Cire Perdue

A unique Cire Perdue gilt bronze sculpture of roses by Louis Ernest Barrias. The singular lost

Born in 1863, Frederick Carder would go on to revolutionize the art glass market, not only developing and innovating techniques, but by helping to found a juggernaut — Steuben. Few o...

Ormolu cire perdue chandelier in tied rope pattern with tassels. Adorned with cherubs and acanthus

Late 19th century Igbo-Ukwu bronze statue from Nigeria. Cire perdue technique.

Signed 'M. Fiot' and with foundry mark 'Susse Fres Edts Paris Cire Perdue'.

be cire perdue technique. The statue is unsigned.

Sculpture women earth in bronze, foundry: technique de la cire perdue. Made in France by Marie

patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”. Reproduction dated 2006

, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani” on the terrace. Reproduction dated

with brown patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”. Reproduction

brown patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”. Reproduction dated 2006

mark Susse Frères, lost wax technique, cire perdue. The Model. The bronze has a lovely green patina

artist and "cire perdue". Dimension: 27.5 x 11 x 13 in without base 23.5 x 11 x 13 in.

patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”, on the terrace. Reproduction

patina, lost wax casting. Stamp of the Foundry “cire perdue C.Valsuani”, on the terrace. Reproduction

, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani“, on the plinth of the terrace

Amedeo Gennarelli (1881-1943). "Woman with Lyre" Black patinated bronze, cire perdue

patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani“, on the plinth of the terrace

brown patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”, on the plinth of the

brown patina. Posthumous casting dated 2006 and numbered 9/25. Stamp of the “cire perdue C. Valsuani

patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”. Reproduction. Numbered /30

Carpeaux" Bears foundry stamp "E.Godard Cire Perdue" Bears the ingraved mention "EA" (Artist proof

signature & Susse Frères foundry seal Cire perdue, lost wax technique. Bronze, very dark green patina

traditional technique of the lost-wax (à la cire perdue) that allows a great precision and finesse in the

lost wax casting Signed "G. Saupique" by engraving Bears the founder's stamp "C Valsuani Cire

French artist Georges Gori, with foundry mark La Pointe, lost wax technique, cire perdue. The bronze has

"J.Pannini - Cire perdue - Paris" Wear a hand engraved tribute "Monument aux morts de l'Artois" Good

" and has "Cire Perdue" (Lost Wax technique} mark by Barbidienne Foundry. It is 17 1/4" tall, 17 1/2

. Posthumous casting dated 2006 and numbered 1/25 Foundry stamp “cire perdue C. Valsuani”. Dimensions: H 160

Pearlman collection. It was cast by the Valsuani Foundry in France in the cire perdue (lost wax) techique

cast by (cire perdue) the lost wax method and raised on a mottled green turned socle base. Condition is

the lost wax founder stamp "C. Valsuani" ("C. VALSUANI cire perdue") France, Art Deco period, circa

bronze in the style of Emmanuel Fremiet, made from solid cast bronze by the lost wax method (Cire Perdue

the traditional technique of the lost-wax (à la cire perdue) that allows a great precision and finesse

the "cire perdue" method. Condition: In excellent condition, please see photos for confirmation of

none and this high quality bronze is made from the lost wax process 'cire perdue'. Condition: In

the traditional "lost wax" process, otherwise known as the "cire perdue" method. The craftsmanship is

-wax (à la cire Perdue) that allows a great precision in the details, this statue depicts a swan

technique of the lost-wax (à la cire perdue) that allows a great precision and finesse in the details, this

 "cire perdue" method. Condition: In excellent condition, please see photos for confirmation

"Cire perdue" Also bears the Susse founder's pastille as well as the numbering struck "2" Circa 1920

" and "Cire Perdue". This sculpture is beautiful and interesting from all angles an could easily be

patina. Created with the traditional technique of the lost-wax (à la cire Perdue) that allows a great

bronze figural group representing Diane with deer and fawn by Andre Lavaysse. Signed “Lavaysse A”, “cire

bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method

technique of the lost-wax (à la cire Perdue) which allows for great precision and finesse in the details

. Created with the traditional technique of the lost-wax (à la cire Perdue) that allows a great precision in

, tripod bases and lion paw feet. Created with the traditional technique of the lost-wax (à la cire perdue

bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method

" process, otherwise known as the "cire perdue" method. The craftsmanship is second to none throughout

collections. Cast in hollow bronze using the lost-wax (cire perdue) technique and finished with a dark

the other with a crossbow and pheasant in his hand. The bronzes are both cast by lost wax (cire perdue

several available. Created with the traditional technique of the lost-wax (à la cire perdue) which allows

several available. Created with the traditional technique of the lost-wax (à la cire perdue) which allows

the lost-wax (à la cire perdue) which allows for great precision and finesse in the details, this

technique of the lost-wax (à la cire perdue) which allows for great precision and finesse in the details

technique of the lost-wax (à la cire perdue) which allows for great precision and finesse in the details