Autumn landscape 20th Century Scroll Painting Japan Artist Kawagoe Tamado

It is a high-quality craft of the work drawn by Kawai Yudou as you can see. The slightly hazy distant mountains are really tasty, and the pine tree drawn in the foreground is a very tasty work. «Kawagoedado» [1873-1957] Japanese painter. Born in Aichi. His real name is Hosaburo. Another issue, Ikuan. At the beginning, he studied under the Shijo school and then Masakuni Hashimoto to...

Product description such you can see Furuya IchiAkira handwriting color-Matsushima view / Futoshimaki, both box is. [Prompt decision pricing goods] only, except for some areas, ...

Lovely painting! Overall perfect: Size scroll, vertical 138.3 cm horizontal 54 cm picture, vertical 40.3 cm horizontal 42 cm Condition: Overall perfect: Size scroll, vertica...

It is a work of 2 scrolls figure in a Theatre/Dance Noh style. it is a very tasty work combined with the hymns spelled at the top. ¦ Silk books and handwriting. ¦ State There ...

It is a high-quality craft of the work drawn by Kawai Gyokudo as you can see. It creates a texture that makes you feel a refreshing breeze, and it is a tasty work that is carefully drawn even to lush bushes and trees. (A guidebook (bookmark) is also included.) "Kawaai Gyokudo" [1873-1957] Japanese painter. Born in Aichi. His real name is Hosaburo. Another issue, Ikuan. At the beginning, he studied under the Shijo school and then Masakuni Hashimoto to study the Kano school, and established his own style as a moderate landscape painting full of poetry. Received the Order of Culture. Work "Ayaame" etc. ¦ Paper books and crafts. ¦ The condition is beautiful. ¦ Axial dimension/approx. 128.0 cm x 62.0 cm. ¦ Paper size/approx. 40.5 cm x 51.0 cm. ¦ Incorporation/There are inscriptions/incorporations as you see. ¦ Box/Box. awai Gyokudo (?? ??, November 24, 1873 – June 30, 1957) was the pseudonym of a Japanese painter in the nihonga school, active from Meiji through Showa period Japan. His real name was Kawai Yoshisaburo. Contents      Biography Gyokudo was born in what is now Ichinomiya city, Aichi Prefecture, as the eldest son of a paper, ink and brush merchant. He went to Kyoto in 1887 to study under Kono Bairei of the Maruyama-Shijo school of painting. In 1896, he moved to Tokyo and he became the student of Hashimoto Gaho, of the Kano school. He also studied Western-style painting and developed a highly personal style, especially in the field of landscape painting. Gyokudo is noted for his polychrome and occasionally monochrome works depicting the mountains and rivers of Japan in the four seasons, with humans and animals shown as part of the natural landscape. Among his representative works are Futsuka zuki (“The New Moon”), Yuku haru (“The Departing Spring”), Mine-no-yu (“Evening at the Mountain Top”), and Bosetsu (“Snow in the Evening”). In 1898, Gyokudo joined with Okakura Tenshin and Yokoyama Taikan...

It is a high-class craftwork of the work drawn by Taikan Yokoyama as you can see. The horseback person who peeks a little through the trees is also well reflected, and the majestic...

Japanese scroll painting of landscape painting depicted village along the riverside in the mountains with fisherman Ink and color on silk Overall size...

Kasahara Seiken White peacocks, circa 1916 Framed painting. Ink, color and gofun on silk. A Taisho period Japanese nihonga painting depicting a pair of white peacocks re...

Japanese two-panel screen, study of an Okinawan mother and child, Taisho period early 20th century, dating from the 1920's. Signed by Matsumura Baiso, (1884-1935). Baiso was a studen...

Ishizaki Koyo (1884-1947) Wagtail & Chrysanthemum Early 20th century Folding screen in two-panels. Ink, pigments and gofun on gold leaf. Sign: Koyo Seal: Koyo This ...

Album of erotic paintings. Japan. Early 20th century. Shunga with 28 paintings, real hand-painted. Ink and colors on silk. Brocade mounts. 9.25 x 7in. Image sizes from (4" ~ 4.5") W ...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...