Architectural Etchings

René Tancula (b. 1949) – Architectural motif Etching A detailed and atmospheric work with an

Richard Haas The Rookery Courtyard, Chicago, 1974 Etching on etching rag paper Signed, titled and

Early 20th Century European Architecture Drypoint Etching c.1930 This fine etching is pencil

-known etchers of the early 20th century, renowned for his architectural etchings. Plowman authored

. Architectural etching around the bronze base adds style and character. An oval-shaped shade with champagne-toned

-century architectural etching depicts the historic Belgian city of Tournai (Doornik), centered on the

The Roma pressed wood tray is an original and eclectic item, with its not excessive dimensions well suited for serving tea or coffee without sacrificing a touch of style. This piece ...

A collection of four Swedish architectural design etchings in period Karl Johan frames from the

A late-18th century Italian hand-colored copper engravings, original Italian etchings by Remondini

Emile Benard (French, 1844-1929), Beaux Arts Interior, Architectural Rendering, Etching, signed in

: c. 1932 Artist: Earl Horter, American, 1880 - 1940 Medium: Etching, aquatint, and drypoint

This original etching and drypoint is hand signed in pencil by the artist "Nicholson" at the lower

1954 - “Il paese dell’Alberta”- experimenting with etching, a technique she never abandoned for the

Etching on paper. Fine architectural and topographical etching after a composition by the renowned

of Two Original Engravings and Etchings on cream watermarked laid paper Limited edition: Unknown

of Two Original Engravings and Etchings on cream Strasbourg Lily laid paper Limited edition: Unknown

Cascina (Farmhouse) Santo Stefano, rif. 490 Original etching, signed and numbered. Limited

1954 - “Il paese dell’Alberta”- experimenting with etching, a technique she never abandoned for the

) Medium: Original Engraving and Etching on cream Strasbourg Lily laid paper Limited edition: Unknown

César Luengo (Spain, 1948) 'Parque de San Francisco', 1995 etching, aquatint on paper Michel 250 g

an accomplished printmaker known for his architectural and landscape etchings. Associated with the

Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural

attention to architectural and atmospheric detail, the etching combines documentary interest with a

: Original Engraving and Etching on watermarked laid paper Limited edition: Unknown Printer: Unknown, likely

"Architectural Antiquities of Normandy", (1822) (First edition), which consists of 100 etchings. Printed in one

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand

Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside

Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor

Birmingham and specialised in architectural and landscape etchings.

). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf Ackermann

Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno

Genre: Surrealism Subject: people, architecture rendering Medium: Etching Surface: Paper Salvador

painting the artist focuses more on the architecture. A fabulous etching showing a sacred and busy city in

building called "Prospetto del Nuovo Navale di Rippetta." The etching highlights the architecture, piazza

-century architectural landscape etching depicts the historic city of Bruges (Brugge), Belgium, with its

with ebonized sides, each frame measures a refined 17 1/2 by 20 by 3/4 inches. The etching plate sizes

social observation converge within a dreamlike architectural setting. Executed as an etching on velin

The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16

Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x

made hundreds of etchings of architecture and landscapes. He received a bronze medal at the Paris

other Ferrario interior or architectural plates. Technique: Hand-coloured etching Maker: Luigi Rossi

architectural fragments, the etching reflects the dramatic, archeological aesthetic popularized in the 18th

preserving traditional English architecture. His etchings remain celebrated for their poetic detail and

became one of the leading figures of the British etching revival in the early 20th century. His works

-long habit of recording his surroundings in sketches. After earning his degree in architecture

Set of etchings of views of a Greek ceremonial klismos chair. In his fifties, G.B. Piranesi was

creates are often subtly modulated, oscillating between light and shadow, giving his etchings an almost

produced drawings of Greek architecture. Medium: Etching on laid paper. Year: circa 1770. Signature: Signed

he produced drawings of Greek architecture. Medium: Etching on laid paper. Year: circa 1770

Architecture. He made his first etching in 1927 and from that time on dedicated himself to printmaking. A trip

Landeck (1903-1984) was educated in New York at Columbia University School of Architecture. He made his

educated in New York at Columbia University School of Architecture. He made his first etching in 1927 and

. Signed on the reverse. A quiet, architectural, and meditative, built from restraint rather than gesture

Raoul Dufy - Haussmann Architecture - Original Etching Dimensions: 13 x 10". Edition of 200 1940

Set of 3 antique circa 1702 architectural etchings by Johannes van den Aveelen. Includes the

"Open House 3" is an enigmatic abstract architectural etching print made using intense aquatint