Adolf Loos Furniture

Designed for the Knize Taylor-shop in Vienna, Paris and Berlin. A three-hole, or a four-hole version is avaliable.

A pendant, Adolf Loos has used several times, for example for the Villa Müller in Praha circa 1930, or before that in the Country House of the Food-manufacturer Kuhner at Kreuzberg n...

Mid Century Modern vintage huge floor lamp or table lamp by VeArt from white murano glass and brass plated metal rods 1960s Italy. While the black wooden base features one E 27 socke...

Coat stand from the famous Looshouse, Michaeler-Platz, Vienna, originally fixed on the wall, for a free-standing Version, the base will be enlarged from now 300mm to 600mm. The upper...

The Anglo-Austrian bank, founded 1864 with British capital, was an Austrian Bank in Vienna. In 1913, the bank had 43 branches. In 1914, Adolf Loos was commissioned with the renovatio...

Chandelier first used in 1899 at the Cafe Museum, later for the apartment of Leopold Goldman, the builder of the famous "Looshaus, Goldman & Salatsch" "in Vienna. This chandelier...

A beautiful Art Nouveau brass wall hook, designed by Adolf Loos, executed by Werkstaette Hagenauer, Vienna, 1910. In very good condition.

Sensational design at the begin of the modern architecture. An original photo with the model# 1446 could be found in the archive of Friedrich Otto Schmidt (FOS). Adolf Loos has had c...

Original and rare Viennese Art Nouveau brass Dodekaeder pendant light designed by Adolf Loos, produced ca 1900 by Friedrich Otto Schmidt. It features beautiful facetted cut pentagon ...

A variation of the classical Brioni chandelier by Adolf Loos 1914, re edtion All components according to the UL regulations, with an additional charge we will UL-list and label our f...

Very elegant coat stand, heavy and stabile. Brass, optionally varnished or nickel-plated, all other surfaces on request. Now manufactured at the Woka Workshop in Vienna.  

Functioning wall clock, model design Adolf Loos, circa 1920, white enameled octagonal metal housing, clear glass in nickel binding (flap missing), black hands and numbers, signs of u...

The famous Viennese architect and designer Adolf Loos was one of the pioneers of modern architecture. In particular, his hollistically designed residential projects, in which he drew up both the building and the interior furnishings, receive special art historical attention today. Loos first used this design, called the "elephant trunk table...

The rigorous style of Michael Anastassiades defines the new SUGILOO bent wood chair with wood or upholstered seat, proposed with and without wooden bac...

A very rare Thonet side-table from the famous Viennese Cafe Museum, designed by Adolf Loos in 1899, already featured in the Thonet Catalogue from 1888 on page 17 as Nr 8 and Nr 9 - s...

Lamp in cubic shape with cutted glass and bronze connections designed by Adolf Loos circa 1915.

A refined and timeless object. Elegance, shape lightness and everyday life. Adolf Loos’s famous chair has today been revived thanks to new production techniques that successfully leave its artisan quality unaltered. Inspired by Thonet catalogue models nos. 14 and 30, and Kohn catalogue model no. 248, the Loos Café...

An icon of industrial design Viennese. The suppleness of the bentwood technique gives shape to an elegant beech structure, that perfectly fulfils its purpose as a coat and umbrella s...

A rare and elegant set of four beautiful and elegantly curved Art Nouveau coat hooks by Adolf Loos, produced in Vienna around 1910. These hooks embody the architect’s celebrated reje...

A great classic that made the history of this brand. Conceived by the company during the second half of the nineteenth century to meet the precise needs of practicality, the n°18 is ...

Simple geometric shapes, a combination of circles and ovals, recreate scenic suggestions that bring to mind the mystical powers of the eye and delineate the outline of the EYESHINE mirrors...

Good condiltion Cleaned.

Pendant lamp by Adolf Loos for VeArt Good condition Thanks

- Carefully refurbished and finish by shellac. - Measures: height of the armrests are 71cm. - height of seat 44 cm.

