Barbara Hepworth was born in 1903 in Wakefield, West Riding of Yorkshire. Hepworth attended the Leeds School of Art from 1920. There, she met fellow sculptor Henry Moore, who she maintained a friendly rivalry with throughout her career.
From Leeds, Hepworth went on to attend the Royal College of Art (RCA) in London, where she studied from 1921–24. Following her studies in London, Hepworth traveled to Italy. She began this journey in Florence, where she was the runner-up for the Prix-de-Rome, losing only to sculptor John Skeaping, whom she began a relationship with. The pair traveled to Siena and Rome and were married in 1925 in Florence.
During her time in Italy, Hepworth studied under sculptor Giovanni Ardini and learned how to carve marble. Upon her return to London, Hepworth and Skeaping began to publicly exhibit from their flat until their divorce in 1929. Hepworth’s early work reflects her interest in European art movements, particularly Italian Abstraction.
In 1931, Hepworth began to sculpt her characteristic pierced figures, and Henry Moore followed suit. The pair led the path to modernist sculpture. Hepworth later became involved with the Parisian art movement, Abstraction-Création.
In 1933, Hepworth and Ben Nicholson co-founded with Paul Nash, Herbert Read and architect Wells Coates the Unit One art movement, with the agenda to unite Surrealist practice with abstraction in contemporary British art. Hepworth moved to St. Ives, Cornwall with her second husband Nicholson and their children at the outbreak of the Second World War in 1939. Hepworth lived and worked in Trewyn Studios.
Many other British artists likewise found refuge and space in Cornwall to continue working during the war, and in its aftermath, Hepworth founded the Penwith Society of Arts in 1949.
In 1950, Hepworth exhibited in the British Pavilion at the Venice Biennale. Two of her public commissions were exhibited at the Festival of Britain in 1951, and in 1953 she traveled to Greece, a trip which inspired her celebrated six-piece sculpture collection carved from Guarea wood between 1954–56. In 1955, Hepworth began to exhibit in the USA, beginning with the Martha Jackson Gallery. Preferring the European art market, she exhibited solo at Galerie Chalette, France in 1957, and her lithographs were hung in Marlborough Fine Art in 1970.
The Barbara Hepworth Museum in St Ives and the Hepworth Wakefield in West Yorkshire permanently exhibit her work in honor of her contributions to both places that the artist at times called home. Her collectors include the Tate, the Dallas Museum of Art, the Art Institute of Chicago, the Museum of New Zealand Te Papa Tongrewa and the Lynden Sculpture Garden.
Hepworth was awarded the Grand Prix at the 1959 Sao Paulo Art Biennal, the Freedom of St Ives in 1968, a CBE in 1958, and a DBE in 1965. In 2015, the Tate Britain held the first big solo exhibition of Hepworth’s work since her death, bringing together more than 70 of her works.
Find Barbara Hepworth art for sale on 1stDibs.
(Biography provided by Shapero Modern)
Sea Forms (1969) (signed)
By Barbara Hepworth
Located in Woodbury, CT
A original Lithograph in black and yellow with embossing on wove paper. Signed and numbered in pencil by the artist. Edition 30/60. Sheet size 58 x 82cm. Published with the blindstam...
Lithograph
Moonplay (1972) (signed)
By Barbara Hepworth
Located in Woodbury, CT
Signed lithograph in colours, 1972, on wove paper, signed in pencil, numbered 129/200, published by Cercle Graphique Européen, with their blindstamp, in good condition, framed 76 x ...
Lithograph
Fragment from the Aegean Suite (1969) (signed)
By Barbara Hepworth
Located in Woodbury, CT
A Lithograph from 1971 printed in colours on wove. Signed and numbered in pencil by the Artist. Printed by Curwen Studio, with their blindstamp and publishe...
Lithograph
Square and circles (1969) (signed)
By Barbara Hepworth
Located in Woodbury, CT
A original Lithograph printed in colours, on wove. Signed and numbered by the artist. Printed by Curwen Prints, London, with their blindstamp, with margins in 1969. Edition 24/30. Sh...
