Statuary Marble Sculptures

A hand-carved white marble head of a satyr (or faun) in the Neoclassical style. The figure is depicted with characteristic caprine features, including recurved ribbed horns, a furrow...

An antique Carrara marble sculpture “Venus Italica” after Antonio Canova (1757-1822) Made in Italy during the 19th century. When the Medici Venus was forcibly removed from the Tribuna of the Uffizi by Napoleon’s forces, King Louis I of Etruria commissioned Antonio Canova to replace the figure. True to nature, Canova submitted a wholly original figure to rival the antiquity, despite originally being asked to sculpt a copy. Canova’s Venus...

Psyche revived by Cupid’s kiss. After Canova. Beautifully carved in fine statuary marble. The winged young man who has just landed on a rock where a ...

Well crafted erotic art piece is white carrera marble depicting a phallus. The item is of a substantial size and realistic in form to create an interesting sculptural piece.

A Life-size White Marble Bust of the Capuan Venus By Gaetano Rossi After The Antique, On Pedestal. On a green scagliola and marble pedestal. Signed and dated ‘G.NO Rossi, 1876’. D...

A white statuary marble sculpture of the bathing Venus after the antique, sourced from the estate of the late David Cornwell, best known at the author John le Carré. Dating to circa...

An antique over life-size bust of Venus. Thanks to her scale, this Neoclassical style handcarved marble sculpture of Venus, Roman goddess of love and beauty, is very striking. Charac...

8-102 cast marble stone sculpture designer by Vincent Glinsky in 1930s Original sculpture done in 1930 Newly cast in Italy 1960s Russian born/American artist 1895-1975.

Rose blossom sculpted entirely by hand starting from a solid block of white statuary marble. Dimensions: D 12 x H 12 cm. Available in different marbles, ...

A refined sculpture, entirely handcrafted from a single block of fine Statuario marble. Each piece begins with the careful selection of the marble, chosen for the purity of its tones...

A Very Fine, Large and Charming Italian Late 19th to early 20th-Century Carrara Marble Sculpture Group Titled “The Village Celebration” by Professor Antonio Garella (Italian, 1863-1919). The intricately, impressive and exceptionally carved statuary marble group depicting a joyful dancing and singing group of Italian villagers, in a lively embrace, holding hands and arms. The happy celebratory scene includes a figure playing an accordion, another holding a wicker basket, and a hunter with a rifle slung over his back, accompanied by his hunting dog. The sculpture is elegantly mounted on a swiveling, carved green marble pedestal. Signed: Profre A. Garella – Galleria P. Bazzanti, Firenze. Circa: Florence, 1900. Antonio Giuseppe Garella (1863–1919) was an Italian sculptor renowned for his work in marble, alabaster, and bronze during the late 19th and early 20th centuries. Born in Ferrara (some sources cite Bologna), he trained at the Accademia di Belle Arti in Florence and in Bologna before establishing himself in Florence, where he became a prominent figure in the city’s artistic community. Often referred to as "Professor Antonio Garella," he was closely associated with the Galleria P. Bazzanti, a prestigious hub for sculpture sales and exhibitions. Garella’s career spanned the fin-de-siècle period, blending neoclassical influences with romantic, narrative themes inspired by everyday Italian life and classical antiquity. His sculptures, known for their intricate carving and emotional expressiveness, include lively portrayals, as seen in The Village Celebration. Other notable works include The Love Letter, a white marble figure of a young woman reading, evoking tender emotion; La Notte (The Night), a nude sculpture of a flying maiden above an orb; Diane of Gabii, a life-size marble inspired by classical antiquity; and Apollo and Daphne, a large marble sculpture modeled after Gianlorenzo Bernini’s 17th-century masterpiece in the Borghese Villa, Rome. In Apollo and Daphne, drawn from Ovid’s Metamorphoses, Garella captures the myth of the chaste nymph Daphne, pursued by the young god Apollo, who is bewitched by Cupid to fall in love with her. As Daphne prays to her river-god father to escape Apollo’s advances, she transforms into a laurel tree. Garella, like Bernini, sensitively carves Daphne’s feet and hands morphing into leaves and branches, while Ovid notes that Apollo can still feel her heart beating beneath the bark. Garella’s monumental commissions further highlight his prominence, including a 1904 statue of Garibaldi in Pistoia and two statues, L’Architettura and La Musica, for the Vittorio Emanuele II Monument in Rome. Though not as celebrated as Antonio Canova (1757–1822), Garella significantly contributed to Florence’s marble sculpture tradition, bridging academic styles with emerging 20th-century trends and influencing decorative arts. His masterpieces, often crafted through ateliers like Galleria P. Bazzanti, remain highly valued in European and American private collections, with limited auction records due to their scarcity in the antiques trade market. Related Literature: A. Panzetta, Nuovo dizionario degli scultori italiani, Turin, 2003, vol. I. Museums: • Museo Civico di Prato (Prato Civic Museum) - Prato, Italy Ritratto di Filippino Lippi (Portrait of Filippino Lippi) Bronze and marble bust portraying the Renaissance painter Filippino Lippi (1457–1504), reflecting Garella's skill in portraiture and historical homage. • Fondazione Sgarbi (Sgarbi Foundation; a private cultural institution with museum-like functions, focused on art collections) - Ro Ferrarese, Italy Saffo (Sappho) Polymaterial bust (likely marble and other media) depicting the ancient Greek poet Sappho, emphasizing classical themes. • Muzeum Palac-Herbsta – Łódź, Poland...

