Arteluce Lighting

Postmodern Italian Geco 2 Indoor and Outdoor Wall Lamp Sconce by Luciano Pagani and Angelo Perversi for Arteluce, 1990s Wall or ceiling lights from the italian manufacturer arteluce...

Italian Postmodern Geco 1 Indoor and Outdoor Wall Lamp by Luciano Pagani and Angelo Perversi for Arteluce, 1990s Wall or ceiling lights from the italian manufacturer arteluce/flos a...

One of 12 minimalistic Mid-Century Modern recessed ceiling lights. Model 'SP 13'. Designed by Gino Sarfatti, 1958. Manufactured by Arteluce, Italy, 1970s. Manufacturers label. These ...

Gino Sarfatti was an Italian designer and a pioneer in lighting design. In 1939, he founded Arteluce, through which he developed many innovative lighting models. Sarfatti combined te...

Large 1950s Gino Sarfatti Model #155 Ceiling Lamp for Arteluce. Executed in a perforated brass dome mounted on a white painted curved metal plate with patinated metal detail on the ...

Fantastic Mid-Century "Light Ball' sconce or ceiling lamp in chrome designed by Achille Castiglioni for Flos in Italy during the 1960s. This is the largest versions of the light ba...

Pair of wall sconces model 259/2 designed by Massimo Vignelli and made by Arteluce in 1964. Each sconce is made of two aluminium square frames from where hang fabric fringes surroun...

Mod. 2065 F lucite lamp, Arteluce, circa 1950-1955 Gino Sarfatti mod. 2065 F. UFO pendant lamp produced between 1950-1955. (good condition with signs of wear) three e27 (EU) or e2...

Gino Sarfatti Model 155 Ceiling Lamp for Arteluce, Italy, 1950, Brass & White Iconic mid-century Italian design by Gino Sarfatti for Arteluce, with brass diffuser and elegant dish ...

"The Moths" Table Lamp Piero De Martini Arteluce Italy, 1980s Red Enamel Frame White Fabric "Suncover" Shade New with original Arteluce Box Available Phalene hanging Lamp in yello...

1960s Gino Sarfatti metal and Seguso glass pendant for Arteluce. This larger version measures 5.9" in diameter and is priced as a pair. This orig...

Spectacular and iconic sconce designed by Gino Sarfatti and Archimede Seguso and produced by Arteluce in Italy during the 1950s. This incredibly elegant and unique sconce is in fabu...

Vintage midcentury Arteluce saucer lamp.This Mira C Suspension provides diffused upward and downward light and features aluminum chrome lamp body finish a sandblasted, acid-etched gl...

Beautiful pair of Italian White Wall Sconces from 1980s. These pieces were made during the 1980s in Italy by Perry King and Santiago Miranda. The name of the manufacturer "Arteluce"...

Frosted glass pendant lamp designed by Pier Giuseppe Ramella for Arteluce. It was designed in the late early 90s. Made of blue and white frosted glasses. Gentle light is shining thro...

This exquisite pair of *Le Falene* table lamps, designed by Piero De Martini for Arteluce and manufactured in the 1980s, is a stunning fusion of elegance and artistry. Their shape ev...

Rare and Original two pair of vintage wall sconces, model 237/2 by Gino Sarfatti for Arteluce, Milan. Italy, 1960 Two spherical diffusers with clear glass, resting on black lacquered...

A very rare pendant lamp by Gino Sarfatti for Arteluce, Italy, circa 1950s. Cup-shaped reflector in white lacquered and coppered aluminium. Counter cup in perforated and nickeled br...

Beautiful Italian wall lamp by Arteluce. Solid chrome body with Perspex lamp shade. It has an extraordinary shape and is in a very good vintage cond...

Franco Albini and Franca Helg for Arteluce, Ochetta wall lights model '141', metal, frosted glass, Italy, 1962. The Ochetta wall lights, designed by Franco Albini and Franca Helg ...

The small T1 table light version from the Pao light series by Matteo Thun. The Pao shines impress with their characteristic diffuser made of matt glass. However, the material combin...

Postmodern UFO or flying saucer pendant light giving diffused upward and downward light. A real eye-catcher even unlit. Gem from the time. Designed in the 1990s by Ezio Didone and ma...

A chandelier with nine metal and opaline glass diffusers, Model 2042/9, designed by Gino Sarfatti and manufactured by Arteluce in Italy during the 1960s. A glowing orb encased in a ...

Iconic mid-century Italian Triennale floor lamp. Original design 1947 by Angelo Lelii for Arredoluce Monza, Italy. This model Triennale floor lamp released in late 1960s-1970s by Gin...

Rare and large lacquered metal and brass flush mount by Gino Sarfatti for Arteluce, Italy, circa 1950s, (Model 155) Socket: 3 x e27 or e26 (US) for standard screw bulbs. In a very go...

Single Model 235 Wall or Ceiling Light by Cini Boeri for Arteluce. Designed and manufactured in Italy, in 1971. Sleek slant cut flush mount with a concave socket housing, receiving a...

Wonderful mid-century Gino Sarfatti Model 1055 floor lamp made of chrome-plated metal and black enameled iron. This iconic adjustable floor lamp was designed by Gino Sarfatti and pro...

Incredible pair of Italian Postmodern design table laps, designed by Pier Giuseppe Ramella, made by Arteluce for Flos, circa 1980's. These chic lamps feature flying saucer like tops...

Here is an all original, articulating "Triennale" floor lamp by Gino Sarfatti for Arteluce, Italy. This stunning floor lamp features three adjustable arms with shades in black, grey...