Lithograph
Rangatira 2 (1969)
By Barbara Hepworth
Located in Woodbury, CT
Screenprint in colours, 1970, from Opposing Forms, signed in pencil, numbered 13 out of 60, published by Marlborough Fine Art, London, on TH Saunders wove paper. 78 x 57 cm.
Screen
Winter Solstice - British Sculpture Abstract St Ives
By Barbara Hepworth
Located in London, GB
This original screenprint in colours is hand signed in pencil by the artist "Barbara Hepworth" in the lower right image. It is also hand numbered in pencil 44 from the edition of 150, at the lower right image, below the signature. It was printed by Rose and Chris Prater of Kelpra Studios, London and co-published by Lund Humphries, London and Praeger Publishers, New York in 1971. This screenprint was included in the 1971 catalogue raisonné of Barbara Hepworth’s sculptures...
Screen
$10,501
Barbara Hepworth, Three Forms Assembling - Signed Print, 1968, Abstract Art
By Barbara Hepworth
Located in Hamburg, DE
Barbara Hepworth (British, 1903-1975) Three Forms Assembling, 1968 Medium: Lithograph on Japan paper Dimensions: 69.5 x 50 cm Edition of 35 (XXXV): Hand-signed and numbered Portfolio...
Lithograph
Barbara Hepworth, Rangatira II, 1969-70
By Barbara Hepworth
Located in London, GB
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the dr...
Screen
Desert Forms, from Aegean Suite by Barbara Hepworth, 1971
By Barbara Hepworth
Located in Kingsclere, GB
Desert Forms, from Aegean Suite by Barbara Hepworth, 1971 Additional information: Medium: lithograph with embossing 81 x 59 cm 31 7/8 x 23 1/4 in signed Barbara Hepworth was one of...
Lithograph
Price Upon Request
Squares and Circles, from Twelve Lithographs by Barbara Hepworth, 1969
By Barbara Hepworth
Located in Kingsclere, GB
Squares and Circles, from Twelve Lithographs by Barbara Hepworth, 1969 Additional information: Medium: lithograph 58 x 80 cm 22 7/8 x 31 1/2 in signed and numbered in pencil Barbar...
Lithograph
Price Upon Request
Reclining Figure (Trenona) By Barbara Hepworth
By Barbara Hepworth
Located in Dubai, Dubai
Reclining Figure (Trenona) By Barbara Hepworth 1958 Barbara Hepworth was a prominent 20th-century British sculptor celebrated for h...
Bronze
Flowers
By Donald Sultan
Located in San Francisco, CA
This artwork titled, Flower, 1990 is a color silkscreen and lithograph on Arches 88 paper, by artist Donald Sultan (American, b. 1951) It is hand signed and numbered 31/125 in pencil by the artist. It was published by Parasol Editions Press L.T.D. Portland, Oregon. From the suite,Fruits. It is beautifully framed in a wood maple custom frame, with bevel and fabric matting. Donald Sultan is an American painter, sculptor, and print maker, well-known for large-scale still life paintings and the use of industrial materials such as tar, enamel, spackle and vinyl tiles. He has been exhibiting internationally in prominent museums and galleries, and his works are included in important museum collections all over the globe. Donald Sultan rose...
Lithograph, Screen
$28,000
H 31.19 in W 28.19 in
Red Meander I /// Anni Albers Bauhaus Abstract Geometric Female Artist Screen
By Anni Albers
Located in Saint Augustine, FL
Artist: Anni Albers (German-American, 1899-1994) Title: "Red Meander I" Portfolio: Meander *Signed and dated by Albers in pencil lower right Year: 1969-1970 Medium: Original Screenpr...
Screen
$450
H 19.5 in W 13.5 in
Untitled - III, Surrealist Lithograph by Wojtek Kowalczyk
By Wojtek Kowalczyk
Located in Long Island City, NY
Untitled - III Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)
Lithograph
$2,800
H 25.5 in W 19.8 in
Salvador Dalí Whoever Takes Carmen (Salvador Dalí prints Salvador Dalí Carmen)
By Salvador Dalí
Located in NEW YORK, NY
Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage ...
