Kano School

This screen was originally fusuma doors for either a temple or an important household due to evidence of very large door pulls. Kano school painting in mineral pigments, including an...

The work is signed Shūkei (Sōkei), a painter active in the Kanō school, bearing the honorary title Hōgen, conferred upon artists of high rank.

The poets are from the Asuka, Nara, and Heian periods. Painted in the Kano school style though executed in the Tosa school manner.

An amazing pair of matching antique Japanese folding screen predating 1812-1813, most likely from Kano School. Six panels each depict Chinese-inspired landscapes showing cranes, pine...

Identity: Japanese painter, Tottori Prefecture. Early study with the Kano School; after went to Tokyo and entered the atelier of Hashimoto Gaho of the Kano school.

The paintings are crafted in the Kano school working in a Tosa school manner. The paintings have vibrant ink and natural color pigments with radiant gold leaf accents throughout.

He originally studied painting under Kano Tanrei. The influence of the Kano school is especially apparently in this vase, with the large poppies seemingly dancing upon an unseen bree...

This screen was originally fusuma doors for either a temple or an important household due to evidence of very large door pulls. Kano school painting in mineral pigments, including an...

The Tosa school (土佐派,) of Japanese painting was founded in the early Muromachi period (14th–15th centuries), and was devoted to yamato-e, paintings specializing in subject matter and...

At the beginning, he studied under the Shijo school and then Masakuni Hashimoto to study the Kano school, and established his own style as a moderate landscape painting full of poet...

The work features paintings from various Japanese ateliers: Tosa School, Ukiyo-e, Kano school, Maruyama-Shijo, Haiga, and poems in both Chinese and Japanese.

Yamano began to focus on the Japanese elements inspired from antique Kano School paintings, from which he developed not only an aesthetic approach, but also a personal symbol–the fis...

At the beginning, he studied under the Shijo school and then Masakuni Hashimoto to study the Kano school, and established his own style as a moderate landscape painting full of poet...

These were kept in Japan with the Shogunate and in temples and circulated amongst the heads of the Kano schools of painting. Given the age of the screen and its likely Kano school or...

Ink and color pigments over a dramatic silver leaf ground. Kano school influence with moriage flowers. The love of chrysanthemums was immortalized by Tao Yanming (365-427) in one of ...

The name Fudesute ('throwing the brush away') refers to a legend in which Kano Motonobu (1476-1559), a famed member of the Kano School of painters, threw down his brush in frustratio...

Kano Osanobu (狩野養信) Osanobu Kano (born August 18, 1796; died June 12, 1846) was the ninth painter of the Kobikicho Kano School in the Edo period.

Born on February 25, 2016. He learned the Kano school from his teachers, Komuro Isai (Hidetoshi), Hirafuku Hoan, Sugawara Hakuryu, Komuro Hidetoshi, and the Shijo school painting tec...

It drew heavily on the preeminent Kano school but was centered in Kyoto and disappeared in the early 18th century.

The gouache painting was in the tradition of Kano school and depicts an old scholar dressed in long flowing robe, sitting on a Chinese style chair under a towering pine tree, and wri...

Influenced by Kyoto pottery and the Kanō school, Satsuma pieces featured floral patterns and negative space.

Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of Toyohiro of the Utagawa school. His early work of narrow, vertical landscapes picturing thatched ho...

He first studied medicine, but preferred learning over medicine, and studied Chinese studies under Kimizan Karahashi, a He also learned painting techniques from Buncho Tani, and afte...

He first studied under the Shijo school, and later studied the Kano school under Gaho Hashimoto, and 　　established his own unique style of gentle landscape painting full of poetic se...

He studied at the Tokyo Fine Arts School, where he was taught by the well-known Kanō school painter Gahō Hashimoto (1835-1908), who was instrumental in the development of nihonga pai...

Ink on paper, Scroll head: wood Image size: 860(W) x 1670(H) [mm] Scroll mounting: 1030(W) x 2220(H) [mm] Box size: 90(W) x 90(H) x 1140(D) [mm] 2kg Estimated packing size: 150(W) x...

Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of Toyohiro of the Utagawa school. His early work of narrow, vertical landscapes picturing thatched hou...

Unlike the koi paintings of the Maruyama-Shijo school of art, which are painted with a dedication to naturalism, and the somewhat repetitive koi imagery of the long-standing Kano sch...

Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of Toyohiro of the Utagawa school. His early work of narrow, vertical landscapes picturing thatched hou...

Shunki's journey as an artist was shaped by rigorous training under esteemed masters – Kono Bairei, Nomura Bunkyo, and Mori Kansai – ultimately establishing him as a respected profes...

Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of Toyohiro of the Utagawa school. His early work of narrow, vertical landscapes picturing thatched hou...

He went to Kyoto in 1887 to study under Kono Bairei of the Maruyama-Shijo school of painting. In 1896, he moved to Tokyo and he became the student of Hashimoto Gaho, of the Kano scho...

Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of Toyohiro of the Utagawa school. His early work of narrow, vertical landscapes picturing thatched hou...

Decorative patterns are inspired by Kano school paintings in vegetal, animals and human representations but are also combined with abstract geometrical patterns.

Decorative patterns are inspired by Kano school paintings in vegetal, animals and human representations but are also combined with abstract geometrical patterns.

Decorative patterns are inspired by Kano school paintings in vegetal, animals and human representations but are also combined with abstract geometrical patterns.

Size: Depth *3cm Width *95cm Height *175cm 9kg Estimated packing size: （Sandwich with 5-10mm plywood) 10 × 102 × 185cm 25kg A Japanese sliding door painted on both sides One side ...

It is probable that these images can be traced back to Chinese illustrated books and/or paint- ings by the Kano School. This motif seems to have been well received in Europe. since i...

As the Shogunate fell, Chikanobu focused on a career in art. Though trained in Kano school painting from an early age, Chikanobu shifted his attention to ukiyo-e around 1852.

It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano School of Painting, though Hiroshige’s first official teach...

Initially studying under Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters, Shōhaku later departed that artistic style and distinguish...

He went to Kyoto in 1887 to study under Kono Bairei of the Maruyama-Shijo school of painting. In 1896, he moved to Tokyo and he became the student of Hashimoto Gaho, of the Kano scho...

In this composition, the space is shared equally by the rich golden sky and the pine trees, reminiscent of the ink and gold paintings of the Kano School, which dominated Japanese art...

Originally trained as a painter of the Kano school, he taught as a professor at the Tokyo School of Fine Arts, where a bust in his honor stands today.

It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teach...

Decorative patterns are inspired by Kano school paintings in vegetal, animals and human representations but are also combined with abstract geometrical patterns.

In this composition, the space is shared equally by the rich golden sky and the pine trees, reminiscent of the ink and gold paintings of the Kano School, which dominated Japanese art...

In this composition, the space is shared equally by the rich golden sky and the pine trees, reminiscent of the ink and gold paintings of the Kano School, which dominated Japanese art...

In this composition, the space is shared equally by the rich golden sky and the pine trees, reminiscent of the ink and gold paintings of the Kano School, which dominated Japanese art...

The strongest influence during his early years came from the Kyoto master Sukenobu, along with Kiyomitsu, Toyonobu and the ukiyo-e painters of the Kawamata school. His study of the p...

It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teach...

It is probable that these images can be traced back to Chinese illustrated books and/or paint- ings by the Kano School. This motif seems to have been well received in Europe. since ...

In this composition, the space is shared equally by the rich golden sky and the pine trees, reminiscent of the ink and gold paintings of the Kano School, which dominated Japanese art...

In this composition, the space is shared equally by the rich golden sky and the pine trees, reminiscent of the ink and gold paintings of the Kano School, which dominated Japanese art...

Kita Busei was a celebrated pupil of the great master Tani Bunchō and a versatile artist who blended the formal Kanō school, decorative Rinpa, and literati (Nanga) styles.

In his younger days, he had studied the Kanō school of painting; but his interest was drawn to ukiyo-e.

It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teach...

It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teach...

He was the third son of the painter, Kanō Eitai (狩野永泰 [ja]). He became dissatisfied with the prevailing Kanō school style and took up the older Yamato-e style instead, although not a...

These known examples depicting grape vines are rendered in a similar manner using gold leaf and moriage (raised design): A pair of screens from the Kano School housed in the Tokyo Fu...