1960s Gino Sarfatti Metal and Seguso Glass Sconce for Arteluce. Executed in hand blown bubbled Seguso glass and painted metal. The simplicity of Sarfatti's design and the sculptural ...

Sconce Post Moderna of great charm, made in Italy by the historic lighting company Arteluce founded in 1939 by Gino Sarfatti. Designed and produced in the 80s by the duo of architect...

Gino Sarfatti chandelier for Arteluce. Made in Italy in 1960s. Patinated brass. 12 Candelabra sockets. Complimentary US rewiring upon request. Height adjustable. Ceiling rod can be ...

Extending arm wall light model 194n designed by Gino Sarfatti and produced by Arteluce in 1958 circa. The original structure is composed by a ...

A rare 1950s Murano glass and brass wall light designed by Gino Sarfatti and Archimede Seguso, for lighting company Arteluce. With brass arm and wall bracket and collar holding the...

Le lustre Hallowen, conçu par Rodolfo Dordoni pour Arteluce dans les années 1980, se distingue par son élégance moderne et son association audacieuse de couleurs blanc et rouge. Anci...

Studio B.B.P.R. for Arteluce, ceiling light, model ‘2045/p’, lacquered aluminum, acid-etched prismatic glass, Italy, 1962 This playful ceiling light is designed by Studio B.B.P.R. f...

A sculptural and highly architectural ceiling light designed by Studio BBPR for Arteluce in the 1960s—this rare large-scale variant of the ...

Huge and elegant Massimo Vignelli table lamp model 526 for Arteluce, Italy, 1965. Designed by Massimo Vignelli for Arteluce in 1965, the Model 526 table lamp is a refined expression ...

This extraordinary chandelier by the renowned Italian lighting manufacturer Arteluce is a true collector’s piece and a striking example of 1970s Space Age design. With its sculptural...

Gino Sarfatti Model #608 Wall or Ceiling Lamp for Arteluce c. 1971 Highly rare model #608 wall or ceiling lamp designed by Gino Sarfatti and manufactured by Arteluce, Italy 1971. Th...

A pair of table lamps from the 'Le Falene' series designed by Piero De Martini in 1980 and produced by Arteluce. The main parts are a yellow lacquered metal frame and an off-white f...

Set of Three Ceiling or Wall Lamps by Gino Sarfatti for Arteluce, Italy, 1950s Elegant and rare set of three Mid-Century Modern lamps designed by Gino Sarfatti and produced by Artel...

White articulating single-arm floor lamp by Gino Sarfatti for Arteluce. Adjustable height. Carrara marble base and black leather wrapped handle. Made in Italy, circa 1960s. Stamped ...

Italian Mid-Century pendant, model 2102, by Gino Sarfatti for Arteluce. Off white metal shade with frosted glass diffuser and brass hardware. Holds one light source. Condition: Ex...

Wall lamps from the PAO series by Matteo Thun for the firm Arteluce. Here in a rare version with light wood. The Pao lights impress with their characteristic diffuser made of matt gl...

Pair of Gino Sarfatti Model #10 sconces in red for Arteluce. Executed in red painted aluminum and custom fabricated period styled brass backplates designed to mount over a standard A...

Black model P600 by Gino Scarfatti produced by Artleuce Milano period 1960/1969 without any identification mark or logo, perfectly functional completely original with slight signs of...

Gino Sarfatti for Arteluce Double Wall Lights Model 237/2 in Glass Metal, 1970s Original vintage wall light, model 237/2 by Gino Sarfatti for Arteluce, Milano. Two spherical diffuse...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genova, he founded the Arteluce company in 1939 in Milan. Its pu...

Massimo Vignelli model 526g table lamp for Arteluce. Original labels

A black-lacquered metal and opaline glass wall light designed by Ico Parisi and produced by Arteluce, Italy, c. 1940s. Overall Dimensions (Inches): 19.5"H x 9.5"W x 13.0"D Back Pla...

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

"Gala" table lamps by Paolo Rizzatto for Arteluce. Black metal curved base and lampshade in synthetic fiber.

PAO, tall floor lamp made with a satin glass base, ebonized wood stem, and an opal glass oval-shaped diffuser that emits a beautiful, warm light, gently diffused through the white gl...

Gino Sarfatti for Arteluce flush mount ceiling light. Model 3001/50 Prismatic glass, chrome plated aluminum, painted metal. Remains of Arteluce sticker. Made in Italy in 1950s. Takes...

Pao table light by Matteo Thun for Arteluce, 1993. Matteo Thun’s work is driven by the search for sophistication and subtle irony, which makes him something of a design dandy.When it...

A Post Modern floor lamp of great charm, made in Italy by the historic lighting company Arteluce founded in 1939 by Gino Sarfatti. Designed and produced during the 80s, this floor la...

Large table lamp model 526G (grande) for Arteluce by Massimo Vignelli. Very good and working condition consistent with age and use. Made in Italy during the 60s.Rare 1st edition with the chromed brass base and the old original "Ticino" switch. Full working with EU standard, adaptable on demand for USA standard. Documentation: *Gramigna, G. Repertorio del Design Italiano, 2 vols. p 121, illustrated.  *Italian Light 1960...

The small T1 table lamp version from the Pao lamp series by Matteo Thun. The Pao lights impress with their characteristic diffuser made of frosted glass. What is particularly specia...

Wall sconce Mod. "36" in chromed metal designed by Gino Sarfatti for Arteluce, Italy 1955. The lamp is structured with a horizontal chromed arm connected to a square metal plate, wh...