Natural Fiber Contemporary Art

Old African textile panel with shells,: You can mount on a panel for wall, or place on table, or mount as lampshade. Its colors are sunny. It's wonderful for a sea-house ! B/1677-1   

A truly incredible work of art. This hanging sculpture is constructed of yarn-wrapped rope with incredible texture and color. Each unique element hangs at different lengths and hav...

In Wetland, 2022, a majestic purple heron explores a local estuary in an illuminated update on the traditional Victorian diorama. Original artwork by Christopher Tennant...

The iconic Porsche 911 RS 1973, pop art print in the style of Andy Warhol. Vibrant wall art, a great addition to your art collection. Probably 1980s, these are signed limited editi...

Vintage Hand Made Fiber Art Weaving Joshua Tree Wall Art Cool and unique fiber art textile wall hanging of a Joshua tree. Beautifully crafted with y...

Marqueterie Leal, signed. Kinetic straw marquetry panel, tribute to Victor Vasarely, black and straw.

Marianne Leal Pair of panels “Homage to Vasarely,” featuring red and gold straw marquetry with a kinetic design based on a square figure. Signed, titled, and numbered on the back....

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Marianne Leal, signed. Straw marquetry panel representing a sphere on a black background. Contemporary French craftsmanship.

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Marianne Leal, signed. Kinetic art panel in straw marquetry representing a sphere. Contemporary French craftsmanship.

A fiber art installation by Chinese artist Chen Qingqing (1953-), called "Clothing, from Artificial Artifact Series-Flower" was created in 2004 and purchased from Plum Blossom Galler...

Marianne Leal, signed. Kinetic straw marquetry panel, tribute to Victor Vasarely, red and straw. French contemporary work.

Marianne Leal, signed. Kinetic straw marquetry panel, tribute to Victor Vasarely, red and straw. French contemporary work.