Arteluce Wall Lights and Sconces

Fantastic Mid-Century "Light Ball' sconce or ceiling lamp in chrome designed by Achille Castiglioni for Flos in Italy during the 1960s. This is the largest versions of the light ba...

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

Pair of 1950s Gino Sarfatti Model #10 sconces for Arteluce. Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mo...

Pair of Gino Sarfatti Model #10 Sconces in Black for Arteluce Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mount over a standard American j-box for hardwiring. Ball jointed arm allows flexible shade adjustments and multiple configurations. Arteluce was one of the most innovative lighting design companies in Italy during the midcentury era. Their designs have been long sought after by collectors in the know. Ref: Romanelli & Severi "Gino Sarfatti: 1938-1973, selected works" p. p. 386 + various configurations pp. 69 & 151. Originally designed between 1937-1941, the simplicity of Sarfatti's iconic Model #10 "detto Calla" or "Lily...

Franco Albini and Franca Helg for Arteluce, Ochetta wall lights model '141', metal, frosted glass, Italy, 1962. The Ochetta wall lights, designed by Franco Albini and Franca Helg ...

Studio B.B.P.R. for Arteluce, ceiling or wall lights, model ‘2045/p’, lacquered aluminum, acid-etched prismatic glass, Italy, 1962 These playful ceiling lights are designed by Stud...

Beautiful pair of Italian White Wall Sconces from 1980s. These pieces were made during the 1980s in Italy by Perry King and Santiago Miranda. The name of the manufacturer "Arteluce"...

This wall or ceiling lamp is part of BBPL Arteluce's production from the early 1950s and is a fine example of postwar Italian industrial lighting. The design features a compact circu...

Spectacular and iconic sconce designed by Gino Sarfatti and Archimede Seguso and produced by Arteluce in Italy during the 1950s. This incredibly elegant and unique sconce is in fabu...

Single Model 235 Wall or Ceiling Light by Cini Boeri for Arteluce. Designed and manufactured in Italy, in 1971. Sleek slant cut flush mount with a concave socket housing, receiving a...

This lamp is a fine example of Arteluce's ”Triana” wall lamp featuring two sets of interchangeable Murano glass. One set is white while the other features lined white strips over tra...

Wall lamp Model 211 designed by Gino Sarfatti in 1955 and manufactured by Arteluce. Model 211 consists of an aluminum base with a screen that rotates around a tubular light bulb of ...

Wall sconce Mod. "36" in chromed metal designed by Gino Sarfatti for Arteluce, Italy 1955. The lamp is structured with a horizontal chromed arm connected to a square metal plate, wh...

Discover this rare pair of Model 157/PX wall lights designed by Gino Sarfatti for Arteluce in the 1960s — a striking example of the designer’s talent for sculpting light through pure...

Franco Albini and Franca Helg for Arteluce, Ochetta wall light, model '141', metal, frosted glass, Italy, 1962. The Ochetta wall lights, designed by Franco Albini and Franca Helg ...

A large set of 8 original Memphis style "Jill " Arteluce wall sconces by Perry King and S. Miranda, available for purchase per piece. The design i...

Italian Postmodern Geco 1 Indoor and Outdoor Wall Lamp by Luciano Pagani and Angelo Perversi for Arteluce, 1990s Wall or ceiling lights from the italian manufacturer arteluce/flos a...

Gino Sarfatti Model 225 Sconce in Aluminium and Brass for Arteluce, Italy, 1957. A rare and desirable mid century sconce by famous lighting designer Gino Sarfatti for Arteluce. Desi...

wonderful minimalist wall lights model 31B designed by Gino Sarfatti, manufactured by Arteluce, Italy 1950 with black enameled metal shades on chrome plated double-joint adjustable a...

Gino Sarfatti for Arteluce, wall light, model '194N', chrome-plated metal, coated aluminum, coated steel, Italy, 1950 This wall light, model 194N, is designed by the influential designer in the field of lighting design Gino Sarfatti (1912-1985) for Arteluce in 1950. Sarfatti founded Arteluce in 1936, an Italian lighting company that garnered acclaim for its groundbreaking and pioneering designs, defying conventional norms prevalent during that period. Functional principles, such as flexibility and adaptability, guided Sarfatti through the design process. He conceived a modular approach to lighting systems, enabling the user to personalize and adjust the lighting fixtures according to its preferences and needs. A significant part of the released designs incorporated practical elements, such as adjustable arms and rotating mechanisms. This innovative approach had a profound influence on the conceptualization and utilization of lighting within interiors around that time. In addition to their functional attributes, the lamps crafted by the company were predominantly characterized by a pure and minimalist aesthetic. A decoration was subordinate to the constructive element, focusing on the essential composition of geometric forms and usage of materials. Gino Sarfatti considers this type of wall lights as ‘extendible wall sconce...