Grand Tour Carved Marble Statue of the Empress Livia Drusilla After the Antique. A true depiction of the Classical Statue of Rome's First Empress. Livia Drusilla (30 January 59 BC – 28 September AD 29) was Roman empress...

This late Georgian antique marble statue is after the antique, depicting a scale fragment of the eminent 2nd century statue ‘Sleeping Ariadne’. C...

A mid 19th century statuary marble sculpture of the ‘Dying Gaul’ after the antique. This marble sculpture is a scale depiction of the larger Dying Gaul marble statue, currently loca...

An antique Regency white statuary marble bust of a young Roman man. Dating to 1820, this is an impressive sculpture of a young man, wearing a Roman toga on a round socle base in Reg...

Modern Monique Marble Column, Handcrafted in Portugal - Europe by Greenapple. The Monique marble column, carved from exquisite Calacatta Cremo marble, embodies timeless sophisticati...

JOHN FRANCIS MOORE (D. 1809) A STATUARY MARBLE BUST OF THE RT. HON. CHARLES WOLFRAM CORNWALL (1735-1789), SPEAKER OF THE HOUSE OF COMMONS, LAST QUARTER OF THE 18TH CENTURY. Signed ...

Antique statuary Carrara marble bust depicting a male in the classical Roman portrait style. Life-sized and beautifully carved in the purest of white statuary marble. The bust is of Sir Aubrey DeVere Hunt, 2nd Baronet (1788-1846), with stylized beard and wearing a Roman toga. Hunt was an Anglo-Irish...

An antique Grand Tour style carved white statuary marble plaque. Dating to circa 1830, this elegant tablet depicts an expertly handcarved Neoclassical scene. A woman reclines on el...

A large 18th century Italian white statuary marble portrait medallion from the workshop of Orazio Marinali (1643-1720). One of two similar marble medallions we are selling, this pie...

A large 18th century Italian white statuary marble portrait medallion from the workshop of Orazio Marinali (1643-1720). One of two similar marble medallions we are selling, this pi...

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. Here, ...

A scale white statuary marble sculpture of Moses after Michelangelo circa 1875. After the larger than life-size Carrara marble original from the tomb of Pope Julius II in St. Peter’s Basilica, Rome completed around 1515. This scale sculpture is exceptionally carved, capturing the quality and detail of Michelangelo’s Moses...

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. A mythi...

A pair of mid 19th century statuary marble plaques depicting winged angels. In ecclesiastical and Victorian styles, this elegant pair show handcarved angels swinging thuribles, a rel...

