Wheel Art

Columbus Circle NYC by Ciaran Tully 8 x 12"Polaroid 17 x 14" Framed Signed by Artist

Ink drawing Title "Pink Bug" made by Robert Clarence, framed signed and numbered.

The 1968 original poster for the "24 Heures du Mans" race, featuring photography by André Delourmel, captures the essence of one of the most iconic endurance racing events in the wor...

This remarkable original poster offers a snapshot of the Parisian public transportation system before 1854, capturing the intricate network of horse-drawn omnibuses that circulated t...

Brighton 27 - Platinum palladium on vellum with silver leafs Signed and numbered edition of 8 plus 2 AP with certificate of authenticity. Unframed. The rarity of this type of p...

Hugo Ungewitter original oil painting on canvas “Berlin 1934”. In very good condition painting was relined. Frame is beautiful has chips . Measures 53x36. Signed and dated lower left...

Tim Trantenroth (* 1969) Title: Police car Giclee on linen Year: 2019 Signed and numbered by hand Edition: 25 Size: 16.0 × 21.5 on 18.1 × 23.8 inches C...

Mel Hunter, American (1927 - 2004) - Standardbred, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 53/500, Size: 22 x 29.5 in. (55.88 x 74.93 cm), Descrip...

This scene depicts a scene from the 1930s. It is of a fictitious narrative with old cars, a motorbike, and bicycles. This scene depicts a mob chase through the roaring hills of Calif...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

This artwork "Ford T" is an original ink drawing and gouache on thick Bristol paper by American artist Lynn Gertenbach, b.1940. It is hand signed at the lower left corner by the arti...

I didn't paint because I ran out of canvas. I was in a state of "I should have hung myself back during COVID." Got a new canvas, started painting, and suddenly felt happier. So, pain...

Paper Size: 38.5 x 27.5 inches ( 97.79 x 69.85 cm ) Image Size: 38.5 x 27.5 inches ( 97.79 x 69.85 cm ) Framed: No Condition: A: Mint Additional Details: Tekniska Museet, Sjofa...

Running Death from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed and dated on ...

Walter SPITZER (1927-) Musicians Troupe Original lithograph Handsigned in pencil Numbered /75 ex On Japan paper 61 x 90 cm (c. 24 x 36 inch) Excellent condition

Therese James paints a perfectly observed scene of Welsh life. She has characters that we all know, human and animal, and in her work she narrates the lives of these villages. As a l...

Customs - Chariot in China is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

The 1952 original advertising poster for BSA, titled From the Bantam to the Golden Flash!, was a powerful marketing piece that celebrated BSA’s range of motorcycles, emphasizing thei...

Charles Le Bars Funny Bird Eating Flags (France, USA, UK) Original screen print Handsigned Numbered / 100 copies On vellum 25 x 28 cm (c. 10 x 11 in) Excellent condition

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

William H. BRADLEY (1868-1962) Woman on her Bicycle (Victor Bicycles), 1899 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION...

Ashbrook Studios - Spanish Ship and Mission Villa, Year: circa 1960s, Medium: Velvet, Oil, Light Bulbs on board, Size: 23.5 x 48 in. (59.69 x 121.92 cm), Frame Size: 30.5 x 55 in...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

Lyford Cay Fire Service The fire service in Lyford Cay, on New Providence Island in the Bahamas, April 1966. Gorgeous print measuring 40 x 60" inches / ca 101.6 x 152.4 cm’s paper...

Work on canvas Golden wooden frame 32 x 39 x 3 cm

Christo and Jeanne-Claude Wrapped Kunsthalle, Bern Switzerland (1968) Vintage silver gelatin print signed by Christo lower right Photographed by Thomas Cugini, Swiss (b. 1938) 10 1/...

Auguste Gardanne (circa 1840- circa 1890) Carriages and horses during the franco-prussian war of 1870 Pencil and watercolor on paper On the reverse Studies of horses Pencil and water...

Never be jealous of a biker to her biker friends. Firstly: it is useless; secondly: are you jealous of your brothers? The only thing you can be jealous of is the motorcycle, because ...

'Wizard of Wyoming ' , Hand Colored Aquatint Etching with the plate (image itself) 12 x 12 inches. On a larger piece of archival paper at approximately 16 x 16 inches and matted to approximately 19 x 19 inches. . An iconic still life image featuring the crash scene of a lone overturned semi truck...

When I painted this sketch of life in the village of High Wycombe in Buckinghamshire, I included a funny story. It was a day with changeable weather, and I wrote the sketch quite imp...

