Antique Satyr

silvered satyr mask at the front. Above is a ‘piedouche’ shaped support with a finely chased waterleaf

bronze. Each show a standing classically draped semi-nude maiden with a hoof footed infant satyr standing

patterns amidst richly carved unrs, flanked by rosette blocks and centered by a whimsical satyr mask all

urns, each with a green onyx body are raised on concave corner ormolu base and socle. Each with satyr

Very fine gilt bronze Rococo style garniture set depicting frolicking cherubs and a satyr. The

flaming classical urn with Satyr mask handles with garlands hung between, raised on strigilated plinth

modeled as a bacchanalian satyr, the other a putto, out stretched arms holding three branch like candle

decorated with satyr heads joined by floral garlands. Above are four 'C' scrolled richly chased arms

acorns garlands tied at each side to striking seated ormolu satyr figures with crossed legs holding a

intricately detailed Bacchanalian horned satyr masks at each side with grape leaves and clusters in their hair

, perfumes as well as the oil used by athletes to clean their skin. Balsamaria often depict women's, satyr

pedestal behind her, and a satyr dances to her right. The other vase features the same figures in a

reeded designs. At side are handsome richly chased bearded ormolu satyrs. Above are the beautiful lids

on three cabriole bronze legs capped by the head of satyrs, the whole resting on a stepped circular

. At the bases are richly chased bearded satyrs with striking scrolled designs leading to outstanding

underside with finely cast satyr heads and acanthus with central drop. Installed at "Waldingfield" in 1929

loincloth with a central bearded satyr head and a dagger at his hip. His helmet is strapped to his head and

satyr, is in the manner of Clodion. Each is mounted on fluted and garlanded columns. This playful pair

decorated by foliate scrolls, winged cherubs, dolphins, faces of Satyrs, open winged eagles, lizards, and

expressive satyr faces with two mythological bird heads with intertwined serpent bodies.

Satyr handles at each side. Above are exquisite and intricately detailed branches seemingly growing out

reflect the taste of the period for mythological scenes like embraced bacchantes and satyrs. Often linked

violet breccia marble top, front and beveled glass panels on the sides. The central frieze has satyrs

stylized satyr heads, and the base decorated in a panel of stylized landscape designs around their

bearded satyr masques, ending in gilt bronze sabots. Measures: Height 31 1/2 x width 5'10 x depth 35

exquisite richly chased handsome bearded satyrs with ram horns amidst intricately detailed swaging vines

Corinthian column festooned with cherub / satyr faces and leaurel wreaths / swag. The milk glass shade

base of powerful gadroons, it features a particularly expressive mask of a satyr with goat's horns on

marble body displays a striking richly chased satyr mask at each side joined by a fine berried laurel and

marble socle and is decorated by large ormolu laurel leaves. At eat side are ormolu satyr masks and

depicting wine-lovers issued in 1912, which also included a Bacchus on a donkey, a satyr boy with grapes

foliate at the base with a very detailed figural band above. At each side are ormolu satyr masks with

(Andirons). Each with a posing male figure holding a satyr shield next to decorative sphere, both with

handles with wonderfully detailed acanthus leaves, satyrs and charming acorn finials. Above is the most

paw feet below uniquely scrolled legs decorated with richly carved bearded satyrs, lovely foliate

richly chased bearded satyrs, a wrap around reeded band, and exceptional finely detailed central blooming

istoriato style with polychrome cherubs to the front and a landscape scene to the reverse. Having satyr

satyr holding a large cornucopia with striking ormolu flowers. He is seated on a finely detailed panther

satyr. See "Vergoldete Bronzen" (1986), Vol. I, p.242, Ill. 4.5.10 for a similar model which they date

. With fine ormolu satyr handles at each side joined by a berried laurel swaging garland. Displayed with

gadrooned border, four classical masks of nymphs and satyrs with radiating halos, lion mask corners and

bronze bodies encased with beautiful leaves and handsome richly chased satyrs at each side connected by

, astronomy). The handle, decorated with a cherub and vine branches, ends with a Satyr face. Each ewer rests

in casting mythological and allegorical figures, such as groups of dancers, nymphs, satyrs and

etched gilt leaves with striking bearded satyr handles at each side. At the center are finely detailed

detailed satyr masks flanking the straight apron. The apron displays a finely mottled and fluted design

flowers over her. Around her putti, satyrs and women who collect flowers. Flora is a Roman goddess of

legs mounted with satyr masks above cloven-hoofed feet and the original castors, the oval top with

, which include harbor as well as equestrian scenes, flanked by exceptionally carved satyr mask handles

decorated with bronzes of satyrs and instruments surrounded by scrolling branches with foliage, berries and

chandeliers, with the figure of a satyr and Bacchus or Bacchante, are inspired by pieces created by Claude

foliate details. The arms branch out from striking finely detailed satyr masks and are adorned with

finial and flanked by satyr mask handles, centered by a panel depicting scenes of the life of Alexander

finely detailed bearded satyrs, likely Bacchus, with grape clusters in their hair and most decorative

sconce is centered by a wonderfully executed pieced backplate with an impressive beaded satyr, richly

Ormolu Satyr mounts with dolphins above showcasing twisted tails as handles. The removable marble lids

satyrs amidst floral movements at the base and Bellerophon and Pegasus at the center. At each side are