original Coffee on paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 cm x D:0.1cm Sold Unframed Plea...

August 18, 1951: Cyclists competing in the Tour de France riding through the French Alps. Original Publication: Picture Post - 5381 - The Greatest Show On Earth...

This original artwork is accompanied by a Certificate of Authenticity. - All of my works are hand-painted by me, using the best professional grade oil paints made by Blockx ( ) a...

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

C. Late 19th Century / Early 20th Century - Etching depicting a Horse & Carriage by Edgar Chahine ( Pencil Signed )

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘78’, in upper left corner, German copyright label on...

Tram, Calcutta by Steve McCurry depicts a bustling intersection. The streets are lined with markets selling fruit, clothes and other varying products. People fill the streets, some w...

Artist: Carlos Irizarry Title: Child with Doll and Buggy Year: circa 1965 Medium: Oil on Canvas, signed l.r. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)...

"Minerva driving her chariot" by Emmanuel Fremiet (1824-1910) Very beautiful group in bronze with old gilded patina Cast by BARBEDIENNE France circa 1900 height : 54 cm length : 54...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

Wendy Resting, portrait photograph from Richard Heeps' Man's Ruin series. This artwork is part of a sequence capturing Wendy at the Nevada Rockabilly Weekender, Viva Las Vegas.  Thi...

A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 16 x 22 inches on a 22.5 x 27.5 inch sheet. The artwork is signed, dated, titled and numbered ...

Willie Nelson, taken in 1977 during a running race in Austin Texas. Taken by photographer, Scott Newton Scott Newton recalls, "Willie Running Race (For Stehlin Foundation Cancer Benefit-Run For Your Life) outside the Austin Opry House entrance on Academy Drive, Austin TX...

The Jumpship is an artwork realized by the artist Andreas Paul Weber  in 1957. Lithograph on paper. Monogrammed in the right lower margin. Red ink stamp in the lower left corner. G...

"Cadillac" is an original photorealistic watercolor painting by Bruce McCombs. The artist signed the piece lower left. It features a deep blue car on a car lot with a domed building ...

Raymond Pettibon Black Flag flyer 1984: A rare flyer for gig by Black Flag, September 27, 1984 at the Indian Center, Salt Lake City, UT with off-set artwork by Pettibon Flea, the R...

Battle scene. Plate n. 26. Title and description in french.  Lithograph on paper. Signed in the plate. Good condition.

original Coffee on paper Image size: H:42 cm x W:59 cm Complete Size of Unframed Work: H:42 cm x W:59 cm x D:42cm Sold Unframed Please note that insitu images are purely an indi...

Eliza Southwood Silk screen print, Kwaremont of 50 x 70 cm on Colourplan 320 gsm . Cycling print for sale. Size: H:70 cm x W:51 cm. Artist...

Volvo Sky is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. A vintage turquoise Volve s...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

Battle scene. Plate n. 34. Title and description in french.  Lithograph on paper. Signed in the plate. Good condition.

Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...

This early print of this image was made in 1980. It is titled, signed and stamped on verso, by the Executor of the Hujar Estate.

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Nolli in the 18th century. Good conditions. The etching belongs to...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

Aaron Bohrod Autobiography, 1991 Signed lower right Oil on gesso board 12 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Early black and white photograph of a fisherman fishing in what appears to be a European town setting. The photograph is matted to a board to prevent bendi...

Etching with engraving on thin laid paper with an unidentified ovoid purple ink stamp (not in Lugt), 9 3/4 x 12 7/8 inches (247 x 326 mm), thread margins. Uniform age tone with scatt...

Signed on bottom right Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives...

Almazan Realistic Still Life Acrylic Painting MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and translates ...

"Desert Thunder 2", color photograph by Patrick Lajoie. Patrick Lajoie, born in 1969, lives and works in Caledon, Ontario, Canada. In Patrick Lajoie's universe, commonly recurring t...

Ed. 3/6 Artist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art st...

Faun Parade is an original etching on paper realized by an Anonymous artist of the 17th Century. The state of preservation of the artwork ...

The Golden Hay Cart Italian, mid 20th century signed by the artist, A. Galzenati oil on canvas, framed in original frame framed: 28 x 32 inches canvas: 21 x 26 inches Provenance: pri...

A detailed view of Højbro Plads with the equestrian statue of Absalon dominant on the right. Well presented in a decorative gilt-effect frame. Signed in the lower right and dated 193...

Werner Bronkhorst is a contemporary artist based in Australia. He is recognised for his two distinctive styles, with the first involving abstract sculptural backgrounds with hyper-re...

Mel Hunter, American (1927 - 2004) - Standardbred, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm)