Lot Of Paintings

Marill has an MFA from Cornell University and BA in painting from San Francisco State University. Her work is shown nationally and has been reviewed in New American Paintings, Wired ...

Lazard's work is made using a warm color palette, a 200 x 180 cm ceiling to floor large-scale painting that casts a homey glow. In Lazard's work, traditional materials are present,...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

In Lazard's work, traditional materials are present, like oil mixed with marble powder, and other more modern elements, like tar and linoleum — a very rigid material that allows him ...

In Lazard's work, traditional materials are present, like oil mixed with marble powder, and other more modern elements, like tar and linoleum — a very rigid material that allows him ...

Ballard’s approach to landscapes was mainly ‘en plain air’ – painted in front of the subject. He spent a lot of time painting the landscapes of the coast off Donegal and Kerry.

In Lazard's work, traditional materials are present, like oil mixed with marble powder, and other more modern elements, like tar and linoleum — a very rigid material that allows him ...

It's a dynamic painting with lots of shapes and geometric forms scattered on a square canvas.

This artwork depicts a horse riding shepherds on a horse farm and a lot of horses. Animal painting. Sunset sky artwork.

In Lazard's work, traditional materials are present, like oil mixed with marble powder, and other more modern elements, like tar and linoleum — a very rigid material that allows him ...

In Lazard's work, traditional materials are present, like oil mixed with marble powder, and other more modern elements, like tar and linoleum — a very rigid material that allows him ...

Ballard’s approach to landscapes was mainly ‘en plain air’- painted in front of the subject. He spent a lot of time painting the landscapes of the coast off Donegal and Kerry.

This sagebrush and cactus country, laying broad and low with arid yellow soil, stretching away to a sky full of clouds, makes an unforgettable picture" (84). He also did a lot of pa...

This sagebrush and cactus country, laying broad and low with arid yellow soil, stretching away to a sky full of clouds, makes an unforgettable picture" (84). He also did a lot of pa...

Offering this spectacular spirit horses painted by Christine Joy Koczwara. This painting has lots of motion and movement with the floating heads of the white horses.

Ballard’s approach to landscapes was mainly ‘en plain air’ – painted in front of the subject. He spent a lot of time painting the landscapes of the coast off Donegal and Kerry.

This contemporary, expressionistic, landscape painting with lots of texture and soft color tones.

Is decorated with black lot painting of lions and tendrils motifs on the top and the upper drawer.

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Later on as a young adult, I went to your country to study art for a year. I saw a lot of paintings, yours of course and tons of other artists that were your peers and others who fo...

Large blue and green squares with smaller black squares. Lots of beautiful texture to this painting. Originally came from a hotel in Turin. 122cm H 92cm width

Ballard’s approach to landscapes was mainly ‘en plain air’ – painted in front of the subject. He spent a lot of time painting the landscapes of the coast off Donegal and Kerry.

Ballard’s approach to landscapes was mainly ‘en plain air’ – painted in front of the subject. He spent a lot of time painting the landscapes of the coast off Donegal and Kerry.

Great detail and lots of character in this painting. Piercing blue eyes with sharp features.

Thomas is a Gija woman of Nagarra skin whose bush name, Booljoonngali, means 'big rain coming down with lots of wind'. Thomas began painting when Freddie Timms set up the Jirrawun A...

There is a lot of texture on this painting built up entirely of scarped and dried oil paint.

Brightly colored, contemporary geometric painting. Hard line painting, a lot of movement.

Phyllis is a Gija woman of Nagarra skin, whose bush name, Booljoonngali, means ‘big rain coming down with lots of wind’. She began painting when Freddie Timms set up the Jirrawun A...

Brightly colored, contemporary geometric painting. Hard line painting, a lot of movement.

Brightly colored, contemporary geometric painting. Hard line painting, a lot of movement.

Brightly colored, contemporary geometric painting. Hard line painting, a lot of movement.

Brightly colored, contemporary geometric painting. Hard line painting, a lot of movement.

There is a lot of texture on this painting created by cigarette butts and ash mixed with oil paint, smeared on the canvas to highlight the hair.

There is a lot of texture on this painting built up entirely of scraped and dried oil paint.

Acrylic on cloth large painting, with lots of splashes of color

Louis Toffoli devoted himself to painting. A lot of special exhibitions were organized around the world.

"Cumulus Over The Point," (2010) Acrylic on canvas 24 x 48 x 1 inches This contemporary, expressionistic, landscape painting with lots of texture and soft color tones.

There is a lot of texture in this painting which is very typical of Jove Wang's bold approach to painting.

Wide and quick brushstrokes characterize Gabriele Rofi's style. There is a lot of gesture in his paintings. When Rofi paints he intercepts the dialogue that is born between him and ...

Wide and quick brushstrokes characterize Gabriele Rofi's style. There is a lot of gesture in his paintings. When Rofi paints he intercepts the dialogue that is born between him and ...

The shape of the lines work intreguing and provide the painting with lots of energy and excitement. The dimensions of the painting are perfect for walls and columns where most artwor...

Throughout his life, Philippe Derchain stayed close to his Heimat, painting a lot of idyllic spots in the Ardennes. A remarkable departure from his usual landscape subject, Seated Ge...

Wide and quick brushstrokes characterize Gabriele Rofi's style. There is a lot of gesture in his paintings. When Rofi paints he intercepts the dialogue that is born between him and ...

In Lazard's work, traditional materials are present, like oil mixed with marble powder, and other more modern elements, like tar and linoleum — a very rigid material that allows him ...