Pucci Jana

By the mid-1960s, the international fashion press, enamored of his dazzling scarves and slithery dresses in sensuous psychedelic silk jersey, had dubbed Florentine designer Emilio Pucci the Prince of Prints. Less well known is that, starting in the early 1950s, Pucci applied his colorful, abstract patterns to static angular mediums such as ceramics, floors and furniture, imbuing them with movement, not to mention glamour. He was the first fashion designer to enter the lifestyle market, founding the successful brand that exists today.

Born in 1914 to one of Italy’s oldest noble families, Emilio Pucci, Marchese Pucci di Barsento, was a member of the postwar international jet set, hopping from beach to mountain to city. His fashion career began unexpectedly in 1947, when he created a revolutionary stretch ski outfit that was photographed on the Swiss slopes for Harper’s Bazaar.

Eschewing a life of aristocratic glamour, the self-taught Pucci opened a boutique on Capri dedicated to simple resort clothing (think capri pants) that evoked the Mediterranean’s undulating waves and refreshingly bright colors. At the time, luxury fashion was as constricted as a Dior cocktail dress, but the Swinging Sixties were on the horizon. Signed with what Vogue International editor Suzy Menkes calls a “handwritten ‘Emilio’ flourish” — a concept, she points out, as novel as that of designer ready-to-wear — his designs were soon seen on celebrities like Jackie Kennedy and Marilyn Monroe.

From the airline uniforms he created for Braniff in the 1960s to the emblem he crafted for the Apollo XV space mission in 1971, Pucci’s designs were visionary. In spite of his traditional roots (or because of them), the Prince of Prints was forward thinking and outward looking. Pucci put his signature flourish on patterns that were flexible — first for fashion, then for furnishings and objects. Whether on fabric or foam, shelves or sails, as he first explained some 70 years ago, the ornamental designs work in “continuous motion.” Venturing into nontraditional design partnerships, he laid the groundwork for a future brand, a classic legacy that his daughter Laudomia Pucci continues today.

Find vintage Emilio Pucci evening dresses, scarves, skirts and other clothing and accessories on 1stDibs.

An integral part of fashion, handbags and purses have been indispensable accessories ever since we began to carry around personal items. Level of craftsmanship, style and shape matters — from coin purses in ancient Greece to early 20th-century opera bags and onward, handbags have evolved considerably over the years to meet our needs and desires, whether or not you happen to be prioritizing functionality over a flashy exterior.

Once, a single “It” handbag ruled each fashion season. No more. Today, lovers of vintage handbags are savvier and have a wider range of shopping options. Nevertheless, classics created by the likes of Louis Vuitton, Dior and Balenciaga still rule.

“It is not a fashion bag — it is a statement bag,” says Mightychic's Debra Kent of Hermès's widely beloved accessories. “When you carry an iconic Hermès bag — Birkin, Kelly, Constance — no one knows how long you have been into this culture or if you are a newbie. Your status is validated immediately.”

First released in 1997, Fendi's Baguette rose to fame along with Carrie Bradshaw, the Sex and the City character portrayed by Sarah Jessica Parker. Recently, the design has seen such a resurgence in popularity that Fendi has reissued it.

They are part of design history, so owning a handbag has meaning. As New York–based fashion historian Sarah C. Byrd says, “You have made the choice to invest in this piece because you understand the value of it in the past and in the future to come.”

From a 1980s Chanel black leather quilted mini buckle bag to the rare Hermès Birkin 30cm Himalayan with diamond hardware to a range of 19th-century bags, find a rich variety of vintage and designer handbags and purses spanning numerous brands on 1stDibs — seasonal “It” designation no longer needed.