A finely carved statuary white marble bust of a young Augustus Caesar attributed to the workshops of 19th century Italian sculptor Pietro Tenerani (1789-1869). Also known as Young Octavian, this bust of a young Roman Emperor Augustus Caesar is after a sculpture found in the Pio Clementino Museums of the Vatican. Carved with exceptional detail, the bust is elevated on a turned socle and bears the name ‘TENERANI’ to the front. Other busts like this one after the Vatican original of the former Emperor Augustus were sculpted in the Mid-18th Century. Pietro Tenerani (1789-1869) was a notable Italian sculptor of the early 19th century. In his early career, he trained under Italian sculptor Lorenzo Bartolini, before moving to Rome where he won a scholarship as a pupil of Danish sculptor, Bertel Thorvalsden. Having honed his skills, Tenerani worked from a studio of his own in later years. William Cavendish, 6th Duke of Devonshire, Queen Victoria and Pope Pius IX...

A late 19th century Italian statuary marble sculpture of a neoclassical maiden wearing a headdress and carrying two ceremonial torches or standard bearers as if in procession. She is...

Marble and broze Artemisa sculture, signed Pugi, Italy, circa 1870. Statuary, Breccia and Siena marble and bronze. By Guglielmo Pugi (1850-1915) With breccia marble pedestal. Scul...

A near life size carved marble figure of the Crouching Venus. This late 19th century copy of the iconic Hellenistic original bases its form on the crouching Venus on permanent displa...

An antique English Georgian statuary white marble bust of a scholarly gentleman circa 1790, on an associated period breccia violette marble socle. Exceptionally carved, the gentlema...

Italian, early 18th century A bust of a woman wearing a Diadem Statuary marble Measure: 31 in. (79cm) high.

"Highland Mary" (also known as Highland Mary or a portrait of Mary Campbell) Carved White Marble Sculpure by Benjamin Edward Spence (British, 1822–1866). A fine full-length, life-size neoclassical carved statue depicts the subject of Robert Burns’s poem Highland Mary (Mary Campbell), shown as a young woman standing in a contemplative pose. The sensual carved figure with a gentle contrapposto stance, weight resting on her left leg, right foot slightly advanced, and her head tilted downward with a solemn, introspective gaze. Her hair is centrally parted and styled in soft classical waves framing the face. She wears a long, fitted floor-length gown with a buttoned bodice and full skirt falling in graceful folds, over which is draped an asymmetrically arranged, heavily fringed plaid shawl (tartan implied through carved texture). Both hands are clasped together at her chest in a reflective gesture, fingers gently interlaced. She wears simple low-heeled slippers. The sculpture stands on a plain circular marble plinth. The work exhibits the refined carving and smooth finish characteristic of Spence’s mid-19th-century neoclassical style, with particular attention to the soft drapery, fringe details, and textural contrast between fabric and skin. Multiple versions of Highland Mary are known (including examples in the Royal Collection, Walker Art Gallery, Liverpool, and Sefton Park Palm House), with minor variations in pose and attributes; the present example corresponds to the clasped-hands composition. Signed: B.E. SPENCE Ft. ROMAE - 1862 Provenance / Literature note: Frequently exhibited and replicated during the Victorian period as one of Spence’s most celebrated works, inspired by the tragic romance between Mary Campbell and the poet Robert Burns. Benjamin Edward Spence (1822–1866) was a 19th century English sculptor, who spent much of his professional life in Italy. He was born in Liverpool in December 1822, the son of William Spence, a sculptor who later in life became a partner in a business house in Liverpool, and gave up the profession. In 1846 he was awarded the Heywood silver medal and a cash prize by the Royal Manchester Institution for a group in clay of the death of the Duke of York at the battle of Agincourt. His father was persuaded by John Gibson to send Edward to Rome. There he entered the studio of Richard James Wyatt, and also received help from Gibson. He died at Livorno (then known as Leghorn) on 21 October 1866. Between 1849 and 1867 Spence contributed to the exhibition of the Royal Academy five times: in 1850 with "Ophelia", in 1856 "Venus and Cupid", in 1861 "Hippolytus", and in 1867 "The Parting of Hector and Andromache". He contributed "Highland Mary" to the Exposition Universelle 1855, and two works, "Finding of Moses" and "Jeanie Deans before Queen Caroline", to the International Exhibition 1862. A number works of his that were not exhibited in England were engraved for the Art Journal. Works: • Highland Mary 1853, Buckingham Palace • Venus and Cupid, Philadelphia Museum of Art • Statue of Lavinia for Mr Holmes of Liverpool (1849) • Statue of Ophelia for Thomas Brassey MP (1850) • Tomb of Richard James Wyatt in the Protestant Cemetery, Rome (1851) • Highland Mary at Osborne House (1854) • Bas relief in a monument to Ann Catherine Jane Smith...

