Polish Folk Art

Unique card holder composed of two original small-scale folk art paintings depicting figures with card suits by Polish artist, Irena Makowey, protected by two glass inserts to front ...

The fish-women or mermaid has been a symbol of the City of Warsaw, Poland since 1622. This box made around the beginning of the 20th century has a lot going on. Brass inlay 3 x W for...

This rare and whimsical 19th-century nutcracker from Poland is crafted from solid cast iron and takes the form of a stylized cockatoo. A nut can be placed in the bird’s beak to be cracked, while a second functional element is integrated into the center of the body – making it a playful yet practical object. The detailed shaping of the feathers and the expressive form reflect the fine craftsmanship of the period and lend the piece a sculptural quality that elevates it far beyond a mere kitchen tool. Nutcracker collecting is a rich and varied field within the world of antiques. While the brightly painted wooden figures from the Erzgebirge are widely known, earlier examples were often made of metal and featured imaginative animal or human forms. Iron nutcrackers...

Brass Hanukkah lamp Menorah, Poland, circa 1810. Cast in Bench form, on four feet. The backplate is cast and pierced featuring scrollwork. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...

This charming vintage wooden figurine, signed "S. Wodynski" on the underside, portrays a bearded man in a long coat and wide-brimmed hat, holding a walking stick. The character appea...

Cast brass Hanukkah Lamp, Galicia, 18th century. The backplate is cast and pierced featuring dense scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah Lamps that bear two servant lights (as opposed to the singular servant light normally found on a Chanukah Lamp), served a purpose, having been used on one of the days that Chanukah fell on the Sabbath, as Sabbath Candlesticks. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...

The backplate is cast and featuring a deer in the center surrounded by open scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah lamps that bear two servant lights (as opposed to the singular servant light normally found on a Hanukkah Lamp...