Paper, Lithograph
Marc Chagall -- Le Lit d'Ulysse from L'Odyssée II
By Marc Chagall
Located in BRUCE, ACT
MARC CHAGALL -- Le Lit d'Ulysse from L'Odyssée II, 1975 Lithograph in colors Unsigned, one of 250 published by Mourlot, Paris Literature Mourlot 829 Unframed Sheet: 42.5 x 32.5 cm
Lithograph
$175Sale Price|36% Off
H 16.75 in W 12.75 in D 1 in
Untitled Composition III (Gestural Abstraction, Lyrical, Tachisme, ~36% OFF)
Located in Kansas City, MO
Otto Greis Untitled Composition III Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) F...
Vellum, Screen
$2,246
H 29.73 in W 21.86 in
FELIPE PANTONE - CHROMADYNA MICAP #3 Op Art Abstract Street Art Black Modern
By Felipe Pantone
Located in Madrid, Madrid
Felipe Pantone CHROMADYNA MICAP #3 Date of creation: 2020 Medium: Lithograph on paper Edition: 30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Lithograph o...
Paper, Lithograph
$3,728
H 27.96 in Dm 27.96 in
TAKASHI MURAKAMI: Enso - Limited edition hand signed & numb. Superflat, Pop Art
By Takashi Murakami
Located in Madrid, Madrid
ENSÕ: EARTHLY DESIRES Date of creation: 2016 Medium: Offset lithograph with cold stamp and UV gloss varnishing on paper Edition: 300 Size: 68 x 68 cm Observations: Offset lithograph ...
Varnish, Lithograph, Offset
$3,295
H 18.5 in W 18.5 in
Jasper Johns Abstract Color Screenprint, 1977, Pop Art, Unsigned
By Jasper Johns
Located in Washington, DC
Artist: Jasper Johns Title: Untitled Medium: Screenprint in colors on Patapar printing parchment Year: 1977 Edition: 3000 Frame Size: 18 1/2" x 18 1/2" Sheet Size: 10 5/8" x 10 1/4" ...
Screen
Moon Shell, Lithograph by Jill O'Connell
Located in Long Island City, NY
Moon Shell Jill O’Connell Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 500, AP Image Size: 24.5 x 19 inches Size: 29.5 in. x 23 in....
Lithograph
$2,800
H 10.5 in W 12.5 in
Milton Glaser signed abstract mixed media landscape mid century modern (unique)
By Milton Glaser
Located in New York, NY
MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media Signed and dated 1965 on the front Unique 1960s Milton Glaser mixed media monotype landscape with letters, in original 1960s metal frame. Signed and dated 1965 in graphite on the front. This was acquired from the Helen Lesser and Gene Federico Estate in Pound Ridge New York. Gene Federico was a renowned Art Director, and Helen Lesser was a well known Graphic Designer and Book Illustrator. This work has been elegantly framed in a museum quality frame painted bold blue under UV plexiglass. Measurements: 17.5 inches (vertical) by 19.5 inches (horizontal) by 2 inches Signed monoprint: 10.5 inches (vertical) by 12.5 inches (horizontal) MILTON GLASER BIOGRAPHY Milton Glaser (1929–2020) was a giant figure in the history of graphic design. Born in the Bronx to immigrants from Hungary, Glaser graduated in 1951 from The Cooper Union for the Advancement of Science and Art, where he and other students received full-tuition scholarships from the endowment established by Peter Cooper. Glaser also studied in Bologna, Italy, with the painter Giorgio Morandi. This New York kid mixed together commercial art and fine art to create a potent new language. He co-founded Push Pin Studios in 1954 with friends from Cooper Union. Based in New York City, Push Pin became an international force in the 1960s and 70s, with a legacy that continues to inspire designers and illustrators today. Glaser is best known among designers for his illustrated posters and album covers. His Dylan poster...
