Copperplate Prints

copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using

copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using

copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using

in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints

Etching and woodblock on laid paper (printed from a copperplate and two woodblocks). From the

"Red Poppies, Gray Target" is an etching and woodcut in red and silver inks, printed on Hahnemühle

. Copperplate engraving printed in Rome, 1867. Plate size: 7 3/8 x 9 1/4 in. In an archival mat and framed.

"Silk Stocking Poppies" is an etching and aquatint in orange and black inks, printed on Hahnemühle

"Field Of Flowers #2" is a unique watercolor monotype printed on Hanhnemühle Copperplate paper. The

watercolor monotype printed on Hanhnemühle Copperplate paper. The "Inner Vision" prints are professionally

blank. Absolutely 100% authentic. This scarse copperplate engraved print originates from

would do in a fine barr relief but working in reverse. After I pull a proof print from the copperplate

“Convergenza” abstract silk-screen and copperplate engraving printed on heavy paper and realized in

copperplate for the "Hundertguilder"print. Pieter Molijn (1595-1661) was a pupil of Esaias van de Velde. He

-colored, copperplate engraving printed on a double page folio. Plate 34.5 cm x 42 cm. The map is in very

reworked the Rembrandt copperplate for the "Hundertguilder"print. Pieter Molijn (1595-1661) was a pupil of

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

Contemporay figurative copperplate and drypoint print by Polish artist Ewa Kutylak. Print depicts a

This hand-colored copperplate print from The Naturalists Miscellany (1812) by George Shaw and

stucco imitating antler veneer. Inside an antique copperplate print with scenery in the forest.

Drypoint on copperplate. Printed by Felsing in brown ink. First Impression with the hand-signed

Contemporary figurative black and white mezzotint and copperplate print by Polish artist Ewa

A beautiful engraving of Aquilegia Stellata Flore from the first edition of the famous work on Botany ‘HORTUS EYSTETTENSIS’ dated 1613 by Basilius Besler. Besler was a pharmacist, co...

Beautiful copperplate engraving of a puffin bird.  Measures: 1 1/4” D x 10” W x 12” H.

in Copperplate Prints, Takaoka Art Museum 2005 Birds, Trees and Girls: The World of Copperplate

White Germ is an abstract silk-screen and copperplate engraving print on heavy paper, realized in

botanical engraving is an exquisite original copperplate print from circa 1655, attributed to the

Title: Stag Beetles and Rhinoceros Beetles, 1798 Hand-Colored Copperplate Engraving Description

Bloch issued folio and octavo prints and each specimen was engraved on a copper plate and then hand

Original Handcoloured Copperplate E. Donovan & F.C. & J. Rivington Aug 1819 Engraving Good overall

Title: "Chief Goliath and Hercules Beetles" - Hand-Coloured Copperplate Engraving from Bertuch's

Copperplate engraving with recent hand-colouring. 2nd editio, published Forli, circa 1580. Now in modern

area in the mid-18th century. The hand coloured copperplate engravings were by botanical artists such

Pair of hand colored framed copperplate engravings by Giocondo Albertolli from his Ornamenti

Set of eight copperplate engravings inscribed and finely framed and matted by Judy Cormier. All

Set of four copperplate engravings inscribed and finely framed and matted by Judy Cormier. All four

A rare and beautiful collection of hand colored, 17th century ‘1696’ botanical copperplate

A spectacular set of four finely framed by Judy Cormier Copperplate Engravings by John Guillum

Mate is a color silk-screen and copperplate engraving print on heavy paper, realized in 1973 by

Mate is a color silk-screen and copperplate engraving print on heavy paper, realized in 1973 by

illustrations are then copied from the original copperplate prints found in the botanical work. F.  

Turquoise Ball is an abstract silk-screen and copperplate engraving print on heavy paper, realized

Silhouette is an abstract silk-screen and copperplate engraving print on heavy paper, realized in

Morning star is an abstract silk-screen and copperplate engraving print on heavy paper, realized in

Fountain is a silk-screen, embossing and copperplate engraving print on paper, realized in 1973 by

Black ferment is a silk-screen and copperplate engraving print on heavy paper, realized in 1973 by

White Flight is an abstract silk-screen and copperplate engraving print on heavy paper, realized in

White Flight  is an abstract silk-screen and copperplate engraving print on heavy paper, realized

from Tyler School of Art.Richard Hricko’s works in Copperplate Photogravure, Woodcut, Monoprint, Relief

White Origin is a lovely silk-screen and copperplate engraving print on heavy paper, realized in

Contemporay figurative print by Polish artist Ewa Kutylak in technique of mezzotint and copperplate