Wheel Art

My painting of a US-spec 1967 Jaguar E Type (XKE) S1 convertible (dhc), painted using acrylic paint onto stretched canvas measuring approx 26" x 22". :: Paint...

I spotted the car at the LeMans race circuit. This 1955 Jaguar D Type is exactly the model which won the LeMans 24-hour race in 1955 driven by Mike Hawthorn, I cannot be certain that...

I was out for a walk this week when I came across this piece of train track and followed it to the end of the line where I found these train wheels and a very cool old time train sig...

10"x30" c-print photograph, limited edition 1/10 signed upon reverse This limited edition photograph depicts A bright red caboose This is a new release of Stephen Mallon's most recent series of photographs of freight trains...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

20"x60" c-print photograph, limited edition 2/10 signed upon reverse This is a limited edition, large scale, color photograph by the New York artist, Stephen Mallon, capturing moving...

"Bug" 30"x45" photograph - edition 1/5 (unframed) Please inquire about additional editions and availability This iconic photograph is from the artist's series: "Brace For Impact: ...

Includes a Certificate of Authenticity

20"x60" c-print photograph, limited edition 2/10 signed upon reverse This is a limited edition, large scale, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains...

Black and White, Car, Urban, Los Angeles, Sky, american, b&w, black & white, urban photography, vehicle, bikes, driving, bicycle, motion blue, vignette, van, high contrast, California Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography. In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley...

Car-Travelling In The South Of Ireland In The Year 1856. Bianconi's Establishment Print Sz: 10 7/8"H x 14"W Frame Sz: 19"H x 23"W Published 1856 by Ackermann & Co Engraver: John...

Represented by George Billis Gallery, NYC & LA --“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism,...

30"x40" edition of 5, photograph signed by the artist. This photograph depicts a constructed landscape created entirely out of white paper. The quality of light and color are achieved through the staging of the scene the aritst, Ken Ragsdale, creates. A scenic overlook into a vast landscape, with a camper in the foreground of the campsite, creates a dreamlike vision. Far off into the distance what appears almost as a mirage is a ferris wheel form, perhaps from a carnival or fair, or just in imagined. The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences. 

Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past. Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre lighting...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Hilary Hennes (née Hilary Miller) (1919-1993) 'The Old Bicycle...

The specific film Alleman uses in this photograph draws the viewer in to the eyes painted on the wall, which are paralleled by the two cars sitting directly under each eye. Thomas ...

Alleman's use of perspective and framing gives the dingy NYC street vendor an elevated sense of grandeur. Thomas Alleman’s urban landscapes convey the pulsating energy and sensual e...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

Represented by George Billis Gallery, NYC & LA --“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism,...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

A cluster of vintage red Ferraris lounge on displayed in a square in Florence, Italy. Street Photographer Mitchell Funk was struck by the unexpected site and documented the scene em...

This digital pigment print is hand signed in pencil by the artist "Christo" at the upper right corner. It is also hand numbered in pencil, from the edition of 200 beside the signatur...

This is one of my on location paintings. I love watercolor because it’s a very challenging medium. I used Daniel Smith Extra Fine Watercolors with world-class acid-free Arches 300g...

This small and finely painted piece depicts the sidewheel steamer J.M.A. underway carrying passengers along the Hudson River. With flags snapping in the wind and whitecaps on the riv...

Rue de la Mer by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of ...

Dans cette œuvre vibrante, j'ai canalisé une énergie vive et colorée, évoquant la nostalgie des années disco. La peinture à l'huile donne vie aux couleurs éclatantes, et ch...

Published Thayer Stroller advertisement, 1951 Watercolor and gouache on board Signed lower left

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) St Edmund Hall...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Sidney Sussex...

We acquired a series of photographs from Rosemary Ellis's studio. To find more from this series scroll down to "More from this Seller" and below it click on "See all from this Seller...

FREE SHIPPING TO WORLDWIDE! Artisan: Fidel Martinez Martinez 1st. Place Category Clay Sculpture   XXX Edition Ceramics National Award Made with Black Clay, hand-modeled technique...

