Antique Clock Dials

The gilt bronze clock dial sits above the lower section of the clock, and features white circular enamel plaques with Arabic numerals and a gilt bronze border decorated with flowers.

The stem of each candelabrum is modelled as two patinated bronze figures holding aloft the candelabrum head, which issues seven gilt bronze branches: six scrolling branches and one c...

At the center of the pedestal is the clock’s dial and movement. Sitting on top of the pedestal is a standing harp, a mallet and a scroll.

The circular clock dial is made from inlaid dark green veined marble inside a band of veined red marble, and is signed 'F.

To the centre of the front there is a brass letter aperture with black painted ‘letters’ below a circular silvered clock dial with black roman numerals. The clock dial flanked with t...

The 4" white chapter ring of the clock dial encircles a recessed visible-escapement, and is signed 'Le Roy & Fils, Pals.Ral.Cie.

Crafted by the French factory of Samson et Cie, it portrays a charming elephant figure carrying a clock on its back. The circular clock dial is bordered with asymmetric ormolu, sty...

Most beautifully, the porcelain throughout—inset to the front of the base, the clock dial, and the three domes that surmount the body—is painted as if to imitate champlevé enamel.

The case contains a porcelain clock dial, painted with an assemblage of musical instruments and flowers, and inscribed with gilt hour marks.

The brass twin train movement with outside countwheel striking on a bell, with pendulum and winding key. The clock dial signed Agnew & Sons, Paris. France, Circa 1900.

The clock dial, which is formed of champlevé enamel, features Roman numerals.

Held centrally within the silver flowers is the circular clock dial, which features a gilt border and black Roman numerals with gilt details on the white dial.

The candelabra with cherubs holding six lights and sitting on a gilt sea shell base. The clock dial inscribed Pierret a Paris. Victor-Athanase Pierret was born in 1806 at Bucy ...

Between two columns beneath the central arch, there is a circular white enamel clock dial, which features black Roman Numerals and an hour and minute hand in the shape of a snake.

In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals.

The front and back with bevel glazed doors. The enamel clock dial with 4" white chapter ring with roman numerals around a visible escapement.

The clock dial is set into the centre of the cathedral, and around it there are windows, turrets, and arches in the Gothic style.

The front plaque features a pink ground with gilt arabesques, and the clock dial is painted with black Roman numerals on white circles to the centre, with ormolu hands and a putto to...

The circular clock dial itself is inscribed with Roman numeral indices and mounted within a vase shaped case.

Moreover, the gilt bronze throughout is cast with detailed decorative motifs, including egg-and-dart friezes, garlands of flowers, and running dog sequences. The clock dial, also of ...

This clock was made by the Douglas Clock Company in Birmingham, England at the turn of the century, circa 1900.

The clock dial is set into the centre of the cathedral and features individual enameled plaques containing Roman numerals.

The porcelain clock dial is set into the centre of the case, and shows Roman numerals over a central painted cartouche depicting a courtship scene in a landscape, the bottom of which...

The plinth is decorated with trumpet-blowing putti with scrolling tails, as well as other floral and foliate motifs. The porcelain clock dial is set into the centre of the body of th...

In place of the clock’s dial, they have white enamel faces – one of which is marked ‘CENTRIGRADE’ and serves as a thermometer, and the other is a barometer which features French weat...

The garniture consists of a central clock with a pair of flanking vases. The central enamel clock dial is circular in shape and is inscribed with Roman numerals, as well as a partia...

The white enamel clock dial having black Arabic numerals, the center of the dial with a bas relief of palm trees and figures below the sun and a fort to the background.

An early 19 century French Empire gilt bronze clock depicting the mythological Lydian Queen Omphale sitting astride on a draped drum that contains the clock's dial and the movement.

This surrounds the top of the circular clock dial, which is also framed by an engraved minute band.

