Heinrich Campendonk

DER HIRT MIT DER GROSSEN ZIEGE (THE SHEPHERD WITH THE LARGE GOAT)

1920

Frasconi, Antonio. SIX SOUTH AMERICAN FOLK RHYMES ABOUT LOVE. South Norwalk, CT., 1964. Edition of 2000, of which this is one of 100 numbered and with a signed woodcut frontispiece. ...

Heckel, Erich (German, 1883-1970). ZWEI MATROSEN (TWO SAILORS) Dube 302. Woodcut, 1916. Signed and dated "16" in pencil. Printed on laid paper watermarked "SLG." 14 1/4 x 11 3/8 inc...

Avery, Milton. NIGHT NUDE. Woodcut, 1953. Edition of 25 in black and white (there were a further 25 printed in black and blue). Signed, dated and numbered "6/25" in pencil, and also ...

Barton, John Murray. MY BELOVED'S DREAM. Color Woodcut, 1959. Edition of 100. Titled, numbered 1/100, signed and dated in pencil. 23 5/8 x 7 3/4 inches (image), 11 1/2 x 27 inches (s...

Barton, John Murray. MY BELOVED. Color Woodcut, 1958. Edition of 125. Titled, numbered 1/125, signed and dated in pencil. 23 5/8 x 7 3/4 inches (image), 11 1/2 x 27 inches (sheet). I...

Kent, Rockwell, et al. TWELVE PRINTS BY CONTEMPORARY AMERICAN ARTISTS. Edited by Carl Zigrosser (1891-1975) and designed by Bruce Rogers (1870-1957) and printed by Edwin Rudge on watermaked Japan paper. Published by E. Weyhe, NY, 1919. Edition of 115 copies, of which 15 were reserved for the artists and collaborators, and 100 were for sale, this being one of the latter. Folio (19 x 14 inches, 48 x 36 cm.), cloth portfolio with title label, Title page, two pages of text by Zigrosser, Table of Contents and twelve plates of varying sizes, each signed by the artist. Erhard Weyhe (1883-1972) established the Weyhe Galley at 794 Lexington Avenue in New York in 1919, with Zigrosser as the Director. In addition to dealing in art, the gallery published prints, singly and in portfolios, usually of the work of emerging American Modernists. This portfolio, dating from the first year of Weyhe Gallery's existence was the first of these publications. Zigrosser engaged Bruce Rogers to design the portfolio, and also personally sought out the artists, visited their studios and selected the works to be included in "Twelve Prints." Blue Bird was Rockwell Kent's first published print (Burne-Jones 1) The Copyist at the Metropolitan (Morse 148) was being worked on when Zigrosser visited, and its inclusion in the portfolio preceded Sloan's own edition. The full list of artists and the titles and media of their works is as follows: Earl Horter - The Dark Tower, etching Rockwell Kent - Blue-bird, wood engraving William Auerbach-Levy - Tony, etching Kenneth Hayes Miller - The Bather, drypoint Jerome Myers - Springtime, drypoint Walter Pach...

"Ada" from 2011 is a Japanese woodblock in thirty-one colors on New Hosho paper. We are offering the number 18/70. 3 Artist's proofs. Ada is Alex Katz' wife and his most important mu...

Hermann Kätelhön (German, * 22. September 1884, Hofgeismar; † 24. November 1940, München) Coal Miners • Woodcut, sheet measures ca. 55 x 40 cm • The sheet is mounted (fixed at the...

Elia Shiwoohamba (* 1981 , Windhoek, Namibia ) Harvesting Time • African School • Linoleum cut • Sheet ca. 34.5 x 43 cm (Image is smaller) • Bottom left numbered 8/50 and titled • ...

Hermann Kätelhön (German, * 22. September 1884 in Hofgeismar; † 24. November 1940 in München) Workers - Lithograph, Sheet ca. 56 x 41 cm - Signed bottom right - The photographs sho...

Illustration for Jules de la Medelen's "Lord on the Sand Castle" ("Le Marquis Des Saffras") FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studie...

Illustration for Jules de la Medelen's "Lord on the Sand Castle" ("Le Marquis Des Saffras") FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studie...