Sculptural and refined wall light designed by Vittoriano Viganò for Arteluce, among the most influential Italian lighting manufacturers of the post-war period. The fixture exemplifie...

In postwar Italy, lighting design became a vital field of experimentation, uniting art, technology, and craft. Designers like Gino Sarfatti helped define a new language that embraced...

Rare and large lacquered metal and brass flush mount by Gino Sarfatti for Arteluce, Italy, circa 1950s, (Model 155) Socket: 3 x e27 or e26 (US) for standard screw bulbs. In a very go...

These wall lamps were designed by Gino Sarfatti for Arteluce in 1960. The 2/1 wall lamp features a ring and wall flange in polished aluminum with an adjustable opaline methacrylate r...

Gino Sarfatti Model #608 Wall or Ceiling Lamp for Arteluce c. 1971 Highly rare model #608 wall or ceiling lamp designed by Gino Sarfatti and manufactured by Arteluce, Italy 1971. Th...

Model Pao' Glass and Metal and Solid Wood Wall Sconce by Arteluce, 1960s, Italy Minimal design Very high quality. Fully functional. 3 Pieces available Lamps are in very good vint...

Cobalt blue glass pair of sconces by King and Miranda for Arteluce, 1980s Italy Designers : Perry King and Santiago Miranda The Arteluce "Jill w...

Esclusiva Coppia di Applique Arteluce Modello "145" – Design Sergio Asti ​Proponiamo una straordinaria e rarissima coppia di lampade da parete prodotte dalla storica azienda Arteluce...

A set of 4 original Memphis style "Jill " Arteluce wall sconces by Perry King and S. Miranda, available for purchase per piece. The design is cle...

XL Mod. 252/p Sconces by Vittorio Gregotti, Lodovico Meneghetti, and Giotto Stoppino for Arteluce. Designed and manufactured in Italy, in 1966. Large wall lamps comprising of silver ...

Wall lamp Mod. 228 designed by Gino Sarfatti for the Arteluce Company in the 1950s. The lamp is made entirely of opal glass with white lacquered aluminum stand and details. It is a m...

This elegant and functional Model 36 wall spot was designed by the legendary Gino Sarfatti and manufactured by Arteluce in the 1950s. Characterized by its minimalist aesthetic, this ...

Gino Sarfatti Model #26b Yellow and Brass Wall Lamp for Arteluce. Executed in yellow aluminum with a brass backplate. Double ball jointed arm allows flexible shade adjustments and m...

Extending arm wall light model 194n designed by Gino Sarfatti and produced by Arteluce in 1958 circa. The original structure is composed by a ...

Genuine pair of Gino Sarfatti for Arteluce wall-mounted pendant lamp model 194/N, circa 1950 We have two lights available, priced individually Great set of 2 wall lights which are ...

Wall Light by Vittoriano Viganò for Arteluce, 1950 Wonderful wall light designed by Vittoriano Viganò for Arteluce in Italy, 1950s. The light is in gorgeous original condition, with...

A pair of wall lamps by Marc Sadler for Arteluce made in Italy in 1993. The shade of the lamp is made of silicon and has a beautiful white color. The base is made of hard plastic.  

Genuine pair of Gino Sarfatti for Arteluce wall-mounted lights 113b Great set of 2 wall lights in restored condition. Both were manufactured by Arteluce in Italy, circa 1950s. The...

Modern , bold ' Bali ' Wall Sconce from Paolo Rizzato for Arteluce , Italy , 1977 Solid well made hardware and construction . A warm glow emanate from the opaline glass shade...

Pair of 1950s Gino Sarfatti Model #10 sconces in Green for Arteluce. Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mount over a standard American j-box for hardwiring. Ball jointed arm allows flexible shade adjustments and multiple configurations. Arteluce was one of the most innovative lighting design companies in Italy during the midcentury era. Their designs have been long sought after by collectors in the know. Ref: Romanelli & Severi "Gino Sarfatti: 1938-1973, selected works" p. p. 386 + various configurations pp. 69 & 151. Originally designed between 1937-1941, the simplicity of Sarfatti's iconic Model #10 "detto Calla" or "Lily...

