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Ettore Sottsass Cometa

Ettore Sottsass Cometa table lamp for Design Centre, 1970s
By Ettore Sottsass
Located in Padova, IT
Ettore Sottsass Cometa table lamp from the serie "Mobili Grigi" for Design centre/Poltronova, 1970s
Category

Vintage 1970s Italian Mid-Century Modern Floor Lamps

Materials

Aluminum

Ettore Sottsass Cometa table lamp for Design Centre, 1970s
Ettore Sottsass Cometa table lamp for Design Centre, 1970s
$17,706
H 80.32 in W 14.18 in D 14.18 in
Ettore Sottsass, Cometa Floor Light, by Poltronova circa 1970
By Ettore Sottsass, Poltronova
Located in Wargrave, Berkshire
Ettore Sottsass for Poltronova Cometa floor lamp, no. L026 acrylic, lacquered metal, chrome, Italy
Category

Vintage 1970s Italian Mid-Century Modern Floor Lamps

Materials

Metal, Chrome

Ettore Sottsass for Design Centre/Poltronova 'Cometa' Floor Lamp
By Design Centre, Poltronova, Ettore Sottsass
Located in Waalwijk, NL
Ettore Sottsass for Design Centre/Poltronova, 'Cometa' floor lamp, model 'L026', acrylic, lacquered
Category

Vintage 1970s Italian Post-Modern Floor Lamps

Materials

Metal, Chrome

Ettore Sottsass for Poltronova, “Cometa” Floor Lamp, circa 1970
Located in Saint-Ouen, FR
Ettore Sottsass for Poltronova “Cometa” floor lamp, in white ABS and chrome-plated metal, with a
Category

Late 20th Century Italian Floor Lamps

Materials

Metal

Recent Sales

Ettore Sottsass Black Wood and Plexiglass Italian "Cometa" Floor Lamp, 1971
By Ettore Sottsass
Located in Milan, IT
Majestic floor lamp "Cometa", by Ettore Sottsass for the Design Center (Francesconi), Italy, 1971
Category

Vintage 1970s Italian Floor Lamps

Materials

Plexiglass, Wood

Ettore Sottsass Cometa Floor Lamp, Poltranova
By Ettore Sottsass
Located in London, GB
Ettore Sottsass Cometa floor lamp, lacquered aluminium and chromed brass with signature wavy milk
Category

20th Century Italian Mid-Century Modern Floor Lamps

Materials

Plastic

Ettore Sottsass Cometa Floor Lamp, Poltranova
Ettore Sottsass Cometa Floor Lamp, Poltranova
H 78.75 in W 14.57 in D 14.57 in
Floor Lamp, Design Ettore Sottsass, "Cometa", 1970
By Ettore Sottsass
Located in Saint-Ouen, FR
Ettore Sottsass, "Comet" floor lamp manufactured by Poltronova lacquered aluminium, chrome-plated
Category

Vintage 1970s Italian Floor Lamps

Materials

Plastic

Ettore Sottsass Cometa Floor Lamp By Design Centre/poltronova
By Ettore Sottsass
Located in Easton, PA
Iconic floor lamp called COMETA designed by Ettore Sottsass in 1971 and mfg. in Italy by Design
Category

Vintage 1970s Italian Floor Lamps

Materials

Steel

Ettore Sottsass Postmodern "Cometa" Italian Floor Lamp for Poltronova, 1970
By Ettore Sottsass, Poltronova
Located in Lucca, IT
Ettore Sottsass, Cometa floor lamp, manufactured by Poltronova Italy, 1970, aluminum, chrome-plated
Category

Vintage 1970s Italian Post-Modern Floor Lamps

Materials

Brass

Ettore Sottsass Postmodern "Cometa" Italian Floor Lamp for Poltronova, 1970
By Ettore Sottsass, Poltronova
Located in Lucca, IT
Ettore Sottsass, Cometa floor lamp, manufactured by Poltronova Italy, 1970, aluminum, chrome-plated
Category

Vintage 1970s Italian Post-Modern Floor Lamps

Materials

Brass

Ettore Sottsass Post-Modern "Cometa" Italian Floor Lamp for Poltronova, 1970
By Poltronova, Ettore Sottsass
Located in Lucca, IT
Ettore Sottsass, Cometa floor lamp, manufactured by Poltronova Italy, 1970, aluminium, chrome
Category

Vintage 1970s Italian Post-Modern Floor Lamps

Materials

Brass

Ettore Sottsass Floor Lamp “Cometa”
Located in New York, NY
Rare model “Cometa” Made for the Design Centre, this rare lamp model “Cometa” constitutes
Category

Vintage 1970s Italian Floor Lamps

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Ettore Sottsass for sale on 1stDibs

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century. He was a wild man of the Radical Design movement that swept Italy in the late 1960s and ’70s, rejecting rationalism and modernism in favor of ever-more outrageous imaginings in lighting and furniture such as mirrors, lamps, chairs and tables.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. 

The Memphis Group mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals. 

Sottsass created innovative furnishings for the likes of Artemide, Knoll, Zanotta and Poltronova, where he reigned as artistic director for nearly two decades beginning in 1958. His most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most inspired and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

Sottsass left the Memphis Group in 1985 in order to concentrate on the growth of Sottsass Associati, a design and architecture consultancy he cofounded in 1980. 

It was as an artist that Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Find Ettore Sottsass lighting, decorative objects and furniture for sale on 1stDibs.

Materials: Plastic Furniture

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Finding the Right Floor-lamps for You

The modern floor lamp is an evolution of torchères — tall floor candelabras that originated in France as a revolutionary development in lighting homes toward the end of the 17th century. Owing to the advent of electricity and the introduction of new materials as a part of lighting design, floor lamps have taken on new forms and configurations over the years. 

In the early 1920s, Art Deco lighting artisans worked with dark woods and modern metals, introducing unique designs that still inspire the look of modern floor lamps developed by contemporary firms such as Luxxu

Popular mid-century floor lamps include everything from the enchanting fixtures by the Italian lighting artisans at Stilnovo to the distinctly functional Grasshopper floor lamp created by Scandinavian design pioneer Greta Magnusson-Grossman to the Paracarro floor lamp by the Venetian master glass workers at Mazzega. Among the more celebrated names in mid-century lighting design are Milanese innovators Achille and Pier Giacomo Castiglioni, who, along with their eldest brother, Livio, worked for their own firm as architects and designers. While Livio departed the practice in 1952, Achille and Pier Giacomo would go on to design the Arco floor lamp, the Toio floor lamp and more for legendary lighting brands such as FLOS

Today’s upscale interiors frequently integrate the otherworldly custom lighting solutions created by a wealth of contemporary firms and designers such as Spain’s Masquespacio, whose Wink floor lamps integrate gold as well as fabric fringes. 

Visual artists and industrial designers have a penchant for floor lamps, possibly because they’re so often a clever marriage of design and the functions of lighting. A good floor lamp can change the mood of any room while adding a touch of elegance to your entire space. Find yours now on 1stDibs.