Dome Emerald Ring

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

No one liked emeralds and emerald jewelry more than Elizabeth Taylor (or her alter ego, Cleopatra). Emeralds were first discovered in Egypt around 330 BC. The stone’s name originated from the ancient Greek word for green, “smaragdus.” According to the Gemological Institute of America, “Emeralds from what is now Colombia were part of the plunder when 16th-century Spanish explorers invaded the New World. The Incas had already been using emeralds in their jewelry and religious ceremonies for 500 years. The Spaniards, who treasured gold and silver far more than gems, traded emeralds for precious metals. Their trades opened the eyes of European and Asian royalty to emerald’s majesty.”

There are numerous myths attributed to the emerald’s spiritual powers, like placing an emerald under your tongue will allow you to see the future. But be careful not to swallow the birthstone for May, or that future won’t be so bright!

There are many important (read: large) emeralds in museum collections around the world. The Patricia Emerald, named after the miner’s daughter, is a 632-carat dihexagonal (or 12-sided) crystal that was discovered in Colombia in 1920 and now resides at the American Museum of Natural History in New York. The Smithsonian Museum of Natural History in Washington has in its possession the Hooker Emerald, a 75.47-carat Colombian stone. That emerald had been acquired in the 16th or 17th century by Spanish conquistadores and shipped to Europe. It later belonged to Abdul Hamid II, Sultan of the Ottoman Empire (1876–1909), who wore it on his belt buckle. Purchased at auction by Tiffany & Co. in 1911, the Hooker Emerald was set into a tiara and featured in the New York World’s Fair “House of Jewels” exhibit in 1940. Today, it is part of a brooch, also designed by the jewelry house.

On 1stDibs, find a range of antique and vintage emerald jewelry and watches that includes emerald rings, emerald necklaces and other accessories.

Antique sapphire and diamond dome rings are the perfect minimal accessory for everyday wear, versatile enough to work with all types of outfits. They have grown in popularity due to their simple and elegant design. With smooth lines and a polished surface, these chunky rings can look futuristic or tastefully modern.

Their name comes from an all-metal dome design that is thinner on one side of the band and becomes thicker on the opposite side with a curved shape. The bands range in thickness, and you can find varieties in gold, silver and other precious metals adorned with gemstones like sapphire, diamond or onyx.

Dome rings fit into the same design category as the similarly minimalist signet and cocktail rings. Unlike those styles, which have one part elevated from the band, a dome ring has a seamless and smooth design with no patterns.

Go modern or classic with an authentic dome ring. You can wear a dome ring on a night out in a flashy evening dress with dangling earrings or at work with a conservative blouse and a pair of studs. It even looks great with casual jeans and a T-shirt. With thinner dome rings, you can stack them and offset your look with a dainty necklace.

On 1stDibs, browse dome rings by creator, including pieces by Sarosi By Timeless Gems, Cartier and Ferrucci, or by style such as contemporary, modern, retro or Art Deco.