A Good French mantel clock garniture By Charles Oudin, Paris The garniture comprising a clock and two candelabras, constructed in gilt bronze and ‘Se`vres’ Bleu Celeste porcelain...

The bases are finished with stepped marble and ormolu plinths and four ornate feet. The clock dial is signed ‘Raingo Frères / Paris’ and the sculptural surmount bears the signatures...

These figures frame the clock dial and add a strong sculptural presence, enhancing the overall artistic value of the piece.

Of circular form, the clock dial is similarly decorated, with a turquoise blue background and white and gilt oval sections for the hour indices, which feature Roman numerals.

The mantel clock's case is crafted from grey dappled marble, with a spelter sculptural surmount, and gilt metal mounted feet and dial rim.

The clock dial is set on a plinth which is flanked by two acanthus leaf scrolls, draped with swags.

Cupid is seen striding off across the base of the clock with his cloak billowing out behind him. Wrapped in his cloak is the clock dial and movement which he carries on his back.

Marti et Cie, MEDAILLE DE BRONZE roundel over number 72, A.C roundel and number 2671. The clock dial inscribed dial inscribed ‘Martinout, A Paris’.

Leading down from the Classical mask are gilt bronze lyre strings, which join to the bejewelled rim of the central, white enamel clock dial. The dial features a gilt pattern and blac...

Fine ormolu mounts showing three cherubs in clouds surround the clock dial, which is made from white enamel with black Roman numerals.

The two front feet are cast as lions heads among fascia and cornucopia; across the front of the base is large gilded bronze plaque showing many signs of imperial Rome, ie. armour, sp...

The wooden surfaces throughout are superbly veneered with fine parquetry, while neoclassical style gilt bronze mounts proliferate: the surmount of eagle, globe, and serpent; the twin...

The body is cylindrical with a fluted surface, featuring a circular clock dial at the center. The dial has an engraved gilt bronze face with white enamel cartouches displaying Roman ...

The case is veneered in the vibrant green gemstone, malachite, and features decorative silvered bronze mounts. The clock dial is positioned at the centre of the case, and there are t...

It comprises a central clock and pair of flanking candelabra: the clock with enamel dial signed 'F.

The clock dial is marked Bailey, Banks & Biddle for the oldest nationwide jeweler in America, originally founded in 1832 in Philadelphia, Pennsylvania.

The clock dial is signed, ‘Le Roy Hr du Roi/ A Paris’.

Each candelabrum features four ornately scrolled branches, each terminating in a single candle holder. The circular clock dial is made from inlaid dark green veined marble inside ...

The clock dial is positioned at the centre of a cuboid case, and is flanked by engaged columns.

The side, base and back door hallmarked for Birmingham 1905 and D & Co ( Douglas Clock Company) Enamel dial with Roman numerals and original ‘blued’ steel hands.

Housed in a mahogany dial clock case with turned dial frame and brass bezel, the movement is visible through a cut out in the dial so the oscillation can be seen.

This dial is placed within a gilt bronze cartouche. The clock case is topped by an ornate gilt bronze lid with a fringed edge, which is crowned by a classical trophy finial.

From the top of the bodies, each candelabrum issues seven scrolled light branches, decorated with foliate details and each terminating in a candleholder with drip pan. The clock d...

All around the dial, the clock case is decorated with fluting in the Neoclassical style, ornamented with flowers and bows, all set on delicate toupie feet.

Set upon an oval base with toupe feet and an applied ormolu mount of chicken feeding. The clock dial and movement housed within a chicken coup decorated with applied mounts to each s...

The combination of white marble and gilt bronze was a favored pairing in French decorative arts of this style, and the execution here includes detailed chasing on the mounts and care...

The clock dial is finished in silver plating with green and black numerals in a simple yet elegant Art Deco design.

The ormolu bears the mark ‘B.Y.’ for Beurdeley, while the clock dial is signed ‘Raingo Frères’ and the clock mechanism ‘Vincenti & Cie’.