Architectural Etchings

Early 20th Century European Architecture Drypoint Etching c.1930 This fine etching is pencil signed in the lower right corner (illegible - see images) The location and the artist a...

He quit architecture to concentrate on etching in 1911 at age of 42.

A solid bronze bust is richly paired with a Nero Marquita black and white veined marble base. Architectural etching around the bronze base adds style and character.

Antique Etching of Tournai, Belgium – Pont des Trous Bridge, Ernest George, 1877 This refined 19th-century architectural etching depicts the historic Belgian city of Tournai (Doorni...

4 Rare Antique Elizabeth O'Neill Verner Miniature Etchings. Features St. Michaels Alley, Old Gateway, In Old Charleston and Beadons Alley. Each etching is hand signed and preserved...

The Roma pressed wood tray is an original and eclectic item, with its not excessive dimensions well suited for serving tea or coffee without sacrificing a touch of style. This piece ...

A collection of four Swedish architectural design etchings in period Karl Johan frames from the 19th century.

The set of four etchings depiting Italian and German architectural views and precisely: Rome the Palazzo del Quirinale, Palazzo del Vicerè in Naples, Piazza Grande in Parma and the ...

Emile Benard (French, 1844-1929), Beaux Arts Interior, Architectural Rendering, Etching, signed in ink "Emile Benard / Architect" lower right, wood frame.

Naomi Charles Limont (1929-2010). PFSF Building, Philadelphia, ca. 1990. This piece is a restrike of the following Earl Horter image, using the exact plate created by Horter nearly 6...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm...

This original etching and drypoint is hand signed in pencil by the artist "Nicholson" at the lower left margin and dated “65” next to the signature. It is also hand numbered from the...

ref. 516 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

Etching on paper. Fine architectural and topographical etching after a composition by the renowned Roman vedutista Carlo Werner, depicting the picturesque setting of San Pietro in M...

I love it's gothic architecture and sheer drama right in the centre of London.

The many international and accredited critics who have lingered to appreciate Galli's etchings remark on her ability to combine poetry, architectural precision and interpretative ori...

Biography: Colen Campbell (15 June 1676 – 13 September 1729) was a pioneering Scottish architect and architectural writer who played an important part in the development of the Georg...

Biography: Colen Campbell (15 June 1676 – 13 September 1729) was a pioneering Scottish architect and architectural writer who played an important part in the development of the Georg...

ref. 549 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

Biography: Colen Campbell (15 June 1676 – 13 September 1729) was a pioneering Scottish architect and architectural writer who played an important part in the development of the Georg...

César Luengo (Spain, 1948) 'Parque de San Francisco', 1995 etching, aquatint on paper Michel 250 g. 30 x 22.1 in. (76 x 56 cm.) Edition of 95 ID: LUE1208-001-095 Hand-signed by author

Bronislaw Zaleski, a Polish exile and artist active in France, was an accomplished printmaker known for his architectural and landscape etchings. Associated with the Société des Aqua...

Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...

Executed with Werner’s characteristic attention to architectural and atmospheric detail, the etching combines documentary interest with a distinctly picturesque sensibility, evoking ...

Artist: Jean Berain (the Elder) (French, 1640-1711) Title: "Untitled" (Plate 35) Portfolio: Ornemens Inventez par J. Berain (Ornament Designs Invented by J. Berain) Circa: 1711 (Firs...

Comes from Cotman's two volume "Architectural Antiquities of Normandy", (1822) (First edition), which consists of 100 etchings.

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front Elegantly matted and f...

Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...

Henry Walker was born in Birmingham and specialised in architectural and landscape etchings.

Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...

Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...

'East Side of the Chapel of St Paul' Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. Fro...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings.

Genre: Surrealism Subject: people, architecture rendering Medium: Etching Surface: Paper Salvador Dali (Spanish, 1904-1989) I believe the title is L'Immortalite de L'Imperialisme Ge...

A drawing we have on 1stDibs of the same subject matter shows a different perspective; in this painting the artist focuses more on the architecture. A fabulous etching showing a sac...

The etching highlights the architecture, piazza, and steps leading down to the boats in the water.

Antique Etching of Bruges Windmills and Canal Bridge – Ernest George, 1876 This atmospheric 19th-century architectural landscape etching depicts the historic city of Bruges (Brugge)...

Beyond his contributions to sacred art, Hjortzberg's repertoire expanded to include floral still life paintings, etchings of landscapes, architecture, and portraits.

Marylebone Station in London is one of the least heralded stations but to my mind a complete architectural gem. This etching is an evocation of this wonderful station and the romance...

Evening Train – Marylebone Station by John Duffin [2020] limited_edition Etching on paper Edition number 10/150 Image size: H:38 cm x W:25 cm Complete Size of Unframed Work: H:56 cm...

The composition captures Chagalls narrative lyricism and symbolic compression, presenting the threshold of the town as a charged psychological space where movement, anticipation, and...

ABOUT THE ARTIST “Luigi Kasimir has succeeded in transforming the exacting medium of color etching into a vehicle for atmosphere, light, and architectural poetry.”

He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dicken...

Literature includes Sir Reginald Blomfield, Architectural Water-Colours and Etchings of W Walcot, London: H C Dickins & Technical Journals, 1919, Page 15; Elizabeth Harvey-Lee 5.

In the Paris Salon* of 1885, he exhibited his paintings and etchings and gained his first audience. In the decade 1880-1890 he made hundreds of etchings of architecture and landscapes.

He excelled in detailed architectural drawings and etchings. His work famously captured the changing landscapes of "Old Sydney."

Particularly effective displayed alongside other Ferrario interior or architectural plates. Technique: Hand-coloured etching Maker: Luigi Rossi after Giulio Ferrario, Milan, circa 1...

Richly detailed with archways, crumbling masonry, laborers, and excavated architectural fragments, the etching reflects the dramatic, archeological aesthetic popularized in the 18th ...

Later in life, he settled in Chipping Campden, where he dedicated himself to preserving traditional English architecture. His etchings remain celebrated for their poetic detail and c...

Later in life, he settled in Chipping Campden, where he dedicated himself to preserving traditional English architecture. His etchings remain celebrated for their poetic detail and c...

Piranesi was interested in archaeology and studied in Southern Italy where he produced drawings of Greek architecture. Medium: Etching on laid paper. Year: circa 1770.

After earning his degree in architecture, Schiwetz studied lithography and etching at the Art Students League in New York.

The reliefs he creates are often subtly modulated, oscillating between light and shadow, giving his etchings an almost architectural presence. Certificate of authenticity LCD6840

His technically brilliant and dramatic etchings of Roman architecture and decorative fragments established the definitive antique style for generations of designers, architects, and ...

Piranesi in his fifties was interested in archaeology and studied in Southern Italy where he produced drawings of Greek architecture. Medium: Etching on laid paper. Year: circa 1770.