Limoges Egg Shaped Ring Box

Limoges porcelain has withstood the test of time for centuries. The widely cherished ceramics named for the French city and commune in which they are made are synonymous with sophistication, elegance and refinement. Today, antique Limoges dinnerware, serveware, decorative objects and other porcelain products are coveted and collected all over the world. 

The story of Limoges porcelain, which refers to porcelain made in the Limoges region of France — not by a specific factory — begins in 1768. The region is a rich source of kaolin, feldspar and quartz — vital ingredients to the production of this type of pottery.

Porcelain was first made in China and spread all over the world owing to the trade routes to the Far East established by Dutch and Portuguese merchants. Given its origin, English speakers called porcelain “fine china,” an expression you still might hear today. "Fine" indeed — for over a thousand years, it has been a highly sought-after material. Meissen Porcelain (Staatliche Porzellan-Manufaktur Meissen), which was founded in the Electorate of Saxony (now Germany), is one of the preeminent porcelain factories in Europe and was the first to produce true porcelain outside of Asia.

Limoges porcelain refers to porcelain produced in and near the city of Limoges — it does not refer to a specific manufacturer — and it’s distinctive for its luminous hue and bright white qualities, providing an ideal canvas for intricately detailed hand-painted decorations. (Revered Impressionist painter Pierre-Auguste Renoir began his career painting plates in Limoges.)

It wasn’t long before Limoges porcelain captured the attention of King Louis XVI — the region’s first manufactory, established toward the close of the 18th century, was placed under the protection of the King’s brother, the Comte d’Artois. It was later purchased by the King and became Manufacture Royale de Limoges. The facility produced a variety of pieces, including delicate, gold-embellished trinket boxes, ornamental vessels, Rococo-style figurines and elaborate dinnerware service sets. 

Following the end of the French Revolution in 1794, Limoges porcelain was no longer restricted, and the commercial porcelain industry ballooned. 

By 1819, Limoges had four porcelain factories, and as demand for porcelain grew during the 19th century, the industry expanded in the French city. In 1853, American businessman David Haviland opened the Haviland & Co. factory in Limoges to export porcelain to the United States. The company produced several iconic serveware collections for many American presidents, including Abraham Lincoln, Ulysses S. Grant and Rutherford B. Hayes. Bernardaud opened in the early 1860s.

By 1900, Limoges had 35 factories, which employed close to 8,000 workers. In 1925, Limoges porcelain was shown at the International Exhibition of Modern Decorative and Industrial Arts — the design fair in Paris that brought global attention to the Art Deco style — where it garnered international acclaim. 

During the 20th century, Limoges factories such as Bernardaud collaborated with a range of notable artists and designers, including Franz Bischoff, Joan Miró, Raymond Loewy, Alexander Calder and Julian Schnabel, to name a few. 

Today, authentic Limoges porcelain tableware, vases and objets d’art continue to gain renown with collectors and design lovers all over the world. 

Find an extensive collection of antique Limoges porcelain on 1stDibs.

Reflecting the final era of royal opulence before the upheaval of the French Revolution, antique Louis XVI furniture features more angular shapes than the Rococo curves of the Louis XV style, harkening back to the imposing grandeur of Louis XIV.

Dating between 1750 and 1800, an era that overlapped with the last king of France whose reign was cut short by the guillotine, Louis XVI furniture, known as the goût grec, is emblematic of the neoclassical revision that French furniture underwent during the second half of the 18th century.

Authentic Louis XVI furniture characteristics include clean lines and carved details such as scrolls and acanthus flourishes that were inspired by ancient Greece and Rome. This was informed by a burgeoning interest in antiquity in the 18th century, owing to new archaeological excavations at sites including Pompeii and Herculaneum. It largely eclipsed the more East Asian–influenced ornamentation of Louis XV for something more geometric and symmetrical.

The Louis XVI style was defined by what was being created for the palatial rooms at Versailles and Fontainebleau, particularly for the queen, with cabinetmaker Jean-Henri Riesener being a favorite of Marie-Antoinette’s for his luxurious pieces accented with gilded bronze and marquetry. Furniture maker Jean-Baptiste-Claude Sené was also a major designer of the period, with his pieces for the royal residences adorned with giltwood and neoclassical touches like tapered columns for chair legs and laurel leaf carvings. Cabinetmaker Adam Weisweiler occasionally incorporated into his furniture porcelain panels produced by Sèvres, a popular manufacturer of European ceramics that served the crown with serveware, vases and other decorative objects.

Find a collection of antique Louis XVI seating, tables, cabinets and other furniture on 1stDibs.

If you have jewelry, chances are you have an antique, new or vintage jewelry box. This simple item was born from a simple need. It offers jewelry lovers a place to store their most cherished treasures. The idea behind a good jewelry box is that precious items deserve a place of honor.

It’s no surprise, then, that jewelry boxes (also called jewelry caskets or trinket boxes) have existed for as long as we’ve worn jewelry. It’s among the most popular decorative boxes we have in our homes, and we can find early versions that date at least as far back as Ancient Egypt. All Egyptians adorned themselves with necklaces, rings, earrings and other accessories, and the era’s jewelry boxes resembled small treasure chests. Later, fine jewelry became cost prohibitive and the only people with jewelry boxes were those who could afford jewelry.

Following the Industrial Revolution, jewelry was no longer made by hand. Mass production and the demand of the growing middle class rendered jewelry more accessible. Jewelry of the Romantic period, which refers to early Victorian jewelry, is reflective of these economic shifts. Jewelry from this time tends to be feminine and ornate, and embellished with seed pearls, coral and turquoise. Naturally, it was stored in elaborate, decorative Victorian-era jewelry boxes that were sometimes crafted from hand-painted porcelain or sterling silver.

Nowadays, jewelry boxes do more than keep jewelry safe and organized. They’re popular collector’s items that have become as treasured as the contents themselves. An eye-catching vintage jewelry box, which is at least 20 but less than 100 years old, is a valuable decorative object, a sign of luxury and elegance that adds character and texture to any bedroom. Some jewelry boxes are even embellished with a few jewels of their own.

If you’re not tucking your jewelry into a drawer or shallow tray atop your vanity, perhaps an Art Deco trinket box with charming brass hardware or a sculptural, hand-carved rosewood mid-century modern jewelry box lined with linen and velvet will do?

Today’s jewelry boxes come in a variety of styles and sizes and are made of metal, wood, plastic and other materials. Give your cherished jewelry the good home it deserves — find an extensive collection of antique, new and vintage jewelry boxes today on 1stDibs.