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Sottsass Alcor

A Memphis Milano Alcor glass vase designed by Ettore Sottsass
A Memphis Milano Alcor glass vase designed by Ettore Sottsass

A Memphis Milano Alcor glass vase designed by Ettore Sottsass

By Ettore Sottsass

Located in Oxford, GB

A Memphis Milano Alcor glass vase designed by Ettore Sottsass, made by Compagnia Vetraria Muranese

Category

Vintage 1980s Italian Post-Modern Vases

Materials

Glass

Alcor Glass Vase, by Ettore Sottsass for Memphis Milano Collection
Alcor Glass Vase, by Ettore Sottsass for Memphis Milano Collection

Alcor Glass Vase, by Ettore Sottsass for Memphis Milano Collection

By Memphis Group, Memphis Milano, Ettore Sottsass

Located in La Morra, Cuneo

The Alcor Glass Vase was designed by Ettore Sottsass in 1983 for Memphis. Signed on the base

Category

21st Century and Contemporary Italian Modern Vases

Materials

Glass

Recent Sales

Alcor Ettore Sottsass for Memphis Milano
Alcor Ettore Sottsass for Memphis Milano

Alcor Ettore Sottsass for Memphis Milano

By Ettore Sottsass

Located in Shibuya-ku, Tokyo

Alcor by Ettore Sottsass for Memphis Milano in 1983. Vintage model. The mark on bottom tells

Category

Vintage 1980s Italian Post-Modern Glass

Materials

Murano Glass

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Ettore Sottsass for sale on 1stDibs

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century. He was a wild man of the Radical Design movement that swept Italy in the late 1960s and ’70s, rejecting rationalism and modernism in favor of ever-more outrageous imaginings in lighting and furniture such as mirrors, lamps, chairs and tables.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. 

The Memphis Group mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals. 

Sottsass created innovative furnishings for the likes of Artemide, Knoll, Zanotta and Poltronova, where he reigned as artistic director for nearly two decades beginning in 1958. His most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most inspired and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

Sottsass left the Memphis Group in 1985 in order to concentrate on the growth of Sottsass Associati, a design and architecture consultancy he cofounded in 1980. 

It was as an artist that Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Find Ettore Sottsass lighting, decorative objects and furniture for sale on 1stDibs.