Mineral Pigments On Silk

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

of "Tosa School" painted with mineral pigments on vegetable on golden silk , early 19th century.The

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

various media into acrylic on canvas.  Instead of wall fresco, or ink and mineral pigments on paper or

Knitting the Chaos is a 2019 work by Maki Kuchida. Maki paints using mineral pigments on silk, a

layers of pigments. Maki paints using mineral pigments on silk and the work is then laminated on

mineral pigments on silk and the work is then laminated on Japanese paper. Maki's work gives a dreamy and

mineral pigments on silk. This work is framed in Italy, artwork size is 18x26cm, framed size is 42x53cm

mineral pigments on silk. This work is framed in Italy, artwork size is 18x26cm, framed size is 42x53cm

mineral pigments on silk. This work is framed in Italy, artwork size is 18x26cm, framed size is 42x53cm

mineral pigments on silk. This work is framed in Italy, artwork size is 18x26cm, framed size is 42x53cm

of pigments. Maki paints using mineral pigments on silk and the work is then laminated on Japanese

on silk for one color requires at least 8 layers of pigments. Maki paints using mineral pigments on

least 8 layers of pigments. Maki paints using mineral pigments on silk and the work is then laminated

media materials like mineral pigments, color inks, and gold leaves. In one of her debut series

Sugibayashi. Meiji period painting (1868-1912) in mineral pigments on silk with a silk brocade border.

Verdant landscape of mountains and rolling foothills shrouded in mist. Mineral pigments on silk

Verdant landscape of mountains and rolling foothills shrouded in mist. Mineral pigments on silk

Mineral pigments on silk, by Tanino Yoshito. One of a pair, sold separately or together.

Japanese tit in red pine with lichen, mineral pigments on silk, signature reads: Bisho (seal

Mineral pigments on silk, by Tanino Yoshito. One of a pair, can be sold separately or together.

cherry trees and a rocky coast line. Signature reads: Biyu. Mineral pigments on silk.

Beautifully painted in mineral pigments, on silk, depicting a fishing boat with wild grasses

. Beautifully painted mineral pigments on silk. Seal reads: Tominaga Reiho.

provokes a western influence. Mineral pigments on silk. Signature reads: Insai.

wildflowers, including blue colored bell flower. Painted in mineral pigments on silk with gold dust and a

using mineral pigments on silk and the work is then laminated on Japanese paper. Maki's work gives a

). Mineral pigments on silk. Artist signature reads: Kosetsu 67 3/4" H. x 74 1/2" L. 172 H x 189.2 L

clouds, painted in mineral pigments on silk. Signature and seal read, Noritake. Pair available, sold

using mineral pigments on silk and the work is then laminated on Japanese paper. Maki's work gives a

using mineral pigments on silk and the work is then laminated on Japanese paper. Maki's work gives a

applied aluminum leaf and painted with mineral pigments on silk and the work is then laminated on Japanese

separately. Signature and seal read: Tojo. Tojo was a student of Takeuchi Seiho. Mineral pigments on silk

underwater rock on the right panel. Wonderful soft painting in mineral pigments on silk with a red lacquer

was a student of Takeuchi Seiho. Mineral pigments on silk with a silk brocade border and a black gloss

temple, and in the background is Kyoto and the Higashiyama Hills. Mineral pigments on silk mounted on

pigments on silk with a black lacquer frame.

Japanese two panel screen, ‘Early Autumn Maple and Flowers’ mineral pigments on silk, with

using mineral pigments on silk and the work is then laminated on Japanese paper. Maki's work gives a

for one color requires at least 8 layers of pigments. Maki paints using mineral pigments on silk and

, early fall Mineral pigments on silk Seal reads: Tosen. Kabata Tosen (1897-1985). From Kyoto

. Maki paints using mineral pigments on silk and the work is then laminated on Japanese paper. Maki's

of pigments. Maki paints using mineral pigments on silk and the work is then laminated on Japanese

painted mineral pigments on silk. Fine condition. Smaller size makes this lovely one conveniently

on silk for one color requires at least 8 layers of pigments. Maki paints using mineral pigments on

skillfully and tastefully rendered in mineral paint pigments on silk. The red lacquered wood perfectly frames

Rimpa school painting. Mineral pigments on gold leaf with silk brocade border and black trim

Pair of two panel screens with a rooster and a hen in amongst bamboo. Signed by the artist Ema Saiko 1787-1861. A Japanese painter, poet and calligrapher celebrated for her Chinese...

Ink (Sumi) on paper. Signature and Seal read: Kishi Ganku It is backed with paper covered in gold and silver flake. Kishi Ganku (1749 or 1756-1839) was the Edo period founder of the ...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x...

Kano School painting in mineral pigments on mulberry paper with heavy gold leaf and a silk brocade border made of antique monk's robes.

By rivers edge at sunrise. By: Muta Akira. Mica paint on canvas. Exhibited in the 1960 Nitten exhibition.

A pair of 17th Century (Late 1600s) Japanese Edo screens made of 12-panels. This folding silk screen is painted on a gold leaf background. It has a silk border and lacquered-wood fra...

Modern painting of the moon through a bamboo grove. Mineral pigments on silver.

Edo period (dated 1787) beautiful painting of unfurling palm leaves with romping puppies in the background. Ink painting (sumi-e) on mulberry paper. Signature reads: Okyo. Calligraph...

Moon and bamboo in ink on gold paper with red and black lacquered negoro frame. (Meiji period) Calligraphy reads: Beauty in ink painting with standing woods and branches, like in par...

Kano School painting of a bamboo grove with blooming flowers and gold dust mists. Painted in mineral pigments on mulberry paper with gold dust and a silk brocade border.

Sesshu-style painting in ink on mulberry paper with gold dust accents and a silk brocade border.

Ink painting of bamboo on nicely patinated silver leaf. Dated 1919, Signature reads: Seikoku.

Dramatic and beautifully executed cherry blossoms trickle down the two panels with natural willows calmly coexisting with luminous gold dust fading to the ground. Mineral pigments an...

Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper seal: Mitani Lower seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75...

Ink on gold leaf with a silk brocade border. Signature reads: Nakajima Raishou (1796-1872). Student of Maruyama Okyo (one of Japan's most famous artists).

Kano School painting, reminiscent of early Kano School paintings, in sumi (ink) and minimal pigments on gold leaf with a silk brocade border.