Moller 80a Stool

Working in rich woods to create durable furniture that is today recognized for its elegant simplicity and solid craftsmanship, Niels Otto Møller was one of the original designers of the famed Scandinavian modern movement that swept through postwar Europe and, eventually, the United States.

At the age of 19, Møller studied to be a cabinetmaker, gaining a strong affinity for working with natural materials. He furthered his education at the local design academy in his hometown of Århus, Denmark, where, in 1944, he established J.L. Møllers Møbelfabrik. Møller’s first chair — called simply No. 1 — was introduced in 1946. In 1961, he expanded his thriving business by opening a factory in Højbjerg, producing his popular dining chairs as well as armchairs, lounge chairs, tables and more. Rather than unnecessary ornamentation, he focused on a warm and more minimalist approach that valued function over form. Nearly all of his pieces, from the 1962 Model 78 chair to his simple tables, feature gentle curves formed from woods such as rosewood and teak (a sought-after material among furniture designers of the time).

Though the furnishings boasted a contemporary look and were a departure from the ornate designs of the recent past, Møller’s company crafted all of them using traditional, age-old techniques. For instance, the 1959 Model 77 side chair’s seat is handwoven using a single 425-foot-long cord. Today, the Danish furniture designer’s refined pieces continue to be as sought after as they were when mid-century modernism was in full swing.

The company, still based in its original factory, remains a family business, now headed by Møller’s granddaughter, Kirsten Møller. Along with new pieces, they craft the celebrated original designs, from raw wood to finished assembled products, that made J.L. Møllers Møbelfabrik a renowned name in Danish Modern design.

Find a collection of vintage Niels Otto Møller furniture on 1stDibs.

Stools are versatile and a necessary addition to any living room, kitchen area or elsewhere in your home. A sofa or reliable lounge chair might nab all the credit, comfort-wise, but don’t discount the roles that good antique, new and vintage stools can play.

“Stools are jewels and statements in a space, and they can also be investment pieces,” says New York City designer Amy Lau, who adds that these seats provide an excellent choice for setting an interior’s general tone. 

Stools, which are among the oldest forms of wooden furnishings, may also serve as decorative pieces, even if we’re talking about a stool that is far less sculptural than the gracefully curving molded plywood shells that make up Sōri Yanagi’s provocative Butterfly stool. 

Fawn Galli, a New York interior designer, uses her stools in the same way you would use a throw pillow. “I normally buy several styles and move them around the home where needed,” she says.

Stools are smaller pieces of seating as compared to armchairs or dining chairs and can add depth as well as functionality to a space that you’ve set aside for entertaining. For a splash of color, consider the Stool 60, a pioneering work of bentwood by Finnish architect and furniture maker Alvar Aalto. It’s manufactured by Artek and comes in a variety of colored seats and finishes.

Barstools that date back to the 1970s are now more ubiquitous in kitchens. Vintage barstools have seen renewed interest, be they a meld of chrome and leather or transparent plastic, such as the Lucite and stainless-steel counter stool variety from Indiana-born furniture designer Charles Hollis Jones, who is renowned for his acrylic works. A cluster of barstools — perhaps a set of four brushed-aluminum counter stools by Emeco or Tubby Tube stools by Faye Toogood — can encourage merriment in the kitchen. If you’ve got the room for family and friends to congregate and enjoy cocktails where the cooking is done, consider matching your stools with a tall table.

Whether you need counter stools, drafting stools or another kind, explore an extensive range of antique, new and vintage stools on 1stDibs.