Mixed Media, Monotype, Screen
$1,500
H 15.75 in W 15.25 in
Emil Schumacher Limited Edition Serigraph Terraraph Print Abstract Art Informel
By Emil Schumacher 1
Located in Surfside, FL
Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg exhibition Deutsche Kunst nach 45 (German Art after 1945) at the Stedelijk Museum Amsterdam: for the first time after World War II, Contemporary German Art is shown abroad. 1955: Participates in the exhibition Peintures et sculptures non-figuratives en Allemagne d’aujourd’hui in Paris. This is the first time, 10 years after the war's end, that René Drouin shows contemporary German art at the Cercle Volney in France. 1956: While searching for new media and materials, Schumacher creates his first 'Tastobjekte' (tactile objects). Conrad von Soest Preis (Conrad-von-Soest Award), Münster, Germany. 1958: Travels to Spain, Italy and Tunisia. Participates in the XXIX. Venice Biennale, Italy. 1958–1960: Professorship at the Hochschule für bildende Künste Hamburg (University of Fine Arts) in Hamburg, Germany. 1959: Participates in the documenta II in Kassel, Germany, as well as the V. São Paulo Art Biennial, Brazil. First solo exhibit in New York at the Samuel M. Kootz Gallery. 1962: Travels to Libya and Tunisia. Summer stay in Anguillara, Lago di Bracciano, Italy. 1963: Solo exhibit as German contribution to the VII. São Paulo Art Biennial, Brazil. Travels to Brazil, Argentina, Uruguay, Peru and Bolivia. Once again summer stay in Anguillara, paintings that originated during the stay are shown in the Galeria La Medusa in Rome. 1964: Participates in the documenta III in Kassel, Germany. 1965: Travels through Yugoslavia, to Montenegro, the Herzegovina, and Bosnia. 1966–77: Professorship at the Academy of Fine Arts, Karlsruhe. 1967–68: Guest professorship at the Minneapolis School of Art, Minneapolis, USA. In Minneapolis, a series of works on paper are created. This series called Minneapolis Suite was exhibited at the Lefebre Gallery in New York and at the Galerie de Montréal in Montréal, Canada. Extensive travels through the USA. 1969: Winter stay on the Island of Djerba in Tunisia. Here, the Djerba gouaches were created over the course of the following years. 1971: Since 1971, frequent stays on Ibiza during spring and summer. 1974: Autumn stay in Cunardo, Lago Maggiore where the first ceramic works are created in Ceramica Ibis. 1983: Travels to Morocco where Suite Maroc, encompassing 36 pages, is created. 1985: Guest of Honor of the German Academy of Rome, Villa Massimo, Italy. 1988: In October 1988, a 10-day stay in Iraq. Design and creation of a 20 m long ceramic wall mural in the new building of the Landtag of North Rhine-Westphalia. 1991: Guest professorship at the Concorso Superiore Internazionale del Disegno of the Fondazione Antonio Ratti, Como, Italy. 1996: Schumacher designs a 20 m long and 3 m high mosaic wall for the Colosseo (Rome Metro) in Rome, Italy. 1998: Commission for mural in the Reichstag building, Berlin (executed in 1999). 1999: Member of the Academy of the Arts of Saxony (Sächsische Akademie der Künste), Dresden, Germany. Publication of the Israeli book 'GENESIS' with 18 Serigraphies in the edition Har-El, Jaffa/ Jerusalem / Israel. Awards 1948: Kunstpreis junger westen from the city of Recklinghausen, Germany. 1955 Art award from the city of Iserlohn, Germany. 1958: Karl Ernst Osthaus Preis (Karl-Ernst-Osthaus Award), 1958: Guggenheim Award (National Section), New York. 1959: Award from the Japanese Cultural Minister in celebration of the V. International Art Exhibition, Tokyo. 1962: Premio Cardazzo, XXX Venice Biennale, Italy. 1962: First prize silver medal, Bang Danh-Du Award in celebration of the 1st International Arts Exhibition, Saigon, Vietnam. 1963: Großer Kunstpreis (Great Art Award) of North Rhine-Westphalia, Düsseldorf, Germany. 