By the mid-1960s, the international fashion press, enamored of his dazzling scarves and slithery dresses in sensuous psychedelic silk jersey, had dubbed Florentine designer Emilio Pucci the Prince of Prints. Less well known is that, starting in the early 1950s, Pucci applied his colorful, abstract patterns to static angular mediums such as ceramics, floors and furniture, imbuing them with movement, not to mention glamour. He was the first fashion designer to enter the lifestyle market, founding the successful brand that exists today.
Born in 1914 to one of Italy’s oldest noble families, Emilio Pucci, Marchese Pucci di Barsento, was a member of the postwar international jet set, hopping from beach to mountain to city. His fashion career began unexpectedly in 1947, when he created a revolutionary stretch ski outfit that was photographed on the Swiss slopes for Harper’s Bazaar.
Eschewing a life of aristocratic glamour, the self-taught Pucci opened a boutique on Capri dedicated to simple resort clothing (think capri pants) that evoked the Mediterranean’s undulating waves and refreshingly bright colors. At the time, luxury fashion was as constricted as a Dior cocktail dress, but the Swinging Sixties were on the horizon. Signed with what Vogue International editor Suzy Menkes calls a “handwritten ‘Emilio’ flourish” — a concept, she points out, as novel as that of designer ready-to-wear — his designs were soon seen on celebrities like Jackie Kennedy and Marilyn Monroe.
From the airline uniforms he created for Braniff in the 1960s to the emblem he crafted for the Apollo XV space mission in 1971, Pucci’s designs were visionary. In spite of his traditional roots (or because of them), the Prince of Prints was forward thinking and outward looking. Pucci put his signature flourish on patterns that were flexible — first for fashion, then for furnishings and objects. Whether on fabric or foam, shelves or sails, as he first explained some 70 years ago, the ornamental designs work in “continuous motion.” Venturing into nontraditional design partnerships, he laid the groundwork for a future brand, a classic legacy that his daughter Laudomia Pucci continues today.
Find vintage Emilio Pucci evening dresses, scarves, skirts and other clothing and accessories on 1stDibs.
Your dining room table is a place where stories are shared and personalities shine — why not treat yourself and your guests to the finest antique and vintage glass, silver, ceramics and serveware for your meals?
Just like the people who sit around your table, your serveware has its own stories and will help you create new memories with your friends and loved ones. From ceramic pottery to glass vases, set your table with serving pieces that add even more personality, color and texture to your dining experience.
Invite serveware from around the world to join your table settings. For special occasions, dress up your plates with a striking Imari charger from 19th-century Japan or incorporate Richard Ginori’s Italian porcelain plates into your dining experience. Celebrate the English ritual of afternoon tea with a Japanese tea set and an antique Victorian kettle. No matter how big or small your dining area is, there is room for the stories of many cultures and varied histories, and there are plenty of ways to add pizzazz to your meals.
Add different textures and colors to your table with dinner plates and pitchers of ceramic and silver or a porcelain lidded tureen, a serving dish with side handles that is often used for soups. Although porcelain and ceramic are both made in a kiln, porcelain is made with more refined clay and is more durable than ceramic because it is denser. The latter is ideal for statement pieces — your tall mid-century modern ceramic vase is a guaranteed conversation starter. And while your earthenware or stoneware is maybe better suited to everyday lunches as opposed to the fine bone china you’ve reserved for a holiday meal, handcrafted studio pottery coffee mugs can still be a rich expression of your personal style.
“My motto is ‘Have fun with it,’” says author and celebrated hostess Stephanie Booth Shafran. “It’s yin and yang, high and low, Crate & Barrel with Christofle silver. I like to mix it up — sometimes in the dining room, sometimes on the kitchen banquette, sometimes in the loggia. It transports your guests and makes them feel more comfortable and relaxed.”
Introduce elegance at supper with silver, such as a platter from celebrated Massachusetts silversmith manufacturer Reed and Barton or a regal copper-finish flatware set designed by International Silver Company, another New England company that was incorporated in Meriden, Connecticut, in 1898. By then, Meriden had already earned the nickname “Silver City” for its position as a major hub of silver manufacturing.
At the bar, try a vintage wine cooler to keep bottles cool before serving or an Art Deco decanter and whiskey set for after-dinner drinks — there are many possibilities and no wrong answers for tableware, barware and serveware. Explore an expansive collection of antique and vintage glass, ceramics, silver and serveware today on 1stDibs.