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Mabel Oliver Rae

Mabel Oliver Rae: Selwyn College, Cambridge
Located in London, GB
left, and titled in pencil lower right. Initialled 'MR' in plate. Mabel Oliver Rae was born in
Category

1920s Modern Landscape Prints

Materials

Etching

Mabel Oliver Rae: Clare Bridge, Clare College, Cambridge
Located in London, GB
pencil lower left, and titled in pencil lower right. Mabel Oliver Rae was born in Cambridge
Category

1920s Modern Landscape Prints

Materials

Etching

Mabel Oliver Rae: Chapel Court, Sidney Sussex College, Cambridge etching
Located in London, GB
-signed in pencil lower left, and titled in pencil lower right. Signed "MR" in plate. Mabel Oliver Rae
Category

1920s Modern Landscape Prints

Materials

Etching

Westminster School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who specialized in
Category

Early 20th Century Naturalistic Landscape Prints

Materials

Etching

Mabel Oliver Rae, Trinity College Cambridge Great Court Etching (c.1920)
Located in London, GB
cannot find the view you want. Mabel Oliver Rae (1868-1956) Trinity College Cambridge, Great Court c
Category

1920s Modern Landscape Prints

Materials

Etching

Mabel Oliver Rae: Chapel Tower of St John's College, Cambridge etching
Located in London, GB
-signed in pencil lower left, and titled in pencil lower right. Signed "MR" in plate. Mabel Oliver Rae
Category

1920s Modern Landscape Prints

Materials

Etching

Tom Tower, Christ Church College, Oxford etching by Mabel Oliver Rae
Located in London, GB
seen from Pembroke Square, with the college crest below. Mabel Oliver Rae was born in Cambridge
Category

1920s Modern Landscape Prints

Materials

Etching

St Paul's School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who specialized in
Category

Early 20th Century Naturalistic Landscape Prints

Materials

Etching

Mabel Oliver Rae, Etching of Kings College Cambridge from the Meadow (c.1920)
Located in London, GB
cannot find the view you want. Mabel Oliver Rae (1868-1956) Kings College, Cambridge (view from the
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Christ's College Cambridge etching c. 1920 Mabel Oliver Rae print
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae ((1868-1956) Christ's College
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Wadham College Oxford University etching c. 1920 Mabel Oliver Rae
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae (1868-1956) Wadham College
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Merton Tower Oxford University etching c. 1920 Mabel Oliver Rae
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae (1868-1956) Merton Tower Oxford
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Bridge of Sighs, St John's College, Cambridge etching by Mabel Oliver Rae
Located in London, GB
cross the River Cam, and the only College bridge built in the Victorian Gothic style. Mabel Oliver Rae
Category

1920s Modern Landscape Prints

Materials

Etching

Christ's College Cambridge Hall etching c. 1920 Mabel Oliver Rae print
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae ((1868-1956) Christ's College
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Pepys Library Magdalen College Cambridge etching c. 1920 Mabel Oliver Rae
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae (1868-1956) Pepysian Library
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

All Souls College Oxford University etching c. 1920 Mabel Oliver Rae
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae (1868-1956) All Souls Oxford
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

King's College Cambridge from the Meadow etching c. 1920 Mabel Oliver Rae Backs
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae ((1868-1956) King's College
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

St John's College Cambridge etching c. 1920 Mabel Oliver Rae Bridge of Sighs
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae ((1868-1956) St John's College
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

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Materials

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Located in Melbourne, Victoria
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Category

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Recent Sales

St Edmund Hall Oxford etching c. 1920 Mabel Oliver Rae print
Located in London, GB
us a message if you cannot find the view you want. Mabel Oliver Rae ((1868-1956) St Edmund Hall
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Gate of Honour, Caius College, Cambridge
Located in Santa Cruz, CA
Monogrammed in plate, 'M.R.' and signed 'by M. Oliver Rae' lower left; titled 'Gate of Honour
Category

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Materials

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Mabel Oliver Rae For Sale on 1stDibs

Surely you’ll find the exact mabel oliver rae you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Finding the perfect mabel oliver rae may mean sifting through those created during different time periods — you can find an early version that dates to the 20th Century and a newer variation that were made as recently as the 20th Century. If you’re looking to add a mabel oliver rae to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of gray, beige and more. Artworks like these — often created in etching — can elevate any room of your home.

How Much is a Mabel Oliver Rae?

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a mabel oliver rae in our inventory may begin at $120 and can go as high as $409, while the average can fetch as much as $246.

A Close Look at modern Art

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.