1966: Prize of the Governor of Tokyo, in celebration of the 5th International Biennale Exhibition of Prints, Tokyo, 1968: Member of the Academy of Arts Berlin, Germany. 1974: Award of the city of Ibiza in celebration of the Graphic-Biennial 1974. 1978: August Macke Prize of the city of Meschede 1983: Receives Grand Cross of Merit with Star from the Order of Merit of the Federal Republic of Germany. French art critic Michel Tapié named the influential European movement that during the 1950s paralleled Abstract Expressionism in the U.S, Art Informel. Art Informel is and expressionist, artist-oriented abstraction rooted in the works of Wassily Kandinsky, Paul Klee, Jean Dubuffet, and Tachiste and Surrealist automatism. A style primarily of painting that developed in 1945/46 as reaction to geometric abstraction prevailing in post war Paris in the following of the École de Paris. Informel painting emphasises the spontaneous act of painting, the unconscious side of artistic creativity. The process of painting is often more important than what comes out of it. Informel is an international style and can be subdivided into various schools. Tachism [French: "tache" = blot], Action painting, Abstract Expressionism and Art Brut [French = "raw art"] are also considered Informel. By that definition, leading exponents of Informel in the US were Jackson Pollock and Willem de Kooning and in France Wols, Jean Fautrier and Jean Dubuffet. In Germany Informel was at its height in the 1950s and 1960s. The leading exponents of German Informel are Hans Hartung, Emil Schumacher, Karl Fred Dahmen, K.O. Götz, Gerhard Hoehme...
Screen
Sun and Marble (1970-71) (signed)
By Barbara Hepworth
Located in Woodbury, CT
A original Lithograph printed in colours, on wove. Signed and numbered by the artist. Printed by Curwen Prints, London, with their blindstamp, with margins in 1969. Edition 24/30. Sh...
Lithograph
Sold
H 31.5 in W 23.04 in
Sun and Water -- Lithograph, the Aegean Suite by Barbara Hepworth
By Barbara Hepworth
Located in London, GB
BARBARA HEPWORTH Sun and Water, 1970-71 Lithograph in colours, on watermarked handmade Barcham Green wove Signed and numbered from the edition of 30 From...
Handmade Paper, Lithograph
Assembly of Square Forms
By Barbara Hepworth
Located in London, GB
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the dr...
Screen
Sold
H 20.87 in W 27.56 in
Squares and Circles -- Print, Lithograph, Geometric Abstract by Barbara Hepworth
By Barbara Hepworth
Located in London, GB
BARBARA HEPWORTH Squares and Circles, 1969 Lithograph in colours, on wove paper Signed, dated and numbered from the edition of 60 Printed and published by Curwen Studio, London Shee...
Lithograph
Sold
H 20.87 in W 27.56 in
Squares and Circles -- Print, Lithograph, Geometric Abstract by Barbara Hepworth
By Barbara Hepworth
Located in London, GB
BARBARA HEPWORTH Squares and Circles, 1969 Lithograph in colours, on wove paper Signed, dated and numbered from the edition of 60 Printed and published by the Curwen Studio, London ...
Lithograph
Barbara Hepworth, High Tide, 1969-70
By Barbara Hepworth
Located in London, GB
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the dr...
Screen
Barbara Hepworth, Two Opposing Forms, 1969-70
By Barbara Hepworth
Located in London, GB
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the dr...
Screen
Winter Solstice
By Barbara Hepworth
Located in London, GB
BARBARA HEPWORTH Winter Solstice, 1971 Screenprint in colours, on wove Signed and numbered from the edition of 150 in pencil Published by Lund Humphrie...
Lithograph
Sea Forms
By Barbara Hepworth
Located in Long Island City, NY
Artist: Barbara Hepworth, British (1903 - 1972) Title: Sea Forms Year: 1969 Medium: Lithograph with Embossing, signed and numbered in pencil Edition: 30 Size: 23 x 32 in. (58.42...
Lithograph