An antique Italian white statuary marble sculpture of Dirce after Lorenzo Bartolini (1777-1850). This beautiful marble is carved after one of Lorenzo Bartolini's most successful scu...

ITALIAN, EARLY 18TH CENTURY A BUST OF A WOMAN WEARING A DIADEM Statuary marble

After Francois Duquesnoy. EROS SLEEPING, STATUARY MARBLE ON A PORTOR MARBLE BASE, 18TH CENTURY.

A mid 19th century antique statuary white marble sculpture of a youth wearing a toga, possibly a young St. John the Baptist in the manner of Italian n...

A large early 19th century Italian statuary marble plaque depicting a reclining cherub or putto, formerly owned by the 1st Earl of Mountbatten. Expertly carved in deep relief, this p...

A mid 18th century Grand Tour white statuary marble relief of a Roman emperor, possibly Augustus Caesar, presented on a custom-made steel stand as pictured. Deeply carved in relief,...

WORKSHOP OF SIR FRANCIS CHANTREY (1781-1841) A BUST OF SIR WALTER SCOTT (1771-1832) Statuary marble

Workshop of Sir Francis Chantrey (1781-1841) A bust of Sir Walter Scott (1771-1832) Statuary marble Measures: 30in. (76cm) high.

Signed Art Nouveau Weathered Statue of a Dancer circa 1960 Statue of a Dancing Maiden Sculpted in White Marble Signed Papini A signed marble “di latte” (crushed composite marble) ...

A reclaimed 20th century Neoclassical style bust of a female figure, the head in Statuario marble with hair back and up, the tunic in a variegated coloured marble, supported on an Em...

Modern Monique Marble Column Set of 2, Handcrafted in Portugal - Europe by Greenapple. The Monique marble column, carved from exquisite Calacatta Cremo marble, embodies timeless sop...

The wrestlers, after the antique Statuary Marble Signed dated Located "A Leoni di Firenze Fecit L'ano 1835".  

Classical Greek-Roman style foot carved on beautiful white statuary marble weight kg 6.8 impossible to reproduce an identical copy given the uniqueness of the manufacture. The sculpt...

Dioniso marmo, Bacco marmo, scultura busto Dioniso, busto Bacco Dioniso per i greci , poi Bacco tra i romani rappresentano la stessa divinità del vino, dell'estasi, del teatro e del...

An elegant white marble bust of a woman by Italian sculptor Eduardo Rossi (1867 – 1926). This small female marble bust captures her feminine profile...

marble foot, sculpture foot, classical foot, white statuary marble foot. Classical-style foot fragment sculpture of white statuary marble placed on red travertine base. ▪ Made in Italy

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. Toffol...

An antique Italian white statuary marble sculpture of a dancing faun. Dating to circa 1870, this Neoclassical piece has stood the test of time with various expertly handcarved eleme...

Modern Apolo Bust, Calacatta Bianco Marble, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Apolo bust is a captivating sculptural piece meticulously crafted f...

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. Stande...

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. Made o...

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. Toffol...

Neoclassical, Faux Marble, Seated Angel Busts on Sleighs, Italy, 20th c. A finely carved pair of cherubs each in a seated position made in a composite form. Each ready to be perched...

JOSEPH GOTT R.A. (LEEDS 1786 - ROME 1860) A GREYHOUND BITCH WITH HER PUPPY, SIGNED J. Gott Ft. Statuary marble. Writing in his Guide to the Studios in Rome, published in the year ...

English marble bust of Ludwig Van Beethoven, Late 19th century. Ludwig van Beethoven was a German composer and pianist. A crucial figure in the t...

EDWARD HODGES BAILY (1788-1867) SLEEPING NYMPH incised signature and date E H Baily, R.A. / Sculp. London / 1840 Statuary marble.

English Marble bust of Parliament gentleman displayed on a circular plinth. Signed by maker John Graham Lough, London Mid 19th Century. Lough sculp...

Beautiful 18th century marble bust of Marie-Antoinette, wear and losses consistent with age and use.