Rare and Original vintage wall lamp model 238/2 by Gino Sarfatti for Arteluce, Milan. Due diffusori sferici con vetro lattimo, appoggiati sugli anelli di sostegno in barra di ferro l...

Gino Sarfatti for Arteluce Double Wall Lights Model 237/2 in Glass Metal, 1970s Original vintage wall light, model 237/2 by Gino Sarfatti for Arteluce, Milano. Two spherical diffuse...

Manufactured by ARTELUCE in 1973, this mod. 265 wall lamp is a perfect blend of functionality and elegance. Its sleek, adjustable arm and rotating lampshade offers effortless control...

The Minimalist wall lamp model 31B, designed by the acclaimed Gino Sarfatti and manufactured by Arteluce in Italy in 1950, epitomizes the elegance and functionality of mid-century mo...

Beautiful Italian wall lamp by Arteluce. Solid chrome body with Perspex lamp shade. It has an extraordinary shape and is in a very good vintage cond...

Rare large wall lamp model 257 designed by Sergio Asti and manufactured by Arteluce in Italy in 1966. Under the watchful eye of Gino Sarfatti, this lamp was brought to life. You can ...

Stunning three-light wall lamp model 238/2 by Gino Sarfatti for Arteluce 1950s. In excellent original condition. The brass wall plate with arms bent to form circles houses translucen...

A rare and fascinating adjustable wall lamp of Model 3, designed by Gino Sarfatti and produced by Arteluce in Italy in the 1950s. Characterized by an adjustable lampshade, this lamp ...

Wall lamps from the PAO series by Matteo Thun for the firm Arteluce. Here in a rare version with light wood. The Pao lights impress with their characteristic diffuser made of matt gl...

Model 235 Wall or Ceiling Lights by Cini Boeri for Arteluce. Designed and manufactured in Italy, in 1971. Sleek slant cut flush mounts with a concave socket housing, receiving a chro...

A set of 4 original Memphis style "Jill " Arteluce wall sconces by Perry King and S. Miranda, available for purchase per piece. The design is clea...

Paolo Rizzatto Lamp adjustable in all directions with shade and articulated arm in painted steel and cast iron counterweight. Production Arteluce, 1968. Max extension 240cm

1960s Gino Sarfatti Metal and Seguso Glass Sconce for Arteluce. Executed in hand blown bubbled Seguso glass and painted metal. The simplicity of Sarfatti's design and the sculptural ...

Model 10 'Lilly' Sconces by Gino Sarfatti for Arteluce (IT, c. 1940s) Mint green pastel shades with a bottom curved detail. Brass accents. Each sconce holds a single E14 socket-type...

A rare and striking example of Gino Sarfatti’s pioneering approach to modern lighting, this Model 50 five-light wall lamp, designed for Arteluce in 1968, is. As a visionary in mid-ce...

Sconce Post Moderna of great charm, made in Italy by the historic lighting company Arteluce founded in 1939 by Gino Sarfatti. Designed and produced in the 80s by the duo of architect...

Gino Sarfatti Model #10 sconce in white for Arteluce. Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mount o...

Gino Sarfatti Model #10 Sconce in Black for Arteluce Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mount ove...

Gino Sarfatti for Arteluce Pair of two Mid-Century Sconces Model 237/2, Italy 1959s. This is an original pair of two Italian mid-century wall lamps, model 237/2, designed by Gino Sa...

Perry King (born in London in 1938) had studied Industrial Design in Great Britain, in Birmingham, but had settled in Italy since 1964, becoming one of the most appreciated figures - professionally and humanly - in the world of Italian design.Consultant for Olivetti, he had worked on numerous products, the most famous of which, designed with Ettore Sottsass, is the Valentine typewriter. He then became coordinator of the Olivetti corporate image, he had designed characters for the machines produced by the company and designed books and posters. With Santiago Miranda, whom he met in this period, he founded the King-Miranda Associati firm in Milan in 1976, currently a member of ADI. Together King and Miranda are the authors of numerous projects, from furnishing accessories to furniture, lamps, office chairs, and technological appliances such as dehumidifiers, radiators and air conditioners...