One of the world’s foremost jewelry houses, Van Cleef & Arpels is particularly noted for a focus on technical virtuosity, craftsmanship and artistry, evident since its beginning. Rather than create earrings, bracelets, necklaces and other adornments primarily for the aim of displaying of wealth and opulence, Van Cleef & Arpels sought to produce jewelry that projected the wearer’s taste and style.
The company was formed a year after the 1895 marriage of Alfred Van Cleef, the son of a gem cutter, to Estelle Arpels, daughter of precious-stones dealer Salomon Arpels. Ten years later, Van Cleef & Arpels opened its first boutique on the Place Vendôme in Paris, setting the march on a square now crowded with dealers in bijouterie. (The company still occupies the New York flagship store opened in 1939 at Fifth Avenue and 57th Street.)
Born from a union of expertise in both jewelry making and gem selection, Van Cleef & Arpels distinguished itself with both the consistency of the color and clarity of its stones and the creativity of its designs. In doing so, the house would win a roster of dedicated, fashion-conscious clients that included the Duchess of Windsor, Marlene Dietrich, Barbara Hutton, Jacqueline Onassis and Elizabeth Taylor. In 1933, Van Cleef & Arpels patented its trademark Mystery Setting — a technique by which gems are fitted into an intricate matrix of slots and “drawers” that keep the setting hidden. Another signal innovation was the Zip necklace, introduced in 1951, which can be worn either around the neck or, with the zipper closed, as a bracelet.
But as much as to the firm’s craftsmanship, clients have been drawn by the insouciance and playfulness of Van Cleef & Arpels designers, as well as their attunement to the cultural climate. After the discovery of Tutankhamun’s tomb in 1922, the company produced several lavish pieces featuring hieroglyphics and other Egyptian motifs to go along with the geometric Art Deco jewelry of that decade and the next. Following World War II, as symbols of freedom and rebirth, the firm focused on naturalistic forms such as birds, flowers, fruit and flying insects. High society’s 1960s fascination with the Near East and India prompted such pieces as the best-selling Alhambra necklace, popularized by Princess Grace.
Lately, attention among collectors and connoisseurs has centered on Van Cleef & Arpels’s quality of workmanship as much as its glamour. The firm was the subject of a 2012 show at the Cooper-Hewitt, Smithsonian Design Museum, as well as exhibitions at the Bowers Museum in Santa Ana, California, in 2013 and at the Musée des Arts Décoratifs in Paris in 2014.
Find an exquisite collection of Van Cleef & Arpels jewelry on 1stDibs.
Can you pull off a vintage pocket watch? Of course you can. With a suit and a waistcoat, a pocket watch can be a refreshing alternative to a wristwatch.
The earliest pocket watches were luxury items, and, owing to cost, they weren’t commonplace until the 19th century. Artfully crafted pocket watches were a symbol of wealth, and manufacturers such as Vacheron Constantin and Patek Philippe became known for theirs. (Today, they’re among the most sought after by collectors and enthusiasts.)
At the onset, pocket watches resembled small round table clocks, and pulling your small round table clock — perhaps of the silver variety — out of your breast pocket in front of someone else demonstrated unequivocally that you cared about punctuality. For collectors, pocket watches are big, and that means a larger canvas provided for functions without crowding the dial. For example, the Marius Lecoultre pocket watch — made circa 1890 — does everything but uncork your wine.
In the late 1800s, the open-face pocket watch became a staple on the American railroad. It was a requirement for railway workers to wear a pocket watch, as the timepieces were responsible for keeping conductors on schedule. This was a boon to the watchmaking industry, with companies like Hamilton, the Elgin National Watch Company and the Waltham Watch Company producing high-grade and workingman’s watches.
By the 1930s, wristwatches comprised the bulk of watch manufacturing in America, superseding the pocket watch. Suddenly, if you wanted to know the time, you merely glanced at your wrist. But given their vintage charm and our general appetite for good design, pocket watches are a piece of statement-making jewelry and today can prove complementary to your formal attire in a manner that is stylish and unconventional.
Let time take its course — browse a vast selection of antique and vintage pocket watches available on 1stDibs designed by legendary brands such as IWC, Cartier and more.