La obra va firmada por el artista en la parte inferior y fechada del año 1976 En la parte trasera, va nuevamente firmada, fechada y titulada El estado de conservación es bueno Se ...

Pozzolo Battle is a lithograph print on paper realized After Louis Martinet in the 1850s. Titled, signed on the plate. The artwork is in good conditions with aged margins and diffu...

David Ferreira (France, 1982-) Acrylic on panel Hand signed Dimensions: 59 x 39.25 in. A large-scale textured work by contemporary French artist David ...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Porsche Panamera car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Arts in Łódź...

James Pollard 1892-1867, was an English painter, watercolourist and engraver whose artistic talents were the depiction of coaching, hunting, fishing and horse racing scenes. He is fa...

Louis Falco performing 'Timewright' wearing a costume by artist Robert Indiana, 1969, signed by Jack Mitchell, taken for The New York Times. This is an 8 x 10" vintage silver gelatin...

Little Tony- Vintage Autographed Photograph is a vintage photo, realized in the 1960s. Signature and dedication by the singer Little Tony: "A Lancio il giornale degli sportivi con a...

Pharaohs hunting. 2001. Oil on linen, 70x100 cm

Work on cardboard Beige wooden frame 67.5 x 86 x 4 cm

Vintage Photo is a black and white vintage photo, realized in Mid 20th Century.   Good conditions and aged. It belongs to a historical and nostalgic album including historical mome...

Volodymyr Mykytenko - Beetle-beetle (2019) Beetle beetle car beetle and ladybug buzzing together delight us like my work is joyful and cheerful A...

This artwork, titled "Rue Ferou," 1974, is an original color lithograph on Arches watermarked paper by American artist Man Ray, 1890-1976. It is hand signed ...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Artist reference number: Y-MR-6G.

Image dimensions: 8.3 x 13.7 cm. Orleans is a beautiful black and white xylograph on paper, realized in 1848 by Biyandt. Signed on plate on the lower right margin. Title in German on plate, on lower margin at the center and in Gothic font. With an excellent game of lights and shadows and a good final effects of tones, this original print representing a colonial building in the New Orleans city...

Ramshackle Bar by Alain Le Garsmeur A bar in downtown Las Vegas, New Mexico, USA, 1979. Paper size 20 x 30 inches / 50 x 76 cm Printed in 2022 - produced from the original transpar...

Rumble Fish 1983 Unframed Original Vintage Cinema Lobby Card Extra Large 11x14" inches / 28x36 cm paper size Unframed (framing options available - please enquire) Condition: Excell...

Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...

Bubbling with joy and optimism, this original 1950s French poster advertising the Dolina motorcycle powered by a Villiers 125cc engine is a burst of post-war modernism and consumer e...

Walter Elias Disney (December 5, 1901 – December 15, 1966) was an American entrepreneur, animator, writer, voice actor and film producer. A pioneer of the American animation industry...

'Red Hot Abarth 2000' Rainer W. Schlegelmilch Archive Limited Edition Fantastic and fantastical, many of the top car manufacturers like Ferrari, Porsche, Lamborghini etc launched ...

This very elegant poster created by the artist Rogerio, for the car brand Nash, shows their brand new model: the Geo Ham coupe, a mythical model of the 30s. The years between the tw...

Artist Comments
Stacked like rocks on the shore, artist Diane Flick plays with scale, color, texture, and joyful imagery—creating a quirky, awkward, and jovial childlike ba...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Original poster Alexis Kow, known as Kow, is a French designer, poster artist, illustrator and model maker. Since 1922, prestigious brands of the "automobile" sector solicit him for their visual advertising such as bugatti, peugeot, pirelli or salmson but sometimes also for the elaboration of the final silhouette of a vehicle. His style is characterized by elegant lines, a pure line, the representation of the speed by lines of leakage and the work of the contrasts between shades and reflections, as we can see it on this splendid poster for the Salmson brand. Automobile - Art Deco - Advertising The precision of the plane engine...

Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 35cm x 50cm, work size 42cmx27,5cm . Excellent condition, no defects.   Franco Fortunato was born in Rome in 1946. He trained...

This artwork Titled "The Lumbejack House, Santa Cruz, California" c.1940 is an oil painting on canvas by noted California artist Carl M. Thorp, 1912-1989. It is signed at the lower left corner by the artist. The canvas size is 20 x 24 inches, framed size is 25.25 x 29.25 inches. Framed in a wooden gold frame. It is in excellent condition. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene...

Palazzo Colonna di Sciarra is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed ...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

This work will be shipped rolled. Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory me...