French Black Forest Mirrors

Although its name evokes a mountainous region in Germany, antique Black Forest–style furniture originated in Switzerland. In Brienz, during the early 19th century, wood-carver Christian Fischer recognized the market for tourist souvenirs and helped make the village into a wood-carving destination. The Brienz Woodcarving School was founded in 1884 and had its own small zoo for studying the anatomy of animals, depictions of which are a defining aspect of the style, also known as Brienzerware.

Whimsical sculptures, often depicting bears and other Alpine animals like stags, owls, deer and boars, characterize the work produced in the area. Along with folk art and decorative objects, Black Forest furniture included benches held aloft by bears, umbrella stands carved with acorns and clock cases adorned with scrolling oak leaves. While most wood-carvers adhered to a similar realism in their designs and woods like linden, maple and walnut, their aesthetics varied.

The F. Peter Trauffer family was known for their hand-carved bear sculptures that saw the furry mammals playing instruments, smoking pipes and engaging in all sorts of human activities. They were sometimes detailed with glass eyes and integrated into functional pieces of furniture, including chair backs and bench legs, which generations of cabinetmakers created from the 1880s to the 1950s. Walter Mader and his son Heinrich frequently carved Saint Bernard sculptures that they incorporated into furniture.

As the Black Forest furniture style spread around the world through exhibitions at world’s fairs in the 19th and early 20th centuries, the rusticity of these pieces resonated at a time of increasing urbanization, inspiring other artisans.

Find a collection of antique Black Forest cabinets, bedroom furniture, seating and other items on 1stDibs.

The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.

In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space. 

We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.

By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design. 

Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.

Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.

On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.