Melchior Lundberg

With clean lines and muted colors, antique Gustavian furniture is understated and elegant. It represents a more restrained version of the transition from Rococo to neoclassicism that was happening in France under Louis XVI. The style developed under Swedish King Gustav III, who reigned from 1771 until his assassination in 1792, and his son Gustav IV, who ruled until 1809. Although Gustavian furniture is mostly used to refer to pale painted cabinets, commodes, armchairs and other items, it involved a range of influences.

Gustavian-style furniture was inspired by discoveries at Pompeii and Herculaneum as well as the grandeur of European palaces like Versailles, with local softwoods such as pine and birch. There was also an emphasis on natural light; crystal chandeliers and large mirrors played a role in radiating the fleeting daylight of winter, giving it a distinctive aesthetic.

Where earlier furniture was curvy and florid, this new era was more architectural, with tapered and fluted legs and rectangular and oval shapes. Luminous gilt contrasted with the palette of soft blues on upholstery and painted surfaces. Leading furniture builders included Gottlieb Iwersson, Louis Masreliez and Erik Öhrmark. The latter, a French-born Swedish decorator, designed the Sulla chair, a seat that was demonstrative of technical skill and precise craftsmanship and drew on Greek klismos chairs. Masreliez’s Sulla chair was made by Öhrmark and featured decorative ornamentation produced by Jean-Baptiste Masreliez, Louis’s younger brother.

While the wealthy had furniture carved with neoclassical details like scallops and rosettes, more affordable options were adorned with faux finishes that mimicked marble and stenciled patterns. The simple elegance of Gustavian furniture would have a long impact on Swedish design, informing the 20th-century appreciation for function and form. In the 1950s, IKEA mass-produced copies of a Gustavian commode designed by cabinetmaker Georg Haupt, who created pieces for the Royal Palace, making the furniture a fixture of everyday Swedish life.

Find a collection of antique Gustavian seating, tables, decorative objects and other furniture on 1stDibs.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.