Large Woodcuts

Sergio Hernández (Mexico, 1957) 'El Circo' (Circus), 2010 woodcut on paper Velin Arches 300 g. 45.7 x 78 in. (116 x 198 cm.) Edition of 40 Unframed

Kcho (Alexis Leiva Machado) (Cuba, 1970) 'Untitled', 2005 woodcut with 3 plates on paper Velin Arches 400 g. 45.9 x 78.4 in. (116.5 x 199 cm.) Edition of 16 Ref: KCH-114 Unframed

Sergio Hernández (Mexico, 1957) 'Lluvia de Estrellas', 2011 woodcut on paper Velin Arches 300 g. 45.7 x 81.9 in. (116 x 208 cm.) Edition of 10

"Boris Viskin (Mexico, 1960) 'Untitled 1', 2015 woodcut on paper Velin Arches 300 g. 13.2 x 52.8 in. (33.5 x 134 cm.) Edition of 30 ID: VIS-101"

Very large woodcut by Leonard Baskin (1922-2000) titled "Angel of Death".

OTTO MUELLER (German 1874 – 1930) POTSDAMER KUNSTSOMMER, 1921 (1968) (Karsch 6) Woodcut. Edition of 25 and numbered 11. There are no known impressio...

Its woodcut illustrations are distinguished by their unusually large scale and detailed depiction of roots, stems, foliage, flowers and fruit.

Its woodcut illustrations are distinguished by their unusually large scale and detailed depiction of roots, stems, foliage, flowers and fruit.

Its woodcut illustrations are distinguished by their unusually large scale and detailed depiction of roots, stems, foliage, flowers and fruit.

Its woodcut illustrations are distinguished by their unusually large scale and detailed depiction of roots, stems, foliage, flowers and fruit.

Its woodcut illustrations are distinguished by their unusually large scale and detailed depiction of roots, stems, foliage, flowers and fruit.

Its woodcut illustrations are distinguished by their unusually large scale and detailed depiction of roots, stems, foliage, flowers and fruit.

KITAOKA FUMIO (Japanese 1918 – 2007) SNOW SCENE (Sekkei) 1969 Color woodcut, signed, titled and annotated “artist proof”. Image 21 ½ x 15 3/8”, sheet 25 x 18 3/4”. Good condition s...

Scott was known for creating vibrant kinetic sculptures that explored topics ranging from the West African diddly-bow string instrument to the rhythms and movements inspired by ensla...

Artist: Gregory Amenoff, American (1948 - ) Title: Gnarl Year: 1987 Medium: Woodcut and Screenprint, Signed and numbered in Pencil Edition: 35 Image Size: 41 x 36 inches Frame: 52 x ...

FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...

Page Size: 14.5 x 10 in. Frame Size: 22.5 x 15.5 in. The Large Peepshow (Ô-karakuri), from the series Fashionable Comparisons of Precious Children (Fûryû kodakara awase) 哥麿 筆 painte...

Michael Rothenstein British, 1908-1993 The Garden II, 1990 woodcut 72 x 86 cm 28 3/8 x 33 7/8 in signed and dated in pencil Michael Rothenstein was born in 1908 in London, the young...

Jose Bedia (Cuban, 1959) 'Animal Armado', 2019. Woodcut and serigraph. Limited edition of 30 Overall size: 118 x 199 cm. (46.5 x 78.3 in.). Surface: Feltmark Paper 300 g. Hand-signed...

Large scale limited edition woodcut print of an an abstracted scene with landscape elements and rough figural forms including a dog, house and tree that emerge from chaotic linear ab...

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

., 7-1/2" x 5-13/16", 5 parts in one volume, woodcut armorial shield on general and sectional titles, large woodcut opening initials and repeated type ornament, a few leaves in disco...

Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her ide...

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

"Involution - Union 4B" Original Large-Scale Abstract Woodcut by Kazumi Amano Stunning Op-Art checkered color woodblock by Kazumi Amano (Japanese, 1927-2001).

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

This woodcut depicts a marble fluted column with the title in large letters as the capital.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

Jun Lee (Washington, DC) is a printmaker who works in large format woodcut utilizing animals as metaphors to convey competition in our daily lives.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her ide...

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

Contemporary large, horizontal diptych woodcut print on paper evoking the peacefulness of ocean waves depicted in shades of cobalt blue with purple undertones and the artist's additi...

Jun Lee (Washington, DC) is a printmaker who works in large format woodcut utilizing animals as metaphors to convey competition in our daily lives.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

Along with fellow artist Leonard Baskin, Summers helped pioneer the large-scale or “monumental” American woodcut during the 1950s and 1960s.

Indeed, Jegher's place in art history as the most important woodcutter of his time rests exclusively on the nine large single-page woodcuts that resulted from this collaboration.

Large Axel Salto woodcut/lithograph. Typical Salto depiction of wild deer in a grey/black composition.

In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge.

Artist: Harland Miller Title: Hell... It's Only Forever 1 (Large) Year: 2020 Medium: Woodcut on wove paper Sheet: 67 1/2 × 47 in (171.5 × 119.4 cm) Edition: 50; signed and numbered i...

Presented behind glass in a dark wood frame. A striking, large-scale example of Summers’ innovative color woodcut practice.

Excellent condition with no damage or discoloration. These are large powerful woodcuts depicting the Western Mexican Coastline.

Excellent condition with no damage or discoloration. These are large powerful woodcuts depicting the Western Mexican Coastline.

FRANCES H. GEARHART (1869-1958) STORM LINED c.1936 Color block print, signed and titled in pencil 13 ¼ x 10 1/8, full sheet 14 3/8 x 11 ¼” with deckle edge on her typical fibrous Ja...

By the age of thirty, Dürer had completed or begun three of his most famous series of woodcuts on religious subjects: The Apocalypse ,the Large Woodcut Passion cycle, and the Life of...

By the age of thirty, Dürer had completed or begun three of his most famous series of woodcuts on religious subjects: The Apocalypse ,the Large Woodcut Passion cycle, and the Life of...

edition 1/5 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...

Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St.

Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Col...

DER HIRT MIT DER GROSSEN ZIEGE (THE SHEPHERD WITH THE LARGE GOAT). WV47(b). Woodcut printed in colors, 1920. 12 5/8 x 9 7/8 inches; 321 x 250 mm.

Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947) A large, early-20th-century, hand-colored Japanese woodblock sho...