Inscribed Artist's signature and edition number on the bronze base of the piece. 6/50

Extravagant, Sophisticated Lady #5, 2011 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Chromogenic print 26 ½ × 40 inches Edition of 10 Also available in the ...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity Dr. Martin Luther King waves to the crowds as he drives in a motorcade on the way to make a speech at the ‘Illinois Rally for Civil Rights’ at Soldier Field in Chicago, IL, US, June 21, 1964. Ted Williams (1925-2009) first heard jazz on the radio as a youngster in the 1930s in Wichita, Kansas. The sounds of Earl Hines, Duke Ellington and Cab...

Medium: Tempera and Collage on Illustration Board Signature: Unsigned

Oil on canvas Canvas size: 6 x 12 inches Framed size: 13.5 x 17.5 inches Signed

RANDOLPH SCHWABE, RWS, NEAC (1885-1948) Giant’s Head Farm, Cerne Abbas Signed with initials, inscribed Giant’s Head Farm, Cerne Abbas and dated 193...

Mid Century Modern Palm Springs Architecture. Jaguar E-Type vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Mod...

The work is painted according to the author's technology with high quality oil and acrylic paints. With attention to details and colorful mood chords, it is rich in physical reliefs....

The Bahamas Speed Week in Nassau, 1963. Chromogenic Lambda print Printed Later Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The ...

Caption: A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline, 1952. Estate stamped and hand numbered edition of 150 with certificate of authenticity...

A vibrant painting depicting a city junk collector on his rounds with a horse and cart. It captures a moment of modern city life in New York City. Cecil Bell (1907 -1970) was b...

Oleg Turchin's "Tower Bridge" is an oil on canvas that measures 37" x 60". The painting is a beautiful photorealistic depiction of Tower Bridge. Built bet...

Oil on canvas Lexi Caiqin or Ding Caiqin is a Chinese artist born in 1987 who lives and works in Nantong. Jiangsu in China. He was born in Daoxiang Village is a village built around...

Ilse Bing Avenue du Maine, Paris, 1932 Stamped with photographer's credit ink stamp on reverse Silver gelatin print 7 3/4 x 11 inches Ilse Bing (1899-1998), working with a Leica, br...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Street, Chelsea Embankment Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed 15...

Bermuda Street Scene 1967 (printed later) Chromogenic Lambda Print Estate edition of 150 Bicycles, motorcycles, and cars on a street in Bermuda, June 1967. Estate stamped and hand ...

My model belongs to the young, so-called Generation Z (born 1995-2012), the 1st post-digital generation that grew up with digitization. I have shown her in black and white in an eve...

Dunham, Gregory (American, born 1946). HAYMARKET III. Drawing, pencil on paper, 1983. Signed and dated, lower left. 29 3/4 x 22 1/4 inches, the full sheet, with deckle on all sides....

The photograph is part of a series on street photography in Thailand. :: Photograph :: Sepia :: This piece comes with an official certificate of authenticity signed by the artist :: ...

The photograph is part of a series on Burma, across the border from Thailand :: Photograph :: Sepia :: This piece comes with an official certificate of authenticity signed by the ar...

Henry H Parker British, (1858-1930) At Ewhurst near Guildford, Surrey Oil on canvas, signed & dated (18)95, further transcribed verso Image size: 23.25 inches x 35.25 inches Size including frame: 30.25 inches x 42.25 inches An atmospheric landscape painting of a logging cart and horses on a country track by Henry Parker. A figure and a dog are depicted leading a logging cart and team of horses past a village church as dusk falls. Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon...

Title Page Art. Art Seiden was a children's book illustrator in New York City. Seiden was a member of The Society of Illustrators, Signed in Title

The Bahamas Speed Week in Nassau, 1963. Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The Bahamas Speed ...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

Francesco Iacurto, Canadian, 1908-2001 Untitled, 1955 Oil on canvas panel, 12 x 16 in 30,5 x 41 cm Signed and dated lower right Framed For our US customers: 1) The artwork is shi...

Delightful children's room triptych featuring Winnie The Pooh! Image Sz: 12 1/2"H x 34"W Frame Sz: 20 3/4"H x 42 1/4"W