The great classic. The item that is absolutely the most famous and most sold in the history of furniture. Designed by Michael Thonet in 1860, the No. 14 chair immediately became known as the bistro chair. Minimalist both in the chosen material and the fact that just six elements go into forming the entire item, the No. 14 is the result of almost twenty years of research. Simple, versatile and ever contemporary, it is considered the first true example of industrial design. The structure is formed from carefully steam bent solid beech wood. The backrest and back legs are formed out of a single piece of wood. Various different seats available. Additional Information: Materials: Beechwood with perforated...

Wiener GTV Design enriches their furnishing proposal for the dining room with the large table Ring Dining Table, characterized by a light and elegant...

Adolf Loos elephant trunk table, wood and copper, Austria, 1910s.

A criss-cross design. The essential shape and volumes provide the distinctive trait of the Austrian manufacturer, giving Rehbeintisch an extremely contemporary look. A feeling of sol...

The light and playful circus theme is at the core of the Cirque family of stools designed by Martino Gamper for Wiener GTV Design. The bent element, which is the brand’s signature trait, is surprisingly and unexpectedly inserted in the base of the stool, forming the outline of the seat in the form of a chain comprising two or three wooden rings that loop around the full length of the stool legs. This striking styling effect blends in seamlessly with the functionality of the seat, which is available in two heights: a tall, sleek stool...

Wall coat rack with 3 hooks made of nickel-plated brass (old patina, can be polished) and solid oak wood, designed by Adolf Loos. The wardrobe was made around 1910. Nice old patina

Wall coat rack with 3 hooks made of brass and solid oak, designed by Adolf Loos. The wardrobe was made around 1910. Nice old patina

The refined elegance of the Japanese minimalism by Nendo abstracts from the brands’ stylistic features, in order to reinterpret them in a contemporary light. A rigorous and poetic ap...

The great classic. The item that is absolutely the most famous and most sold in the history of furniture. Designed by Michael Thonet in 1860, the No. 14 chair immediately became know...

Extreme shape synthesis. Minimalism, exclusivity and an eye for detail. The “Postsparkasse” series was designed in 1906 by Otto Wagner for the headquarters of the Post Office Savings...

Three inclined support points, made of steam bent beech, give movement and lightness to a coffee table that can be flexibly used in the various living areas. The top is available in ...

The table, designed by a group of Swedish designers, Front, has a steam bent beech structure, combining its attractive light appearance with the substance of solid wood. The top is made of an ash panel available in two sizes that make the Arch dining table...

MOS is the family of storage units designed by GamFratesi with console, bookcase and side table, which can also be used as a bedside table, that incorporates the style of the bench o...

This chandelier is a vintage rendition of the original, first used in 1899 at the Café Museum, later for the apartment of Leopold Goldman, the builder of the iconic "Looshaus, Goldma...

The Swedish duo Front designs the new PEERS coffee tables. High-end project that marks a new encounter with Gebrüder Thonet Vienna for which the two designers have signed some of the bestsellers of the contemporary collection such as the Hideout lounge chair, the N.0 chair and the Coat Rack Bench...

Designed in 1994, the Hermann Czech chair represents the turning point of modern furniture towards the passion of reminiscence and intimacy: a contemporary design that evokes memories of times gone by. An ideal way of maintaining continuity with the late XIXth century Thonet style. ‘Czech’ adapts the harmony of steam bent beech wood to its pure and abstract design, which is further enhanced by the various finishes available. Solid and hardwearing, this chair is also available in a padded version, with or without armrests. The seat frame is curved from a single piece of wood, and supported by an arched structure giving it greater stability and strength plastic protection caps. Additional Information: Materials: Beechwood with Plywood Seat...

Jugendstil vintage pair of wall hooks or coat hooks by Adolf Loos from nickel plated metal circa 1916 Vienna. A wonderful pair of coat hooks from nickel plated metal by Adolf Loos circa 1916, Vienna. The coat hooks are easy to fix. These coat hooks are great to use as a special collector piece delicacy for your anteroom as well as usable coat hooks...

Martino Gamper suggests a new reading of the concept of informal seat, with the stool TRIO, available in two heights, Trio alto and Trio basso. The tripod structure plays with the brand’s icons, proposing bent wooden elements of different angles, recalling the geometry of the triangle. Three sections of the offset semicircle define the linking support of legs, which holds a triangular seat...

