Antique Hogarth Prints

Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are copies of these

Complete set of William Hogarth's The harlot's Progress, 1732. Painted and engraved by William

Undertakers (1737) is a satirical print by William Hogarth that mocks the medical profession of his time. The

Set of eight engravings depicting "A Rake's Progress" by William Hogarth newly framed in red

After William Hogarth (British, 1697–1764) Royal Sports PIT TICKET • Engraving by William Dent

Early-19th-century hand-colored engraving of the Arms of the Duchess of Kendal, who was a long-time mistress to King George I of Great Britain. Legend has it that after George's deat...

speculation. The Enraged Musician published c1780 Hogarth's print of The Enraged Musician, published in

A set of seven original copper-engraved prints of Industry and Idleness by William Hogarth (1697

The Four Stages of Cruelty after William Hogarth, a set of four copper-engraved prints, 1803

, the last edition printed from Hogarth's original plates. The path of vice and self-destruction

Works of Hogarth, complete folio dating from 1822, printed from the original plates by John Nichols

last edition printed from Hogarth's original plates. A warning, showing the disastrous results of an

The third plate of a set of four Times of Day, derived from paintings made by William Hogarth in

, and Joy in 1822. There are many other 'Hogarth' prints that were printed but are merely copies, not

The complete set of six engravings by Thomas Cook (1744-1818) after William Hogarth's (1697-1764

Southwark Fair, copper-engraved print after William Hogarth 1803 Cook edition. The

The original design for the top half was formally attributed to William Hogarth, according to the

William Hogarth's illustration of John Gay's "The Begger's Opera". In this plate, the character of

before 1822, as The Heath edition was the last to print directly from Hogarth's original engraved plates

Each plate numbered and each a satirical scene. Newly framed with acid free paper and new frames.

Big In-folio Volume Baldwin and Cradock, London Majestic work collection most of Hogarth’s graphic

are shewn in this Frontispiece'. Originally published for Hogarth's friend John Joshua Kirby's

An engraving by Thomas Cheesman (1760-1834) after William Hogarth's (1697-1764) painting 'The

Attributed to Thomas Cook, after William Hogarth Early Wig Print Liberty Wigs John Wilkes, circa

A delightful engraving of Hogarth's 'Noon', one of four prints from his Time of Day series. The

18th century satirical print by William Hogarth entitled: "Some Principal Inhabitants of ye Moon

scene of English amusement has been painted since Hogarth'. The print comprises of a series of social

Wonderful Hogarth print Copper-plate engravings by Thomas Cook Published by Longman, Hirst

Wonderful Hogarth print It is known as " The Bruiser ". It is a caricature of the politician

Wonderful set of Hogarth prints Typical of the satirical/political almost surrealist artwork of

Wonderful set of 4 Hogarth prints We have " Morning ", " Noon ", " Evening " and " Night

Wonderful set of Hogarth prints This is the" Rakes Progress " series typical of the satirical

Wonderful set of Hogarth prints This is the " Harlot's Progress " series typical of the satirical

Wonderful set of Hogarth prints This is the " Marriage A La Mode " series typical of the

humbly inscrib'd by his most obedient humble Servant Willm. Hogarth". The print is dedicated to Sir

humbly inscrib'd by his most obedient humble Servant Willm. Hogarth". The print is dedicated to Sir

: Four Prints of an Election. Signature on plate: "Painted and the Whole Engraved by Wm. Hogarth

Tailors and Young Man is an original etching print realized by William Hogarth in 1735. Signature

A very fine 18th century copper plate engraving from William Hogarth and Charles Grignion (1721

symbolism in this print and their meaning is not always obvious. Hogarth may have planned to include an

WILLIAM HOGARTH (BRITISH 1675 – 1764) BEER STREET 1751(Paulson 185 iii/iii) Etching and engraving

this summary of the print "Hogarth represents his close friend, the actor David Garrick, as Richard III

The print was published as a companion to the ‘Distressed Poet’, the original of which is in the

Hogarth, and Explanations on the Subjects of the Plates by John Nichols, Esq., F.S.A. London. Printed for

A beautiful copperplate engraving from William Hogarth's 'Industry and Idleness' series. This

A FRAMED PAIR OF COPPER PLATE ENGRAVINGS BY WILLIAM HOGARTH Titled 'BEFORE' AND 'AFTER'. Two of

Scotin and Simon Francois Ravenet, engraved the plates after the designs of William Hogarth. Marriage

19th Century Coloured Print in a Hogarth Frame

Two matted and framed Hogarth hand colored engravings supposedly from "A Rake's Progress

active during the 18th century. Wilkes was obviously not well regarded by Hogarth but he did no issue

An engraving by William Hogarth entitled The Bruiser, English, depicting a bear with a mug of beer