Supple, light, and elegant. This chair, designed in 1849, uses the new technique of steam bent beech wood, and clearly shows the philosophy aimed at simplifying the components to ena...

A criss-cross design. The essential shape and volumes provide the distinctive trait of the Austrian manufacturer, giving Rehbeintisch an extremely contemporary look. A feeling of sol...

The graphic and artistic talent of Koloman Moser shown at its best in this item designed in 1905. The Viennese artist and designer uses the bentwood technique to model the 12 beech c...

A criss-cross design. The essential shape and volumes provide the distinctive trait of the Austrian manufacturer, giving Rehbeintisch an extremely contemporary look. A feeling of sol...

An icon of industrial design Viennese. The suppleness of the bentwood technique gives shape to an elegant beech structure, that perfectly fulfils its purpose as a coat and umbrella s...

MOS is the family of storage units designed by GamFratesi with console, bookcase and side table, which can also be used as a bedside table, that incorporates the style of the bench o...

Supple, light, and elegant. This chair, designed in 1849, uses the new technique of steam bent beech wood, and clearly shows the philosophy aimed at simplifying the components to ena...

This bar stool was originally designed n 1908 by August Thonet. It is a classic for public seating, with solid, functional and elegant characteristics. ...

With Ladder , Charlie Styrbjörn Nilsson has used the technique of steam bent wood to create a ladder for interior use whose solid wood gives strength to a slender and light structure...

Chromed steel structure and shell in beech plywood with or without solid wood arms. Wood or upholstered seat for chairs or armchairs. The upholstered cover is available only in the front part of the seat and back with the exposed wood edge. They can be equipped with a coupling system that allows for alignment. Additional Info: Materials: Beech wood, chromed steel Dimensions: H 31.9 x W 20.7 x D 20.8 inch Seat height: 17.7 inch WIENER GTV DESIGN is a trademark which distinguishes the historical and contemporary collection of Gebrüder Thonet Vienna GmbH...

The Arch Clothes Valet enriches the furnishing proposal that Front, the Swedish designer duo, created for Wiener GTV Design in 2014. An element that ...

The two Swedish designers able to give a poetic and innovative touch to materials at the same time, have come up with Coat Rack Bench for the Wiener GT...

The graphic and artistic talent of Koloman Moser shown at its best in this item designed in 1905. The Viennese artist and designer uses the bentwood technique to model the 12 beech c...

Nigel Coates has designed a sophisticated lounge chair with a complex design reflecting the stylistic features of the brand with refined ski...

Mantelpiece clock, often used by Adolf Loos in houses he designed. Casted brass-frame on four Rhomboid legs, strengthened edges leading to octagonal side frames, facettet glasses, cl...

Adolf Loos (1870 - 1933) designed the chair model shown here in 1899 based on an English model as part of his earliest work as an interior designer for the dining room in Eugen Stössler's apartment in Vienna. The omission of the front supports of the armrests and the backwards curved legs lend the early chair a touch of elegance. Instead of the turned legs of the English model, Loos used smooth round wood with brass feet to protect the carpet. So these ankle cuffs fulfill a practical purpose and at the same time have a decorative effect. They thus correspond to Loos' demand for a 'unity of form and function'. Beautifully shaped furniture made by hand in high quality, solid walnut and veneered, shellac hand-polished, upholstered seat and covered with leather, brass nails and brass shoes. Execution: Friedrich Otto Schmidt, Vienna, circa 1900 Model number 6865 The model was produced by the company F. O. Schmidt and was also in their offer at the time. This explains why this chair model, specially designed by Loos for one of his interiors, can also be found on the art market. Measures: Total height: 82.0 cm / 32.28 in Seat height: 47.0 cm / 18.50 in Width: 57.0 cm / 22.44 in Depth: 50.0 cm / 19.68 in Bibliography: - The dining room in the Stössler apartment was published in 1900 in the Viennese arts and crafts...

Armchair number 6151 by Adolf Loos for Thonet, 1900s, France Adolf Franz Karl Viktor Maria Loos( 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influ...

Designed in 1903 by the pioneering Austrian architect and designer Adolf Loos, the B 952 F armchair represents a rare convergence of utilitarian form and refined craftsmanship. Execu...